#katyayani

ramnath@nerdpol.ch

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14 April, 2024 Sunday Shashthi #White Maa #Katyayani Puja

The sixth day of Navratri is dedicated to the worship of Maa Katyayani and signifies cheerfulness and joy. Believed to be the destroyer of all evil, she is seen as a warrior goddess who was able to bring peace to the world.

Maa Katyayani is one of the fiercest forms of Goddess Durga. She is also known as Mahishasurmardini (Killer of Mahishasura), as she was able to defeat and kill the evil demon Mahishasura.

It is told that long ago there was a sage by the name of Katyayana. He was a huge devotee of Goddess Shakti and spent days and nights in prayer. Sage Katyayana always wished for #Goddess #Shakti be born as his daughter.

During this period, an evil demon named Mahishasura was creating great trouble for the Gods. As the days went by, he gained more power and the Gods were increasingly worried about him. They prayed to Goddess Shakti and asked her to save them from the wrath of Mahishasura.

Goddess Shakti decided to take #birth on #Earth and end the reign of Mahishasura. She granted the wish of Sage Katyayana and was born on Earth as his daughter. She grew up to be a strong, beautiful fighter and came to be known as Katyayani, the daughter of Katyayana.

One day, two messengers of Mahishasura - Chandha and Mundha - saw Katyayani and were mesmerized by her beauty. They went back to their master and told him all about Katyayani Upon hearing this, Mahishasura got very happy and immediately asked another of his messenger - Dundubhi - to go and talk to Katyayani.

Dundubhi met Katyayani and told her all about Mahishasura. He told her about his greatness and boasted about how Mahishasura was the now the ruler of all three worlds. He told Katyayani that she should marry Mahishasura as they would make a great couple.

Katyayani smiled and told Dundubhi that according to her family tradition, Mahishasura must first defeat her in battle. Only then can they both get married. Dundubhi went back to Mahishaura and told him about this challenge. Mahishasura agreed and soon the preparations began.

A fierce battle took place between Katyayani and Mahishasura. She managed to defeat his demon soldiers and even killed most of them. When Katyayani and Mahishasura came face to face, he transformed himself into a buffalo. This proved to be a real challenge for Katyayani as she struggled to fight him.

However, Katyayani tricked Mahishasura and climbed onto his back. He was surprised by this move and tried very hard to shake her off, but failed. Katyayani then placed her foot on the back of Mahishasura’s neck, pierced him with her Trishul (trident) and cut his head off.

This is how Maa Katyayani killed the evil and powerful demon Mahishasura. In doing so, she saved the Gods from his menace and brought peace back into this world.

Goddess of the Sixth Day of #Navratri
Since, Maa Katyayani defeated and killed Mahishasura, she is also known as Mahishasurmardini. In many parts of India, unmarried girls often observe fasts and pray to Maa Katyayani in order to get a loving and caring husband.

She is an incarnation of Goddess #Durga and is depicted as having four hands. She holds a #lotus in two hands, a #sword in one and blesses her devotees with the fourth hand. It is believed that she protects her devotees from all kinds of evil and blesses them with #happiness and #joy.

jai sat chit ananda

ramnath@nerdpol.ch

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As the nine nights represent the nine planets, we will be focussing on #Navaratri and the nine planets with an account of one or another the planets for nine nights. For the sixth night of Navaratri, we will take the planet #Venus. The colour for the sixth day of Navaratri is green, so we scribe in #GREEN for this sixth day observance of Navaratri. The #Goddess is #Devi #Katyayani.
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Today is the sixth day of the Navaratri celebrations which are held for nine nights. All festivals are meant to remind mankind that they should cultivate noble qualities by engaging themselves in activities beneficial to one’s own self and society. Sai Baba made this reference to Navaratri and the Nine Planets:
As part of Navaratri celebrations, people worship different forms of divinity. You should develop sacred feelings and experience divinity. What is the inner meaning of Navaratri celebrations? These nine nights represent nine planets. Each planet has its own significance. However, these planets are not outside, they are within. If your feelings are impure and unsacred, the result also will be the same. You are responsible for the good and bad you think and experience.

Truth, goodness and beauty – these are the attributes of Divinity and true humanness – that is, human beings acting with integrity – vasudeva sarva midam – ever seeking divinity in all things. In #Sankrit, #Truth is #Sathyam; #Goodness is #Sivam; #Beauty is #Sundaram.The planet Venus contains, releases and perpetually flashes forth different patterns of cosmic energy. Whether the ever-changing energies coming forth from Venus raises us up or pulls us down, is largely dependent on how we understand and take up, integrate and apply the energies of this planet. Venus is our sense of divine love, beauty and grace.

While Venus is taken to represent the passions, and following our happiness, there is a capacity in the influence of Venus to think and to make quite sharp decisions. Venus may access the intellect in what the famous depth psychologist Carl Jung calls the feeling function (in Jungian typology) which makes decisions on the basis of what is valued, what is felt to be important. So Venus has the ability to make the best, balanced and heart-felt decisions.

In the field of possessions, personal property, Venus gives wealth, houses, property and high status. There is nothing wrong with having wealth, it is not filthy lucre as some joke. It is a form of cosmic energy which we may use to create joy and beauty in our living, our homes, a spending of energy in property and vehicles which expresses proper use of wealth, one of the four goals of life. Excessive attachment and dissemination of ego to possessions (my status, my life is my possessions) is lower expression of this cosmic force. A home with beautiful gardens and flowers expresses the Venus energy in its highest essence.

Devi Katyayani
#Ma Katyayani is worshipped on the sixth day of Navaratri. She is one of the most worshipped forms of #Durga and is considered a #destroyer #of #evil. She has four hands and she wields a long sword and a lotus in two of them. She blesses with the third hand and protects with the fourth one.
According to ancient legends, she was born a daughter of Katyayana Rishi, born in the Katya lineage originating from Vishwamitra, thus called Katyayani, “daughter of Katyayana”. Elsewhere in texts like Kalika Purana, it is mentioned that it was Rishi Kaytyayana who first worshipped her, hence she came to known as Katyayani. In either case, she is a demonstration or apparition of the Durga and is worshipped on the sixth day of Navaratri festival.

As per Hindu mythology, Devi Katyayani showers her blessings on those marriageable girls who worship her with complete devotion. This devotion towards Devi Katyayani is part of an age old tradition that started from Gokul in Braja. It is believed that, centuries ago, Gopis in Gokul used to fast during the first month of winter to fulfil their wish of marrying Lord Krishna. Since then, the sixth day of Navaratri has been considered to be significant for those girls who have stepped into the age of marriage and, as such, it is devoted to the worship of Devi Katyayani.

Venus and the Feminine
The Planet Venus is also known in #VedicAstrology as Shukra, the celestial poet, son of Lord Bhrigu (var, Bhrgu), and is sometimes mistaken as the Indian version of Cupid (he is definitely NOT), an archetype of Valentine and true love and more recently, ruler of bedroom pleasures and little else. (The god of love in Vedic tradition is called Manmatha, not Shukra)

People think that Venus am all about sex. It is true that sex is one of the things in the portfolio of Venus, but it is one of the lesser things. Mostly Venus is about beauty, (artistic) truth and children (the end result of reproduction). Venus engages the love flowers, fruits, meadows, honeybees and sweet, refined things. Venus cultivates the sense of refinement; music, dance, laughter and fun are within my purview.

When your soul sings with delight, there is the drishti of Venus; when you celebrate life with colour, beautiful fragrances, wonderful cooking, there Venus is present with energy. Poetry, gardening of flowers, refined emotions, imagination, and renewal of life and spirit. These are the feminine gifts of Venus.

Significance of Navaratri
“Recognising one’s mother as the very embodiment of all divine forces, one must show reverence to her and treat her with love. This is the true message that the Navaratri festival gives us. The Supreme Shakti manifests herself in the form of Durga, Lakshmi, and Saraswati. Durga grants to us energy – physical, mental, and spiritual. Lakshmi bestows on us wealth of many kinds, not just money, but intellectual wealth, the wealth of character, and others. Even health is a kind of wealth. She grants untold riches to us. Saraswati bestows on us intelligence, the capacity for intellectual enquiry and the power of discrimination. The Navaratri festival is celebrated in order to proclaim to the world the power of these goddesses.

One’s own mother is a combination of all these divine beings. She provides us energy, wealth, and intelligence. She constantly desires our advancement in life. So, she represents all the three goddesses that we worship during the Navaratri festival. If the Pandavas were able to become so dear to Krishna and make their lives worthy by serving Him, it was not on account of their own merit or austerities. It was Kunti Devi’s love for them that brought to them such a great fortune. Even when they had to live in the forest or in the House of Wax, she always stayed with them and prayed for their welfare. The Pandavas also reciprocated her love, and that accounts for their final victory. Lakshmana, likewise, was able to dwell in the forest with his brother Rama, serving ceaselessly, only because of his mother Sumitra’s blessings”. Sai Baba, SS, 11/88. p. 290

https://saieditor.com/fourth/?p=2575

ramnath@nerdpol.ch

#Happy #Navratri Day 6
Shashti

#Maa #Katyayani Puja
27th
March 2023
(Monday)

Navratri Day 6: #Green
Green colour signifies new beginnings and growth. Hindus worship Goddess Katyayani on this day and she is seen as the slayer of tyrannical demon Mahisasura.

Katyayani Mata is worshipped on the sixth day of Navratri. Goddess Parvati took this form to kill the demon Mahishasura. This form is considered quite violent and hence, Maa Katyayani is also known as the warrior goddess.

About Katyayani
Katyayani Maa rides a majestic lion. She is depicted with 4 arms, where the left 2 arms carry lotus & a sword, and right 2 arms stay in Varada & Abhaya Mudras. The Goddess is draped in a red attire.

Legend
The Goddess got this name Katyayini because she was born to the Katyayana Rishi. Some texts also described that she is an Avatar of Goddess Shakti and got this name because Rishi Katyayana was the first one to worship her.

When the world was in danger due to the atrocities of Mahishasura, Goddess Katyayani slew him. As soon as she arrived in front of the Demon Mahishasura, she dismounted herself from the lion being armed with all the weapons. The demon took the form of a bull and the goddess sprang over his back. With her tender feet, she pushed his head down and then slew his neck. That’s why she has also got the name Mahishasuramardini (the Mahishasura;s slayer).

Astrological Aspect
Planet Jupiter (Brihaspati) is ruled by the Goddess Katyayani. Worshipping her helps in pacifying the ill effects of this planet.

Mantras
ॐ देवी कात्यायन्यै नमः॥

Prarthana Mantra:
चन्द्रहासोज्ज्वलकरा शार्दूलवरवाहना।
कात्यायनी शुभं दद्याद् देवी दानवघातिनी॥

Stuti:
या देवी सर्वभू‍तेषु माँ कात्यायनी रूपेण संस्थिता।
नमस्तस्यै नमस्तस्यै नमस्तस्यै नमो नमः॥

Dhyana Mantra:
वन्दे वाञ्छित मनोरथार्थ चन्द्रार्धकृतशेखराम्।
सिंहारूढा चतुर्भुजा कात्यायनी यशस्विनीम्॥
स्वर्णवर्णा आज्ञाचक्र स्थिताम् षष्ठम दुर्गा त्रिनेत्राम्।
वराभीत करां षगपदधरां कात्यायनसुतां भजामि॥
पटाम्बर परिधानां स्मेरमुखी नानालङ्कार भूषिताम्।
मञ्जीर, हार, केयूर, किङ्किणि, रत्नकुण्डल मण्डिताम्॥
प्रसन्नवदना पल्लवाधरां कान्त कपोलाम् तुगम् कुचाम्।
कमनीयां लावण्यां त्रिवलीविभूषित निम्न नाभिम्॥

Stotra:
कञ्चनाभां वराभयं पद्मधरा मुकटोज्जवलां।
स्मेरमुखी शिवपत्नी कात्यायनेसुते नमोऽस्तुते॥
पटाम्बर परिधानां नानालङ्कार भूषिताम्।
सिंहस्थिताम् पद्महस्तां कात्यायनसुते नमोऽस्तुते॥
परमानन्दमयी देवी परब्रह्म परमात्मा।
परमशक्ति, परमभक्ति, कात्यायनसुते नमोऽस्तुते॥
विश्वकर्ती, विश्वभर्ती, विश्वहर्ती, विश्वप्रीता।
विश्वाचिन्ता, विश्वातीता कात्यायनसुते नमोऽस्तुते॥
कां बीजा, कां जपानन्दकां बीज जप तोषिते।
कां कां बीज जपदासक्ताकां कां सन्तुता॥
कांकारहर्षिणीकां धनदाधनमासना।
कां बीज जपकारिणीकां बीज तप मानसा॥
कां कारिणी कां मन्त्रपूजिताकां बीज धारिणी।
कां कीं कूंकै क: ठ: छ: स्वाहारूपिणी॥

Kavacha Mantra:
कात्यायनौमुख पातु कां स्वाहास्वरूपिणी।
ललाटे विजया पातु मालिनी नित्य सुन्दरी॥
कल्याणी हृदयम् पातु जया भगमालिनी॥

With this, we hope that you will make the best of Navratri’s sixth day. May Katyayani Durga blesses you with all the goodness of life.

Happy Navratri!
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Ma as Katyayani – in many ways, perhaps the most iconic understanding for Devi amidst the modern Hindusphere.

When we think of Durga – this tends to be Whom we are praising. For She is MahishasuraMardini – The Destroyer of the Buffalo-Demon – Herself !

However, as with many prominently declared myths, it is an occasionally misunderstood one in various of its key particulars. Particularly by an outside audience or those with an insistent agenda to do so.

So, for instance, you will often find a particular focus upon the notion that She is created, congealed from an emanation of ‘essence’ or ’empowerment’ from various (male) Gods – that They give Her various weapons as parts to Her appearance in amongst Them.

Technically, this is true. It is absolutely correct to state, as it is found quite well attested within the relevant scriptural source-material. However it is something of a limited perspective – one which misses at least as much as it illuminates.

For it leaves unexamined the rather more ‘underlying’ point – where those Weapons, those Empowerments came from in the first place.

The answer?

Her.

We can find this presaged in the Vedas. Long-term readers of my work will instantly know which hymnals I am going to cite in support of this contention. RV X 125 is the obvious – therein, Devi is stated to be the figure Who enables Rudra to wield His Bow to smite the opponents of Gods and our religion; Who supports Varuna, Mitra, Indra, Agni, the Asvins, Soma, Tvastr, Bhaga, Pusan … you get the idea. Devi is not only Uber Alles – but also Underpinning All likewise.

Except how does this generalized conception for ‘Supporting’ the Gods pertain to the rather specific points around Divine Weaponry? Well, other than the aforementioned Bow of Rudra – we find in RV VIII 100 9-10, the situation of the Vajra of Indra being, it should seem effectively granted through Devi’s empowerment. Indeed, per Sayana’s commentary upon the verse, the Vajra is Devi – Thunder is Vak.

We can tell that this interpretation is likely accurate due to the lesser-known situation found in the Greek Indo-European mythos – wherein Athena alone “[knows] the keys to the house where His Thunderbolt is sealed” per Aeschylus’ Eumenides.

I have detailed at far grander length the mythic and theological purports of these understandings elsewhere, and so shall not seek to reproduce that work here. However, to provide the ‘essence’ of the situation –

My position is that what is being expressed here is quite simple. We know that Devi is the Absolute, Cosmic Order – and we know that what is being expressed here is that ‘elements’, ‘shards’, ‘sparks’ of this are being ‘brought in’ to our universe via Her Grace and active bestowal. Hence why the Vajra, as with Vak Devi has its home in amidst The Waters – that liminal sphere which surrounds our universe and provides an evidently semi-permeable barrier from the more ‘unshrouded’ Absolute Order. The ‘Lightning’, if you will, to the ‘Thunder’.

Now, this is vitally important in our discussion of the circumstances pertaining to Katyayani in combat against Mahishasur.

Why?

Because consider what a Demon is. It is a Lie given form and flesh.

In one of the rare moments where I say something complimentary about the Zoroastrians – their use of a certain term in Avestan, Druj, is apt. What does this word mean? Just exactly as I have said – “falsehood”, “harm”, “pollution”, “demon”. It derives from Proto-Indo-European *dʰrewgʰ-. In our language – in this case, Sanskrit – we have the similar term and understanding – द्रुह् (‘Druh’ – although it has less of the active sense of a lie and focuses instead on the ‘injury’ and ‘invidious demonic entity’ elements). And in Old Norse, we have ‘Draugr’ (a term most frequently used for a sort of malefic undead spirit – a false mockery of life).

Rta, Orlog – Cosmic Order – this is the Truth. The Demon is, in many ways, defined by its opposition to Rta, its opposition to Cosmic Order. And so therefore, it is quite natural that it is so eminently .. well .. False. Why it seeks to overthrow the Reign of the Gods, and drag the universe entire down to its turgid level.

And hence also how it seeks to do so – via the skillful use of illusion, beguilement, deceit. This is partially why demons are stated to have such great power of ‘maya’ (in its later sense – not quite the original Vedic understanding to the term), and partially why we find Mahishasur, a foremost lord of demonkind, described as such a shapeshifter.

The Demon, it dresses itself and its cause up – it bewitches the minds and senses of various beings (including, one can observe, itself – to delude itself into believing it has not only chance, but virtual certitude of victory) to bend them to its will; all in a bid to undermine and to eviscerate out, the saliency of Cosmic Order here in this universe of ours.

So, if this is the ‘essence’ of the demon – this falseness – then we are unsurprised to find that the supreme weapon with which the Demon is to be combatted … is Truth, is Light, is Law.

What is the Weapon of the Gods?

Just exactly that.

Or, rather, just exactly – Her.

Devi.

In the Hands of Indra, the Vajra is, indeed, Devi-bestowed Law – a weapon that is an in-universe tangible expression of Her Will, Her Law, Her Force (‘Shakti’). Hence why it is so incredibly effective at smiting the demonic foe that sought to ‘shroud’ away the Truth or the Dawn or the other such elements vitally necessary for the ongoing maintenance and upholding of Existence Itself.

In similar fashions, the various ‘qualities’ represented by the various weapons of the Gods that are given (back) to Devi for Her Fight against Mahishasur are likewise. She granted them to Them in the first instance.

These ‘qualities’ coming back – radiated out from the faces, the mouths, the brows of the Gods – into a ‘mountain of Tejas’ (radiancy, fire). A most eloquent, excellent tool with which to ‘illuminate’ – to dispel the darkness, the shadows, the delusions and illusions and despair.

To dispel, in short, the ‘Dhrewgh’ we have just aforemet.

As Terry Pratchett once observed: “Sometimes it’s better to light a flamethrower than curse the darkness.”

Indeed, I suspect that this rather more than partially explicates the root to the name ‘Katyayani’.

After all, the customary interpretation is that She is the ‘Daughter’ of the Sage Katyayana.

The etymology of ‘Katyayana’ is a bit of a complicated topic for another time – although we note with interest the potentiality around Kai (कै), ‘To Sound’. Certainly, in addition to the logical ‘Priestly’ component to this, it should concord rather well with the salient contribution of the historical Katyayana as … something of an etymologist, or perhaps a philologist, and directly acquainted with some of the ‘mysteries’ around Vak akin to those salient in RV X 71 (effectively, that words in the Sacred Speech have meaning a-priori to human utilization – our tongues and minds being ‘guided’ to these via Her Divine Hand).

One way to perhaps interpret this is the notion of the Vedic Ritualist invoking Her – causing Her to become present via the sacral fire and his prayerful Song. The notion of Devi in this form as ‘Daughter of Katyayana’ would accord what we seemingly observe elsewhere in the poetic descriptions of various Gods as being the ‘Sons’ of prominent Vedic Rsis – statements that cannot be taken at face-value and literality for a number of reasons, yet which make perfect sense when we consider the manner of the Vedic rite wherein a God is ‘brought into this world’ through the Priest’s holy formula of invocation.

However, another potentiality for the theonym is also in evidence.

In the Skanda Purana (VI 1 120), we find this most intriguing illustration:

The Gods are said to have been defeated in combat against Mahishasur, even despite being lead by Indra – leading to the woeful state of the Three Worlds as the Demons rapaciously appropriate anything and everything of worth. This lamentable situation is the cause for much anger and strategizing on the part of the Gods – with, and this is of vital importance, this anger and its attendant heat (the Sanskrit word used is Gharma (घर्म) – so ‘heat’, predictably, doesn’t really capture the connotation; think ‘boiling’, ‘brew-up’ – as with various ritual preparations), issuing forth from ‘Vak’s Gate’ (Vaktradvāra – i.e. the Mouth), begins to congeal.

However, it is only once Lord Skanda, Kartikeya, becomes aware of the situation – and joins His vocal expression of Wrath (‘War-Fury’ would be the apt translation for Kopa ( कोप ) here, I think) again out through the voice-gate with those of the rest of the pantheon – that She ‘arrives’ in earnest (the relevant Sanskrit term – Samagata – simultaneously means ‘to arrive’ but also to ‘come together’, ‘conjoin’, ‘unite’).

The Purana then goes on to state (VI 1 120 13) that it is due to precisely this that She becomes known as Katyayani – as She has developed from the Wrath of the Heavens, catalyzed via the Rage of Kartikeya being introduced to this.

Now this opens up some rather intriguing possibilities, in light of the later understanding via Prakrits of ‘Katya’ to pertain to the Krttikas (Pleiades) – however that is perhaps unnecessary to explore at this time.

What we shall instead note is that due to the theonymic for Kartikeya Himself as ‘Katyayanisuta’ – the Issue of Katyayani (i.e. His Mother’s Son) – or ‘Katyayaniputra’ (again, ‘Son of Katyayani’), it is not the case that this sets up the ultimate Invoker of Katyayani as being Her Father. Only Her ‘Caller’ (and here we are pointedly referencing the sense to Goði as the ‘Caller of the Gods’ … as well as, as we have seen viz. Gharma, the Pourer Forth to the Gods – as seen in the underlying sense to होतृ ( Hotr ) and हवन, होम (Havan, Homa), all from PIE *ǵʰew- (‘To Pour’)).

Now, toward the outset of this piece, I declared that the Myth of Katyayani is one that, “as with many prominently declared myths, it is an occasionally misunderstood one in various of its key particulars. Particularly by an outside audience or those with an insistent agenda to do so.”

To which did I refer there? Well, in part it is to a most bizarre and scurrilous spectacle I had beheld some years ago – wherein a group of Bengali animation students had decided to ‘re-interpret’ the myth to be more in line with their own particular flavouring of ‘feminist’ sensibilities. This is affronting on multiple levels – one of which being that the myth needs no reinterpretation to be approached as an excellent ‘feminist’ morality tale. The Demon makes a most indecent proposition indeed toward the beautiful Devi, and following his would-be harassment, objectification, however we wish to term it … She destroys him mercilessly.

However, it is the precise manner of their ‘reinterpretation’ that caused – and should cause – such intemperate outrage. For they had decided to “present” (in truth, flagrantly misrepresent) the narrative in a manner they considered to not have been crafted for the ‘male gaze’ … and so instead of Devi slaying the demon through force of arms, they chose to try and suggest that more “feminine” [their labelling] means that eschewed violence to instead ‘persuade’ and ‘exhaust’ the cretin were deployed.

Perish the thought. This sort of thing is directly opposed by the actual texts themselves.

In the course of the Srimad Devi Bhagavatam, Devi directly tells the envoy of Mahishasur, in reply to an attempted marriage proposal, that she is going to kill him.

In fact, it is not so much phrased as a threat – but rather, an inevitability. She is, as we have said, Cosmic Order – Rta, Orlog – and just as ‘Orlog’ in the later Germanic / Nordic rendering came to mean ‘Fate’ … well, so She is thusly, too.

To quote from the text (V 10; Vijñanananda translation):

“Now see that your master Mahiṣa has shown his intelligence, when he courted his death from the hands of a woman. For that very reason, I have come here in the shape of a woman to effect my purpose; why shall I fear, then, to hear your words, contradictory to those of the Śāstras.

When Fate goes against any one, a grass comes like a thunderbolt; and when fate goes in favour of anyone, a thunderbolt becomes as soft as a bundle of cotton.
What does it avail even when one possesses an extensive army or various weapons in abundance, taking shelter in a wide extending fort? What will his soldiers do to him, whose death has come close at hand?
[…]
Know this as certain, very certain, that death will come to him in the manner as written by the hands of Fate; it will never be otherwise.
As the birth and death of Brahmā and other gods are ordained, your death has been similarly ordained; no, there is no need of taking the example further than this.
Those who are tied up by the hands of death are surely fools and of extremely blunt intellect, if they think simply on the strength of their getting some boons “that they would never die.”

Therefore go quickly to your king and speak to him what I have said; you will then surely obey what he commands you to do.
If he wants his life, he, with his retinue, would at once go down to Pātāla; let Indra and the other Devas get possession of the Heavens and their share of Yajñas.
If he holds a contrary opinion, let him be eager to go to the house of Death and come and fight with Me.

If he thinks that Viṣṇu and the other Devas have fled from the battle-fields, he has nothing to boast of; for he has not shown his manliness at all even then; for his victory is solely due to his having got the boon from Brahmā. ””

The message is relayed to Mahishasur … who asks his advisors what it is that he should do with this information.

One of these, Durdhara, offers this counsel (V 11):

“As far as I think, I consider that woman with beautiful teeth as passionate. For that woman of broad hips has expressed a desire to bring you under control by making you fearful; the mistresses, proud of their beauty generally use such words when they become passionate.
When they behave in this way, people call these amorous gestures. These crooked words of mistresses are the chief causes in attracting dear persons unto them.
Those who are skilled in the art of love affair, some of them can know these things thoroughly well.
O King! That woman has said:
“I will pierce and kill you by arrows, face to face, in the battlefield.”
The sense of this is different. The wise persons that are clever and experienced in the art of finding out the cause, declare that the above sentence is pregnant with deep and esoteric meaning.
You can easily see that the handsome women have no other arrows with them; their side-glances are their arrows. And their words carry their hidden meanings, and, expressing their desires, are their flowers.
O King! Brahmā, Viṣṇu and Maheśa even have no powers to shoot arrows at you; how can, then, that helpless woman, who appears so passionate, dart real arrows at you?
O King! That lady said:
“O Stupid! I will kill your King by my arrow-like eye-sight.”
But the messenger was wanting in that power to appreciate; so he, no doubt, understood her words in their contrary sense.
The saying of that lady:
“I will lay your lord in the death-bed in the battle-field”
is to be taken in the light of inverted sexual intercourse, where woman is above the man.
Her utterance:
“I will take away the vitality (life) of your lord” – is also significant.
The semen virile is known as the vitality (life). Therefore the above expression means that she will make you devoid of your virility. There can be no other meaning.
O King! Those women that are excellent show by too much of their covert expressions (innuendos) that they select and like very much their beloved. The experts only in these amorous affairs will be able to appreciate these things.
Knowing thus, dealings ought to be made with Her so that the harmony in amorous sentiments be not broken.
O King! Sāma (conciliation) and Dana (gifts) are the two means to be adopted; there is no other way. By these two, that Lady, whether she be proud or angry, is sure to have brought under control; I will go now and bring Her before you by such sweet words.
O King! What is the use of my talking too much? I will make Her submissive to you like a slave girl.”

You can just imagine how this actually plays out in practice.

Violently. For the demons.

As it turned out, Devi meant exactly as She had said when She declared that She would destroy them. Funny, that.

Now as it happens, this mytheme of demon lords deciding they really do rather like the appearance and other such qualities of Devi, and would like to possess Her in most unseemly fashion – is quite a recurrent one. It always ends the same way. We could quote quite a number of further exemplars from the scripture, but this piece has already taken far too long in the writing (we apologize wholeheartedly to Devi for being a night late, even!).

However, we shall quote from the … aftermath of another decidedly ill-considered attempted-marriage-proposal from a would-be demon world-emperor:

From the Devi Mahatmya (Pargiter translation of the Markandeya Purana’s presentation of same):

“Seeing his brother Niśumbha slain, who was dear to him as his life, and his army being slaughtered, Śumbha in wrath spoke thus—“O Durgā, who art tainted with the arrogance of strength, bring not thy pride here, thou who, trusting in the strength of the other goddesses, dost fight in exceeding haughtiness!”

The Goddess Spoke:

Alone verily am I in the world here; what other Goddess is there besides Me? See, vile one! that these Goddesses, Who have their divine power from Me, are entering into Me indeed.

Then all those Goddesses, Brahmāṇī and the others, became absorbed into the Goddess’ breasts; Ambikā then remained alone indeed.

The Goddess spoke:

Whereas I existed with My Divine Power in many forms here—that has been drawn in by Me, truly alone I stand now. Be thou steadfast in combat!”

It is intriguing to note that which happens next:

“Thereupon commenced a battle between them both, the goddess and Śumbha, while all the gods and the Asuras looked on —a battle without quarter. With showers of arrows, with sharp weapons and also with pitiless missiles both engaged anew in a combat which set all the world in fear. And the lord of the Daityas broke the heavenly missiles, which Ambikā discharged in hundreds, with weapons that parried them. And the supreme goddess in merest play broke the heavenly missiles that he discharged, with fierce shouts, ejaculations and other sounds.”

We are unsurprised to find that Vocalization is such a prominent combat-form here. Vak, as we have said (in multiple senses), Over All.
Although, of course, more conventional forms of martial engagement then ensue – which we shall not quote here for length.

Our point in quoting that aforementioned excerpt was simple – as She Herself states: the Powers, the Divinities that had taken to the field … well, She Alone outnumbers the foe, precisely because all of these other forms are expressions, emanations of Her. The various Goddess-forms mentioned are, indeed, Shaktis of the male Gods as well in many of these cases. Just as we had stated much earlier.

Yet let us draw things to their close.

Demons both present and represent Lies. In some cases, these are small and subtle – in others, large and pernicious in their profusion. They may be conceptual delusions – like the idea that one can successfully defy the Will of the Gods (and live …), or for that matter, the notion that a woman cannot possibly be a martial threat or a leader, cannot prove and demand respect. Or they may be other kinds of falsehood – the various and manifold guises adopted by Mahishasur in the course of his attempted combat against the Goddess, as one example; or the lies we might tell ourselves (whether under demonic influence, particularly) about who and where we are ‘supposed’ to be.

However, in order to gain meaningful purchase out here in this world of ours – or even ‘in there’ in these heads that sometimes uneasily coexist with same – they must be listened to, believed, given credence, let in and entertained, tolerated. And slowly but surely, upon our beginning to do so, they become … not ‘true’ – not really – but a sort of twisted simulacra of ‘reality’ that parasitically sustains itself upon the energy of our life’s force, and the stolen valour of Truth, that it can pervert away from its true direction. We’re ‘necessary’ to them, in order to grant them the material support, the material expression, to which they are otherwise – eminently righteously – denied !

The Kingdom of Mahishasur – such as it was – was a fundamentally Delusory one. For it was based, at all levels and in all ways, upon a Lie. It was ruled over by a Liar, whose conquest was only made possible via his Lie that he was invulnerable (and the best lies, as they say, are the ones that are only ‘mostly’ true), garbed up also as another Lie as to his purported superior martial vigour. Devi calls him out on all of the above. But I say that it was a Delusory kingdom, because that is just exactly that which it was – the Heavens, Truth, belong to the Gods. He had not set up a meaningful ruination and casting down to Them – he had, at best, temporarily taken up residence somewhere that he decidedly did not belong. The dreams of empire and imperial dominion he harboured were fantasies – they were defined against the truth, and against Cosmic Law, right there from the outset.

What does all of this lead to?

A ‘snapback’ of sorts.

Reality reasserts itself – sorry, I should say:

Reality reasserts *HERself – violently.

जय माता दी ॥

जय जय हे महिषासुरमर्दिनि रम्यकपर्दिनि शैलसुते ॥

ॐ देवी कात्यायन्यै नम ॥

ramnath@nerdpol.ch

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#Navratri Day 6
October 1, 2022, Saturday
Navratri color of the day - #Grey
Grey color represents balanced emotions and keeps the person down-to-earth. This color is also appropriate for those who want to participate in Navratri celebrations and make a subtle style statement with this undertone color shade.

Celebrations of Navratri are already underway across the country and people from all walks of life have been celebrating the famous and magnificent Durga Puja or Navratri in their own unique ways. While Sharadiya Navratri 2022 began on 26 September 2022, it will continue for the next nine days till 5 October with Dussehra.

Devotees have been participating in fasting, festivities, and puja on each day as the nine days hold special significance in line with the nine incarnations of Goddess Durga. That being said, each day of the 9-day festival also has a designated colour that is considered significant and auspicious for devotees.

Today being the 6th day of Navratri marks the worshipping of Maa Katyayani who is the sixth avatar of Goddess Durga. There is a special colour for this day that devotees can consider wearing.

Colour for Navratri Day 6

Recognised as the slayer of demon Mahisasura, Maa Katyayani is worshipped on the sixth day of Navratri and thus the colour of this day is Grey, which is said to be a color of strength and transformation. Also, the colour represents balance, neutrality, compromise, and intellect.

Devotees can opt for outfits made of grey colour to wear on this day.

In the meantime, the other days of Navratri also have other significant colours to be considered on the respective days. While Day one of Navratri started with White colour, the following days held red, royal blue, yellow, and green significance.

Navratri Day 6: #Maa #Katyayani

On the sixth day of Navratri, devotees worship Maa Katyayani to resolve the obstacles in their lives and further seek blessings for good fortune. Also, unmarried girls worship the #Goddess to seek a perfect suitor for themselves.

According to Hindu mythology, Maa Katyayani descended on Earth to defeat the deceitful demon, Mahishasura, a powerful half-human, and half-buffalo demon. With the energies of gods and multiple hands, she also came to be known as ‘Mahisharsuramardini.’