#poetry

kennychaffin@diasp.org

THE TUNER
by Colette Inez

for E.C.

Choose how the forest
was deprived of a tree.
Blight, wind, fire?
I once lost a cantankerous man,
who tuned pianos.
Tall, an oak to me,
he goaded music from the keys.
I almost see him biting on his pipe,
tamping down the London Dock.
Blown back leaves, birds, moths,
the gestures here.
Pendulum, tool box auctioned off.
Summer roars another blast of green.
“I like to see a piano perspire,”
he’d say to me, slamming the lid
of the Baldwin.

—from Rattle #32, Winter 2009


Colette Inez: “A poem is born right here, somewhere in my heart, in my blood vessels, in my gut. It comes to the brain much later. I have to feel them actually pulsing in my body, and then when they get shaped, when the brain, the controller, the pilot, whoever one’s metaphor, however this metaphor can extend, takes over. I like to think that my brain is the lesser part of my poems and that my heart, in the best of my poems, is the one that rules.”

https://www.rattle.com/the-tuner-by-colette-inez/

#poem #poetry #literature

yew@diasp.eu

one of my older poems:

𝕊𝕖𝕝𝕓𝕤𝕥𝕡𝕠𝕣𝕥𝕣ä𝕥 ℤ𝕦𝕘𝕖𝕖𝕚𝕘𝕟𝕖𝕥 𝕁𝕠𝕤𝕖𝕗 ℍ𝕣𝕦𝕓ý, 𝕟𝕒𝕔𝕙 𝕦𝕟𝕤𝕖𝕣𝕖𝕞 𝕖𝕚𝕟𝕞𝕒𝕝𝕚𝕘𝕖𝕟 𝔸𝕓𝕖𝕟𝕕 𝕒𝕞 𝕊𝕒𝕞𝕤𝕥𝕒𝕘, 𝟙𝟚. 𝕁𝕦𝕟𝕚 𝟙𝟡𝟡𝟡

𝕎𝕚𝕖 𝕙𝕒𝕤𝕥 𝔻𝕦 𝕟𝕚𝕔𝕙𝕥 𝕘𝕖𝕨𝕖𝕚𝕟𝕥 𝕚𝕟 𝕕𝕖𝕟 𝔹ö𝕕𝕖𝕟 𝕧𝕖𝕣𝕝𝕒𝕔𝕙𝕥𝕖𝕣 𝔼𝕣𝕕𝕖! 𝔻𝕦 𝕙𝕒𝕤𝕥 𝕘𝕖𝕝ä𝕔𝕙𝕖𝕝𝕥 𝕚𝕟 ℍ𝕚𝕞𝕞𝕖𝕝𝕟 ü𝕓𝕖𝕣 𝕝𝕖𝕥𝕫𝕥𝕝𝕚𝕔𝕙 𝕘𝕖𝕤𝕔𝕙𝕝𝕒𝕔𝕙𝕥𝕖𝕥𝕖𝕞 𝕊𝕒𝕟𝕕. 𝕌𝕟𝕕 𝕟𝕦𝕟 𝕤𝕥𝕚𝕣𝕓𝕥 𝕕𝕖𝕚𝕟 𝔾𝕖𝕤𝕚𝕔𝕙𝕥 𝕕𝕠𝕔𝕙 𝕙𝕚𝕟𝕖𝕚𝕟 𝕚𝕟 𝕕𝕖𝕟 𝕙𝕖𝕣𝕣𝕝𝕚𝕔𝕙𝕤𝕥𝕖𝕟 𝕒𝕝𝕝𝕖𝕣 𝕋𝕒𝕘𝕖, 𝕚𝕟 𝕕𝕖𝕟 𝕓𝕖𝕣𝕦𝕙𝕚𝕘𝕥𝕖𝕣𝕖𝕟 𝔽𝕝𝕦ß, 𝕕𝕖𝕣 𝕨𝕖𝕚𝕤𝕤. 𝕀𝕤𝕥 𝕖𝕤 𝕕𝕒𝕤, 𝕨𝕚𝕣𝕜𝕝𝕚𝕔𝕙 𝕕𝕒𝕤, 𝕨𝕒𝕤 𝕕𝕦 𝕨𝕠𝕝𝕝𝕥𝕖𝕤𝕥!


𝚂𝚎𝚕𝚏-𝚙𝚘𝚛𝚝𝚛𝚊𝚒𝚝 𝙳𝚎𝚍𝚒𝚌𝚊𝚝𝚎𝚍 𝚝𝚘 𝙹𝚘𝚜𝚎𝚏 𝙷𝚛𝚞𝚋ý, 𝚊𝚏𝚝𝚎𝚛 𝚘𝚞𝚛 𝚞𝚗𝚒𝚚𝚞𝚎 𝚎𝚟𝚎𝚗𝚒𝚗𝚐 𝚘𝚗 𝚂𝚊𝚝𝚞𝚛𝚍𝚊𝚢, 𝙹𝚞𝚗𝚎 𝟷𝟸, 𝟷𝟿𝟿𝟿

𝙷𝚘𝚠 𝚢𝚘𝚞 𝚑𝚊𝚟𝚎 𝚗𝚘𝚝 𝚠𝚎𝚙𝚝 𝚒𝚗 𝚝𝚑𝚎 𝚜𝚘𝚒𝚕𝚜 𝚘𝚏 𝚍𝚎𝚛𝚒𝚍𝚎𝚍 𝚎𝚊𝚛𝚝𝚑! 𝚈𝚘𝚞 𝚜𝚖𝚒𝚕𝚎𝚍 𝚒𝚗 𝚝𝚑𝚎 𝚑𝚎𝚊𝚟𝚎𝚗𝚜 𝚘𝚟𝚎𝚛 𝚝𝚑𝚎 𝚞𝚕𝚝𝚒𝚖𝚊𝚝𝚎𝚕𝚢 𝚜𝚕𝚊𝚞𝚐𝚑𝚝𝚎𝚛𝚎𝚍 𝚜𝚊𝚗𝚍. 𝙰𝚗𝚍 𝚗𝚘𝚠 𝚢𝚘𝚞𝚛 𝚏𝚊𝚌𝚎 𝚍𝚒𝚎𝚜 𝙸𝚗𝚝𝚘 𝚝𝚑𝚎 𝚖𝚘𝚜𝚝 𝚐𝚕𝚘𝚛𝚒𝚘𝚞𝚜 𝚘𝚏 𝚍𝚊𝚢𝚜, 𝚒𝚗𝚝𝚘 𝚝𝚑𝚎 𝚌𝚊𝚕𝚖𝚎𝚛 𝚛𝚒𝚟𝚎𝚛 𝚝𝚑𝚊𝚝 𝚔𝚗𝚘𝚠𝚜. 𝙸𝚜 𝚝𝚑𝚒𝚜 𝚛𝚎𝚊𝚕𝚕𝚢 𝚠𝚑𝚊𝚝 𝚢𝚘𝚞 𝚠𝚊𝚗𝚝𝚎𝚍!

#ya #poem #poetry #word #gedicht #poesie #wort

kennychaffin@diasp.org

TODAY: In 1802, William Wordsworth and his sister, Dorothy, see a “long belt” of daffodils, inspiring the former to pen “I Wandered Lonely as a Cloud.”

enter image description here

I Wandered Lonely as a Cloud
By William Wordsworth

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

https://www.poetryfoundation.org/poems/45521/i-wandered-lonely-as-a-cloud

#poem #poetry #literature #history

kennychaffin@diasp.org

AGAINST THE SOLAR ECLIPSE
by Alejandro Escudé

It’s a black swath that cuts across
A part of the country that’s a myth.
Does Ohio even exist? Not here,
Where the post office blends
With the sky and the cops drive
Black and white cars off freeway
Overpasses. In one photo, a man
Peers down at a brass contraption
Like some 21st century Galileo,
A pinprick on the sun shadowed
By that communist rock in the sky.
Or was it the other way around?
I can’t recall. It’s all mathematical
Gibberish, if you ask me. A train
Stopped the traffic the other day
And that was more real than the
Eclipse. The sun is like an orange
At the grocery store at age fifty.
Who still buys the citrusy orbs?
If fact, the supermarket aisles
Are too bright these days. I should
Wear those ISO glasses they all
Wore to observe the eclipse.
See what? Nature? Apocalypse?
Down on this planet, it’s light
Pandemonium. Hysteria denied.
I’ve had enough of branded news.
Music mimicking music. It’s called
The cosmos. That death-trap
Beyond the atmosphere. Boneless
Graveyard, aqueduct to nothingness.
Honestly, I’ll take God. He’s not
In fashion right now. But I prefer
The ambiguity of faith to ignorance,
Which is what you see in crowds,
Lawn chairs and binoculars, tents,
Motorhomes, a sheet afloat, the sun
Figured there, reflected, swallowed
By time’s stupid, arcing mouth.

—from Poets Respond
April 14, 2024


Alejandro Escudé: “Human beings, in my point of view, are absolute masters of denial and distraction. The eclipse was just another event that reminded me of how well society can turn its gaze up and away from real societal issues, personal problems, true miracles, thought, insight, love, in order to participate in one more pointless venture.” 

https://www.rattle.com/against-the-solar-eclipse-by-alejandro-escude/

#poem #poetry #poets #literature

kennychaffin@diasp.org

The Battered Inside
by Niels Hav

Translated from the Danish by Per Brask & Patrick Friesen
The battered inside of the cupboard under the kitchen sink
makes me happy. Here are two honest nails
hammered into the original boards that have been there
since the apartment block was built. It's like revisiting
forgotten members of our closest family.
At some point the boards were blue;
there is some leftover red
and a green pastel. The kitchen sink is new
and the counter has been raised ten centimeters. Probably
it's been renovated several times through the years.
The kitchen has remained current; there are new lamps,
electric stove, fridge and coffee maker.
But here under the sink a time warp has been allowed
its hidden existence. Here is the wash tub with the floor cloth,
the plunger and a forgotten bit of caustic soda.
Here the spider moves about undisturbed.

Maybe there's been kissing and dancing in this kitchen.
Probably there's been crying.
Happy people newly in love have prepared fragrant meals
and later cooked porridge while making sandwiches for lunch boxes.
Hungry children have stolen cookies. Laughter has resounded
in the stairwell and ropes have been skipped in the yard
while new cars were being parked outside. People moved in and out,
old ones died and were carried downstairs, newborn babies
were carried upstairs. Everything according to order—
my nameplate will also disappear from the door one day.
I get down on my knees in front of the kitchen sink
and respectfully greet the plunger, the spider
and the two honest nails.

#poem #poetry #literature

kennychaffin@diasp.org

COURAGE
by Ansuya Patel & Batya Weinbaum

When I wrote a check for fifty dollars,
that’s all I have I said to the taxi driver

who locked the doors of his black Mercedes.
He drove like a maniac down a dirt road.

Shall I drive, I asked. Don’t you trust me.
I’m not going to kill you, he yelled like

he was doing me a favour. This is where
you hang up faith, watch it somersault into air.

He placed a hand on my thigh. You don’t want
to touch me, I may have some awful disease.

His fist hit the steering wheel. Crazy bitch,
shut up. Give me all the money you have.

I swallowed my curses he unlocked the door,
I got out fast, fear he’d run me down. I walked

for what seemed miles. A car passed by
and stopped. You ok? I need a cab, I said.

Not around here. Get in, I’ll drop you. I talked
music, he said he was off to steal wheels.

He turned up the music to electro beats. My feet
tapped courage, I prayed all the way to neon lights.

Once home I picked up a pair of scissors, cut off
my hair, it fell like a curtain at the end of the show.

—from Rattle #83, Spring 2024
Tribute to Collaboration


Ansuya Patel & Batya Weinbaum: “We chose the theme courage. We both wrote a draft initially and used couplets to weave our experiences into one story. We had both been attacked by a stranger in a car many years ago. Writing in couplets allowed us to create the journey that changed us forever and remind us that courage has no gender. We have reclaimed our lives and the open road, proving that resilience is a formidable force in the face of adversity, and that no experience however dark can define the boundless potential within every individual.”

#poem #poetry #literature

kennychaffin@diasp.org

Eating Poetry
By Mark Strand

Ink runs from the corners of my mouth.
There is no happiness like mine.
I have been eating poetry.

The librarian does not believe what she sees.
Her eyes are sad
and she walks with her hands in her dress.

The poems are gone.
The light is dim.
The dogs are on the basement stairs and coming up.

Their eyeballs roll,
their blond legs burn like brush.
The poor librarian begins to stamp her feet and weep.

She does not understand.
When I get on my knees and lick her hand,
she screams.

I am a new man.
I snarl at her and bark.
I romp with joy in the bookish dark.

https://www.poetryfoundation.org/poems/52959/eating-poetry?mc_cid=d657a731c6

#poem #poetry #literature

kennychaffin@diasp.org

Ryan McCarty: “I’ve been so struck by all the people I hear talking about their plans to watch the solar eclipse. Everyone is traveling, planning, convening. Thirty-one million people are supposed to be traveling to get somewhere within range. I love cosmic phenomena, but I love the way people obsess about them even more. I find myself wondering exactly what they hope to see—what they imagine—and if there’s any chance that one of these hyped-up celestial flickers might just one day change everything while we’re all standing around staring, together. Add in the almost apocalyptic warnings that accompany these kinds of events – communications breakdowns, gas shortages, traffic pileups, snack shortages—and I can’t stop imagining. That’s where this poem started.”

WHAT WILL WE SEE WHEN THE LIGHTS GO OUT?
by Ryan McCarty

My neighbor, near me on the bus, moves his lips
while looking at his phone. They’re like two
little birds whispering to that tiny sunrise he holds.
He will finish, snap out, look up, and laugh with me
at the empty roads, I know it, because we’re speeding
reckless in the wide open streets. The whole
world flew south to find a place to watch
one unimaginably distant body come
between us and another even more
distant body. If we believe the old stories,
they’re men and women, our mother
dancing, shielding us, hiding our father’s glare.
If we believe the new stories, roads will turn
to parking lots and children will forget
the names of their families, wandering lost
in a sea of empty gas stations and dehydration.
If we believe only the story that something
inevitable is happening, we will marvel
at the precision, at our predictive powers,
at the blurred lines between chirping crickets
and the notifications ringing in our pants.
Or, instead, on the roads, in our yards, high
behind windows built for silence, ludicrous
in our magical glasses, could we just lose
the tale? Know what the end might look like?
In the momentary darkness, fumbling
for our offerings to coax the daytime back—
our multitools and battery-powered radios,
our spare cash and backup maps, will we breathe
in that chill air, when everything purples,
when the birds change key, when millions
of us look, not to the sky but left and right, and see
each other, gone out of our way to stand,
together, where the light disappears.

—from Poets Respond
April 7, 2024

https://www.rattle.com/what-will-we-see-when-the-lights-go-out-by-ryan-mccarty/

#poem #poetry #literature

kennychaffin@diasp.org

Some Things, Say The Wise Ones
By Mary Oliver

Some things, say the wise ones who know everything,
are not living. I say,
You live your life your way and leave me alone.

I have talked with the faint clouds in the sky when they
are afraid of being behind; I have said, Hurry, hurry!
and they have said, Thank you, we are hurrying.

About cows, and starfish, and roses there is no
argument. They die, after all.

But water is a question, so many living things in it,
but what is it itself, living or not? Oh, gleaming

generosity, how can they write you out?

As I think this I am sitting on the sand beside
the harbor. I am holding in my hand
small pieces of granite, pyrite, schist.
Each one, just now, so thoroughly asleep

#poem #poetry #literature

kennychaffin@diasp.org

Moving towards Home
By June Jordan

“Where is Abu Fadi,” she wailed.
“Who will bring me my loved one?”
—The New York Times, 9/20/1982

I do not wish to speak about the bulldozer and the
red dirt
not quite covering all of the arms and legs
Nor do I wish to speak about the nightlong screams
that reached
the observation posts where soldiers lounged about
Nor do I wish to speak about the woman who shoved
her baby
into the stranger’s hands before she was led away
Nor do I wish to speak about the father whose sons
were shot
through the head while they slit his own throat before
the eyes
of his wife
Nor do I wish to speak about the army that lit continuous
flares into the darkness so that the others could see
the backs of their victims lined against the wall
Nor do I wish to speak about the piled up bodies and
the stench
that will not float
Nor do I wish to speak about the nurse again and
again raped
before they murdered her on the hospital floor
Nor do I wish to speak about the rattling bullets that
did not
halt on that keening trajectory
Nor do I wish to speak about the pounding on the
doors and
the breaking of windows and the hauling of families into
the world of the dead
I do not wish to speak about the bulldozer and the
red dirt
not quite covering all of the arms and legs
because I do not wish to speak about unspeakable events
that must follow from those who dare
“to purify” a people
those who dare
“to exterminate” a people
those who dare
to describe human beings as “beasts with two legs”
those who dare
“to mop up”
“to tighten the noose”
“to step up the military pressure”
“to ring around” civilian streets with tanks
those who dare
to close the universities
to abolish the press
to kill the elected representatives
of the people who refuse to be purified
those are the ones from whom we must redeem
the words of our beginning

because I need to speak about home
I need to speak about living room
where the land is not bullied and beaten to
a tombstone
I need to speak about living room
where the talk will take place in my language
I need to speak about living room
where my children will grow without horror
I need to speak about living room where the men
of my family between the ages of six and sixty-five
are not
marched into a roundup that leads to the grave
I need to talk about living room
where I can sit without grief without wailing aloud
for my loved ones
where I must not ask where is Abu Fadi
because he will be there beside me
I need to talk about living room
because I need to talk about home

I was born a Black woman
and now
I am become a Palestinian
against the relentless laughter of evil
there is less and less living room
and where are my loved ones?

https://us12.campaign-archive.com/?e=58c6df03ad&u=c993b88231f5f84146565840e&id=8608edadd1

#poem #poetry #literature #war

kennychaffin@diasp.org

Stunt Double
By Tomás Q. Morín

In this life, there are stars
and there are stunt doubles.

Before I became one of those fathers
obsessed with memorizing his lines,
making peace with the Big Director
in the sky who doesn’t like ad libs,
before all that, I was the star
of my own low-budget soap opera.

Once, my brother and I pushed a car
while my mother started it.

She had a recurring role as Single Mexican Mom.

Once, I was so hungry for candy
that I ate half a bag
of unsweetened coconut flakes.

Once, my father was cast as twins
for a few seasons.

In one scene, he played Tall Dark & Handsome,
a bricklayer with smoldering eyes.

A few scenes later, he was alone,
in a white t-shirt, still a heartthrob,
but a heartthrob cooking heroin
as Generic Drug Addict #1.

Once, I forgot my father was not actually a twin.

Now, I play Funny College Professor
who teaches students how to write poems.

But never fear, my son,
I haven’t forgotten all my training.

The most important skill
a stunt double must possess is knowing
how to fall safely.

I’ve fallen into poverty.
Fallen into love.

Fallen into money.
Fallen out of love.

Fallen into jail.
Fallen into hunger.

Fallen into fairy tales.
Fallen into plunder.

Fallen into trauma.
Fallen into hate.

Fallen into drama.
Fallen into, wait,
there’s a story of neighbors
in our home for a dinner party
that we never told you.

Casual Racist White Man said,
“We have a half-breed running back
that’s dynamite on the team.”

If I had not been in your room,
falling asleep with you,
then that’s checkmate. That’s rancor.
That’s malice. That’s ill will
on an ill wind. That’s venom.
That’s justice. That’s blood. That’s  get
the fuck out of my house,
the house where number block 7
is the luckiest number block
in Number Land,
the house with the green sofa
in front of the windows where
every time I sit and read  Interior Chinatown
I swear it is the best novel ever written.

In this life, there are stars
and there are stunt doubles.

I would fall off a cliff for you
a thousand times and call it a good day.

When I see people celebrate in the park,
I remember the early years.

I can see Jennifer and her partner
kicking a ball with you
at my work’s holiday party, just before Jennifer says,
“He has the most gentle high five ever.”

It was the golden hour then, like it is now.

I still linger too long over the Windmill Cookies
on the craft table while you rehearse your lines.

        Seven plus three equals.
        Six plus four equals.
        Five plus five equals.

When the end credits roll up on my days,
I really just want someone to say he never flinched

and that no animals were harmed
in the making of this life.

https://www.poetryfoundation.org/poetrymagazine/poems/162008/stunt-double

#poem #poetry #literature

kennychaffin@diasp.org

CHEAP MOTELS OF MY YOUTH
by George Bilgere

They lay somewhere between
the Sleeping In The Car era
and my current and probably final era,
the Best Western or Courtyard Marriott era.

The Wigwam. Log Cabin. Kozy Komfort
Hiway House. Star Lite. The Lazy A.

Just off the interstate, the roar
of the sixteen-wheelers all night long.
The dented tin door opening to the parking lot,
the broken coke machine muttering to itself.

“Color TV.” “Free HBO.” “Hang Yourself
in Our Spacious Closets.” A job interview
at some lost-in-the-middle-of-nowhere
branch campus of some agricultural college
devoted to the research and development
of the soybean and related by-products.

Five-course teaching load, four of them
Remedial Comp. Candidate
must demonstrate familiarity
with the basic tenets of Christian faith.
Chance of getting the job
one in a hundred. Lip-sticked
cigarette butt under the bed.
Toilet seat with its paper band,
“Sanitized for Your Protection,”
dead roach floating in the bowl.

As the free HBO
flickers in the background,
you stare in the cracked mirror
at a face too young, too full of hope
to deserve this. And you wait
for the Courtyard Marriott era to arrive.

—from Cheap Motels of My Youth
2023 Rattle Chapbook Prize Winner


George Bilgere: “When I was eight years old my parents got divorced. My mother packed her three kids into an old Chevy station wagon and drove us from St. Louis to Riverside, California, looking for a fresh start. She had visited there when she was an Army nurse stationed in LA during the war and fell in love with the place. That cross-country car trip, full of cheap diners, cheap hotels, and desperation, changed my life. I fell in love with the vastness and beauty, the glamor and tawdriness, of America. I’ve travelled all over the country since then, on that ancient and deeply American quest, the search for home.”

https://www.rattle.com/cheap-motels-of-my-youth-by-george-bilgere/

#poem #poetry #literature