Sandro Botticelli (1445-1510, Italian)
Die Geburt der Venus / The Birth of Venus
Gemälde, Tempera auf Leinwand, 279 x 173 cm, 1485, Uffizien, Florenz
#SandroBotticelli #mythologie #SimonettaVespucci #venus #aphrodite #malerei #renaissance #kunst #art #paintings #gemälde #peinture #mythology #painting
In ganz Europa kleben sich Menschen an berühmte Gemälde und Skulpturen, um Klimagerechtigkeit zu fordern. Für ihre Aktionen wählen sie nicht irgendwelche Kunstwerke aus.#Klimawandel #Kunst #Protest #Museum #SandroBotticelli #VatikanischeMuseen #ExtinctionRebellion #Klimaprotest
Warum sich Klimaschutz-Aktivisten an Kunstwerke kleben | DW | 26.08.2022
Pallas and the Centaur (c.1480-1485). Sandro Botticelli (Italian, 1445-1510). Tempera on canvas. The Uffizi.
According to the inventory of 1499 which lists the property of Lorenzo di Pierfrancesco de’ Medici, cousin of Lorenzo the Magnificent, the painting Pallas and the Centaur hung above a door in the same room as the Primavera. Its bare landscape focuses one’s gaze on the two figures. A centaur has trespassed on forbidden territory. This lusty being, half horse and half man, is being brought under control by a guard armed with a shield and halberd, and she has grabbed him by the hair. The woman has been identified both as the goddess Pallas Athena and the Amazon Camilla, chaste heroine of Virgil’s Aeneid. What is undisputed is the moral content of the painting, in which virtue is victorious over sensuality. [+]
