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Olson Kundig creates floating Water Cabin in Seattle's Portage Bay

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Water Cabin by Olson Kundig

Knotty cedar and galvanised steel were used to form a two-storey, floating home by US firm Olson Kundig that draws upon cabin architecture.

The Water Cabin is located in Seattle's Portage Bay, just south of the University of Washington. It serves as a full-time residence for a client who previously rented a floating house in the area and decided to build his own home there when a lot became available.

Cedar facadeThe Water Cabin floats on Seattle's Portage Bay

Designed by local firm Olson Kundig, the building is intended to offer "a cabin sensibility in an urban environment".

In particular, it draws upon design principal Jim Olson's personal cabin in rural Washington, which features rectilinear volumes, overhanging roofs and a subdued colour palette.

Water CabinIts living space opens onto a terrace

The floating home is also designed to provide a strong connection to the bay, which is part of a canal connecting the Puget Sound to Lake Washington.

"Small in stature, the home creates a platform from which to enjoy and engage with the surrounding waterway," the team said.

Living room by Olson KundigThe home has a horizontal stature

The building consists of two levels, with the upper one stepping back to create a "sense of refuge". The recess also allowed for a 100-square-foot (9.3-square-metre) terrace.

Flat, overhanging roofs shade patios and large stretches of glass. Visually speaking, the roofs contribute to the home's low, horizontal stature.

Floating home kitchenOlson Kundig added glass windows with sweeping views

"The horizontal lines of the building echo the flat plane of the lake in an effort to make it one with the site," said Olson.

Given the home's location, the team chose exterior materials that are low-maintenance and can hold up in a marine environment.

Staircase in Water CabinWarm wooden tones contrast with metal finishes in silver and black tones

The structural system is made of galvanized steel, and facades are clad in knotty western red cedar that was lightly stained.

"The siding's thin, vertical wood slats are arranged in an irregular articulated pattern, recalling the random composition of trees in a forest," the team said.

Cosy bedroom interiorThe floating home's cosy interior takes cues from forest cabins

Inside, the 1,580-square-foot (147-square-metre) home offers all the key living elements. "There are strict restrictions on the size and dimensions of floating homes," said Olson. "Our client wanted to make the best use of every inch."

The lower level encompasses an open space for lounging, dining, cooking and working. There also is a hidden Murphy bed for guests.

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A glazed corner and large, sliding doors enable the interior to flow onto a patio with ipe wood decking. A window-lined staircase – which serves as a light well – leads to the top floor, where the team placed a bedroom suite.

Like the lower level, floor-to-ceiling glass provides sweeping views of the watery terrain and diminishes the boundary between inside and out.

Horizontal floating homeFloor-to-ceiling glass provides views of the watery terrain

Materials within the home include knotty cedar, oak and birch. Warm wooden tones are contrasted with metal finishes in silver and black tones.

Overall, the home is intended to feel cosy and intimately tied to its surroundings, similar to a cabin in the forest.

"This informal, low-contrast interior supports a sense of the home as an oasis, despite its location in a bustling community," the team said.

Floating cabinFlat, overhanging roofs shade patios and large stretches of glass

Other floating homes in Seattle's Portage Bay include a compact dwelling by Studio DIAA that features a dark exterior and a light-toned interior.

The photography is byAaron Leitz.


Project credits:

Architect: Olson Kundig

Project team: Jim Olson (design principal), Jason Roseler (project manager), Betty Huang, Christine Burkland, Eunice Kim and Hunter Van Bramer

General contractor: Dyna Contracting

Structural engineer: Voelker Engineering

Lighting design: Brian Hood

The post Olson Kundig creates floating Water Cabin in Seattle's Portage Bay appeared first on Dezeen.

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SHED gives mid-century Golden House in Seattle an extensive update

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SHED Golden House

American firm SHED Architecture and Design has transformed a 1950s building that formerly served as an adult living facility into a contemporary home for a family of five.

The Golden House is located in Shoreline, a community just north of Seattle, and sits on a large lot with views of the Olympic Mountains and Puget Sound.

The Golden HouseThe Golden House sits on a large lot with views of the Olympic Mountains and Puget Sound

Designed by an unknown architect in 1959, the 4,080-square-foot (379-square-metre) house was converted into an adult living facility years ago.

Local firm SHED Architecture and Design was charged with turning the two-storey building back into a single-family house for a couple and their three children.

Golden House by SHEDSHED reconfigured the layout of the home's upper level

"Although the house had good bones, modifications adapting the original layout for use as an adult living facility – combined with deferred maintenance – had tarnished the structure inside and out," the team said.

The most extensive changes took place indoors. The upper level holds the public zone, an office and the main bedroom suite, while the lower floor holds sleeping areas.

Kitchen with central islandThe kitchen is organised around a central island

Working around the existing post-and-beam structure, the team reconfigured the upper level's layout by removing walls and built-in casework. An emphasis was placed on providing natural light and views.

"Although the structure is re-engineered to work with the revised floor plan, the post- and-beam structure was retained as a principle organising system and integrated into the design," the team said.

Powder room by SHEDDragon-themed wallpaper wraps the powder room

The kitchen was moved and enlarged, with the new space organised around a central island that overlooks the dining and living area.

Just off the kitchen is an office, pantry and coat closet, along with a powder room wrapped in dragon-themed wallpaper.

Terrazzo tiles by SHEDBathroom tiles are formed from black and white terrazzo

In the living area, where casework had been removed, the team placed a wooden "soffit" that extends over a circulation area and helps proportion the room. The team also installed low-lying cabinetry with a built in DJ station.

An old fireplace was redesigned and faced with concrete masonry units (CMUs) with a ground-down surface. A new concrete bench surrounds the hearth.

[ Inside Me-Kwa-Mooks Net-Zero house by SHED

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The team used a restrained palette of materials throughout the public area, including cork flooring, rift-sawn white oak paneling, and white sheetrock walls. Trim was painted black to create visual consistency.

"As a nod to the past, the original natural slate tile and metal railing were preserved in the entryway," the team added.

Children's bedroomDownstairs, a storage room was made into a children's bedroom

In the main bedroom suite are elements such as a grasscloth wall panel and bathroom tile made of black-and-white terrazzo. A "connecting datum" made of white oak wraps behind the mirrors and the tub.

Downstairs, the team made changes to accommodate three children. A storage room was turned into a shared bedroom, and bed cubbies made of plywood were installed.

Black trim for visual consistencyGolden House's trim was painted black to create visual consistency

A small bathroom was cleverly reconfigured to be more suitable for multiple users.

Outside of the house, a wheelchair-accessible entrance and driveway were removed to create a large lawn. The team also updated the building envelope by installing new windows and insulation, along with automated blinds on the west to cut down on solar heat gain.

Natural light and viewsAn emphasis was placed on providing natural light and views during the renovation

Founded in 1998, SHED has completed a number of residential projects in Washington, including a home on a bluff clad in rough-sawn cedar, a compact dwelling in a backyard, and a sensitive renovation of a 1950s abode.

The photography is byRafael Soldi.


Project credits:

Architect: SHED Architecture and Design

Contractor: Ambrose Construction

Structural engineer: Todd Perbix

Landscape designer: Susan Papanikolas

Lighting designer: Sparklab Lighting Design

Casework: Beechtree Woodworks

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Graypants converts slender space near Seattle into Tomo restaurant

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Tomo by Graypants

Dark-toned wood and golden light are found in this Washington bar and eatery by design firm Graypants that alludes to a Japanese urban alleyway.

Tomo is located in the community of White Center, which lies just south of Seattle. The dining establishment – which specialises in eclectic, seasonal cuisine – is named after the owner's grandmother, Tomoko, and the Japanese word for friend, tomodachi.

Tomo restaurantDark-toned wood and golden light define Tomo restaurant

Graypants, which has offices in Seattle and Amsterdam, was charged with creating a distinctive space on a limited budget.

"The brief was to create something handcrafted in a short amount of time, using a modest budget, offering room for as many guests as possible, while ensuring each seat felt like the best one in the house," the team said.

Restaurant by GraypantsGraypants created the space on a minimal budget

Housed in a low-slung building along a main thoroughfare, the restaurant has a long and slender floor plan. The front facade features storefront-style glazing and charcoal-coloured brick.

Guests step into a dark-toned room with golden lighting and ample wood.

Alleyway-like spaceThe design alludes to a Japanese urban alleyway

"Narrow and inviting, the experience references an evening in one the endless alleyways of Japanese cities," the studio said.

"The architecture aims to be demure and humble, letting the food be the centre of the experience," the team added.

Graypants fish scale wallOak shingles arranged like fish scales line the wall with seating

Lining one side of the restaurant is seating, which stretches along a wall clad in oak shingles arranged like fish scales.

To the other side is a bar, along with a kitchen enclosed within slatted walls made of ebony-stained ash.

Ebony-stained ash barThe bar features ebony-stained ash

"Wood is a centrepiece of the space," the team said. "The mingling of wood throughout the space creates an understated, monochrome texture."

Most of the lighting elements were integrated directly into wall panels, bench seating and bar shelves, enabling them to be "felt but not seen", the designers said.

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The exception is an 80-foot (24-metre) linear fixture that extends the length of the restaurant.

The team sought to save money wherever possible, without compromising on design quality.

Bespoke furnitureMost of the furniture was designed by Graypants

Graypants, with help from the studio Fin, designed and fabricated most of the fixtures and furniture, including the lighting, seating and tabletops. This helped reduce costs and shorten the construction timeframe.

Each piece of furniture was finished with a zero-VOC topcoat.

Demure and humble interiorsThe architecture aims to be demure and humble, according to its designers

The outdoor tables, kitchen cladding and bar-back were fabricated using Richlite, a durable and locally sourced material that is made of resin-infused paper.

"The team carefully chose their moves – like simply polishing existing concrete floors and investing in finishes that feel complex but are efficient to install, lowering construction cost," the studio said.

"The cost per square feet of this project is, conservatively, 35 per cent below the benchmark."

Low-lit bathroomLow lighting is used throughout the restaurant

Other restaurants in the Seattle area include the Samara bistro by Mutuus Studio, which features rustic materials and earth tones that create a "sense of timelessness and comfort".

The photography is byAdam Joseph Wells.


Project credits:

Designer: Graypants

Design team: Seth Grizzle, Bryan Reed, Caleb Patterson, Alan Marrero

Furniture designer and manufacturer: Fin

Owner and chef: Brady Williams

Operations: Jessica Powers

General contractor: Shawn Landis

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