Interviewed in 1998 for The Paris Review, he stated that:

After living in Jamaica and writing The Book of Jamaica, I accepted that I was obliged, for example, to have African-American friends. I was obliged to address, deliberately, the overlapping social and racial contexts of my life. I'm a white man in a white-dominated, racialized society, therefore, if I want to I can live my whole life in a racial fantasy. Most white Americans do just that. Because we can. In a color-defined society we are invited to think that white is not a color. We are invited to fantasize, and we act accordingly.[6]

The themes of Continental Drift (1985) include globalization and unrest in Haiti. His 2004 novel The Darling is largely set in Liberia and deals with the racial and political experience of the white American narrator.

Writing in the Journal of American Studies, Anthony Hutchison argues that, "[a]side from William Faulkner it is difficult to think of a white twentieth-century American writer who has negotiated the issue of race in as sustained, unflinching and intelligent a fashion as Russell Banks".[19]

https://en.wikipedia.org/wiki/Russell_Banks

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