#irish

psychmesu@diaspora.glasswings.com

https://kolektiva.social/@MikeDunnAuthor/113402434868018343 MikeDunnAuthor@kolektiva.social - Ever wonder what happened to the “Trick” in “Trick or Treat?”

It all started when Halloween was brought to the U.S. by Irish immigrants who were fleeing the Great Famine of 1845-1852. Back then, the holiday was celebrated quite differently than how most Americans celebrate it today. Early Irish-American Halloween celebrations usually began with a big meal, with foods and rituals to divine the future. A traditional Halloween entree was colcannon, a casserole of mashed potatoes, milk, onion and kale, served with lots of butter, if one could afford it. The cook would hide prizes in the colcannon. Finding a ring meant you were the next to get married. A coin indicated you’d have good luck for the rest of the year. Alternatively, they might scoop the first and last spoonful of colcannon into a girl’s stocking and hang that from a nail in the door. The next person to enter through that door supposedly would be her future husband.

Another Halloween treat was barmbrack, a sweetbread filled with fruit, and sometimes hidden prizes. In this case, finding a ring foretold of an impending romance, whereas a thimble meant you would never get married. A piece of rag meant bad luck or poverty. If a girl ate an apple while combing her hair in front of a mirror at midnight on All Hallows Eve, she would see her future husband gazing back at her. If she walked out into the night, blindfolded, and was led to a cabbage patch, she could predict the size and shape of her future husband by the size and shape of the first cabbage she picked. And if she peeled an apple and let the shavings fall to the ground, she might be able to discern her sweetheart’s initials.

The traditional Halloween supper was followed by bonfires, games, and Mumming, a ritual in which people in costumes (often in drag) marched door-to-door, performing rhyming plays, usually humorous, and often in exchange for food, treats, or even booze. Mumming was practiced in Ireland, Scotland, Mann and Wales, as well as several other European countries, going back at least as far as the Middle Ages. And it is still practiced in parts of the U.S., particularly in Pennsylvania, most likely as a result of the Irish and Welsh who immigrated there in the mid-1800s, many to work in the coal mines. Tolstoy portrayed mumming in War and Peace. For a fascinating history of Irish mumming, check out Henry Glassie’s, All Silver and No Brass (1975).

Mumming was likely the origin of trick-or-treating, as mummers sometimes threatened mischief if treats weren’t provided. Some of the pranks and mischief people did back then included removing the hinges from people’s gates; placing farmers’ wagons or livestock on top of their rooves; stringing ropes across walkways to trip people in the dark; mowing down their shrubs; knocking over swill barrels and outhouses; and even detonating small bombs. By the late 1800s and early 20th century, however, Halloween pranking had taken on a much more anti-authoritarian edge. Kids would vandalize their principal’s home, set off fire alarms, throw bricks through shop windows, attack well-dressed pedestrians and streetcar passengers with bags of flour, and strike out against authority, in general. Sometimes, homeowners would fight back, shooting kids with buckshot or saltpeter. By World War II, the authorities were so alarmed that they started to claim that these pranks were threatening the war effort by wasting scarce resources and disrupting the sleep of weary war workers.

Efforts to sanitize the holiday began in the 1930s, when “The American Home” magazine, and radio shows, like the Jack Benny Show, began promoting the idea of parents taking younger kids out trick-or-treating responsibly and politely. In 1950, the Senate Judiciary Committee, under President Truman, tried to transform Halloween into a more family-friendly holiday, renaming it “Youth Honor Day.” It was around this time that costumes started to become cuter and less scary, and that parents started organizing neighborhood haunted houses and parties to keep the kids out of mischief. In the 1952 Donald Duck cartoon, “Trick or Treat,” Huey, Dewey, and Louie tried to convince mean old Uncle Donald to give them candy instead of the explosives he wanted to give them. But the biggest changes came when food, tobacco, and toy companies saw the huge profits to be made from this new trend and began massively marketing candy and costumes in the weeks leading up to Halloween. By 1965, corporations were making $300 million per year in profits from Halloween costumes and candy.

Of course, the mischief never completely disappeared. Teenagers and some adults continue to light fireworks, and commit pranks, like leaving burning bags of poop on doorsteps, or blowing up jack-o’-lanterns. In 1994, MIT students dismantled a cop car and reassembled it on top of the Great Dome on the Cambridge campus. There’s an annual naked pumpkin run in Boulder, Colorado. And the parties can get pretty raucous, particularly San Francisco’s Castro Street Halloween (at least it was until the city authorities took it over, moved it downtown, and sanitized it). I remember one Night-Before Halloween Castro Street Party back in the 1990s, where people had lined up shoes down the length of the street, with the lost shoe of current mayor, and former police chief, Frank Jordan, at the very end, all doused in lighter fluid and ignited in a fiery celebration of disdain for the homophobic, pro-business police and mayor.

#workingclass #LaborHistory #halloween #lgbtq #irish #drag #costume #police #acab

jaywink@jasonrobinson.me

Kneecap

First Love and Anarchy festival film for me this year, a part of the "Spotlight Selection". And I can see why. I think this film will easily go into the top list of films I've seen in recent years.

Telling the story of "Kneecap" [1], a real world hip-hop trio who rhyme in a mixture of Irish and English, acted by the band members, but in a fictional way. Based on Wikipedia there are many elements of the film that borrow from their real world journey. Whether this includes the outlandish drug use or being in the middle of republican militants and British imperialist police forces I can't say based on the article. However, it is all put together really well, conveying the most important message of all: fuck both of them. Humour is a central building block while tackling a difficult subject.

The Irish language and the right to use it is a central carrying theme through the film. Thanks to British imperialism the language only received official status in Northern Ireland in 2022. The film ends with a sad reminder that every 40 days an indigenous language dies [2].

[1] https://en.wikipedia.org/wiki/Kneecap_(band)
[2] https://www.activesustainability.com/climate-change/climate-change-languages/

#hiff #films #music #languages #irish

taur10@venera.social

The Ferryman...

Great video from the O'Reilly's and Paddy Hats. For some reason the YouTube algorithm finally decided to share this with me, despite searching for more from the band multiple times after first seeing Green Blood.

https://youtu.be/kY1Vc-ySc8g?si=nuu1Hup9PXrfqxsC https://www.youtube.com/watch?v=kY1Vc-ySc8g

Ian McFlannigan is the star in Green Blood, but has a big part in Ferryman, and is always fun, there's a good reason why he's listed on the band's site as Entertainer first and backing vocals second.

Any how, classic story about what happens when you die, but with a bit of modernization and a great ending.

https://youtu.be/F909N079IwM https://www.youtube.com/watch?v=F909N079IwM

Oh, and there's a fun behind the scenes video, https://youtu.be/81fgFksM72s https://www.youtube.com/watch?v=81fgFksM72s

#Music #YouTube #Irish #punk #folk