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Jean Françaix Bassoon Concerto
Woo-ah Kim, Seoul National University
Graduation Recital
28th November 2021
#JeanFrançaix #bassoon #classical #music
Michał Spisak—Concerto for bassoon and orchestra / koncert na fagot i orkiestrę
Sophie Dervaux – Bassoon
Jurek Dybał – conductorPolish National Radio Symphony Orchestra in Katowice / Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach
#SophieDervaux #MichałSpisak #bassoon #music
- in F major, RV 491 0:05
- in A minor, RV 499 7:56
- in E minor, RV 484 15:22
- in G major, RV 494 26:18
- in G minor, RV 495 36:04
- in D minor, RV 481 44:55
- in C major, RV 472 47:35
Klaus Thunemann, Bassoon
Shizuko Noiri, Lute
I Musici
Rec.: 1994
#AntonioVivaldi #classical #bassoon #music
I. Eó Mugna 00:00-06:55
II. Tortan 06:55-10:45
III. Eó Rossa 10:45-14:50
IV. Craeb Uisnig 14:50-17:45
V. Dathi 17:45-25:55
Performed by Judith LeClair (bassoon) and the London Symphony Orchestra conducted by John Williams.Commissioned by the New York Philharmonic Orchestra.
The work is composed of five movements, each representing a tree from ancient Celtic mythology.
Eó Mugna
The first movement of the concerto is Eó Mugna, named after the oak. It opens with a long bassoon solo that lends solemnity to the piece.
Eó Mugna, the great oak, whose roots extend to Connia's Well in the "otherworld," stands guard over what is the source of the River Shannon and the font of all wisdom. The well is probably the source of Mugna and the sacred well.
— John Williams
Tortan
The second movement is Tortan, the tree associated with magic, especially witchcraft. This movement features both the bassoon and the violin.
Tortan is a tree that has been associated with witches, and as a result, the fiddle appears, sawing away as it is conjoined with the music of the bassoon. The Irish bodhrán drum assists.
— John Williams
Eó Rossa
The third movement, Eó Rossa, is named after the yew. This tree had power over destruction and rebirth. It opens with a long harp solo.
The Tree of Ross (or Eó Rosa) is a yew, and although the yew is often referred to as a symbol of death and destruction, The Tree of Ross is often the subject of much rhapsodizing in the literature. It is referred to as "a mother's good," "Diadem of the Angels," and "faggot of the sages." Hence the lyrical character of this movement, wherein the bassoon oncants [sic] and is accompanied by the harp!
— John Williams
Craeb Uisnig
The fourth movement represents Craeb Uisnig, the ash. The ash was typically associated with strife. It is the shortest and least melodic movement.
Craeb Uisnig is an ash and has been described by Robert Graves as a source of strife. Thus, a ghostly battle, where all that is heard as the phantoms struggle is the snapping of twigs on the forest floor.
— John Williams
Dathi
The last movement is Dathi, named after tree that was the muse. The movement is slow and melancholy, featuring the flute as well as the bassoon. There is no gap between movements four and five.
Dathi, which purportedly exercised authority over the poets, and was the last tree to fall, is the subject for the close of the piece. The bassoon soliloquizes as it ponders the secrets of the trees.
— John Williams
John Williams composed The Five Sacred Trees for Judith LeClair, the principal bassoonist of the New York Philharmonic in 1995, to honor the orchestra's 150th anniversary. The first performance was given by LeClair and the New York Philharmonic under Kurt Masur on April 12 of that year. The orchestra consists of three flutes and piccolo, two oboes and English horn, two clarinets and bass clarinet, two bassoons and contrabassoon, four horns, three trumpets, three trombones and tuba, timpani, harp, piano, celesta, and strings. Performance time is approximately 26 minutes. Inspiration for the work also comes from the writings of British poet and novelist Robert Graves.
#JohnWilliams #JudithLeClair #bassoon #sacred #trees #classical #music... @ramnath@nerdpol.ch @108madhuri@nerdpol.ch
00:00 - I. Allegro ma non troppo
05:30 - II. Largo
09:47 - III. Allegro
Bassoon: Meyrick Alexander
Piano: Catherine Milledge
Year of Recording: 2010
7.5.2017 8pm Kumho Art Hall Yonsei / Seoul
Recital Matthias Racz, bassoon - Hans Agreda contrabassoon
G. Rossini Duetto for Violoncello and Contrabass in D Major
Fox bassoon and Fox contrabassoon
Sir Andrzej Panufnik (24 September 1914 – 27 October 1991) was a Polish composer and conductor. He became established as one of the leading Polish composers, and as a conductor he was instrumental in the re-establishment of the Warsaw Philharmonic orchestra after World War II. After his increasing frustration with the extra-musical demands made on him by the country's regime, he defected to the United Kingdom in 1954, and took up British citizenship. In 1957, he became chief conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition.
#hm... searching for #bassoon concerti I discovered this #Danish #composer... Launy Grøndahl