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How to Photograph Couples With Height Difference

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I am a professional wedding, portrait, and fashion photographer and have been photographing couples for nearly three decades and I have been teaching photography for over twenty years. I recently published a brand new video tutorial with tips on how to pose couples that have a big height difference.

When it comes to photographing a couple that is noticeably different height-wise, you can end up with images that accidentally accentuate this fact. And that can affect the overall composition.

It’s not that we’re trying to hide the fact that one partner is taller than the other. But we’re just trying to make it more aesthetically pleasing and not have it become a distracting element in your portrait.

One way to do that is to have the taller subject take a very wide stance with a two-foot gap (or more) between their feet. It forces the taller subject to drop down in height by a couple of inches. The key to this pose, though, is to have the subjects turn so that you cannot see the part between the taller subject’s legs.

Another common pose is to have the taller subject standing behind the shorter one with arms around the waist. Posing the taller subject with a wide stance will also work in this same situation. But again, the key is to make sure the camera cannot see the part between the taller subject’s legs. You can, of course, have the taller subject squat down a bit. But that will become tiring very quickly if someone has to constantly pose in a slightly squatting position.

You can also have the shorter subject stand nice and tall while the taller subject tilts their head towards the shorter one. It’s a subtle difference but helps to close that gap and also communicates a closeness between the two subjects.

There’s also a trick that you can use, especially if you are in a situation when you cannot pose a couple. For example, when they are walking down the aisle, or during a candid moment. If you tilt the camera in the direction of the taller subject, then it creates the illusion that the height difference is not quite as severe. This could be difficult if you are in a scene where there are strong horizontal or vertical lines in your composition.

Another great tip is to use whatever is in your environment to balance the height difference. For example, you can use a chair or a park bench or some other object where the taller subject can be seated while the shorter subject is standing. You can also use everyday objects such as the curb on a street, a staircase, or a natural incline on a hill to make the shorter subject stand a bit taller.


About the author: Widely regarded as one of the top five wedding photographers in the world, Jerry Ghionis’ theatrical and iconic images have redefined modern wedding photography. In 2013, he was named as a United States Nikon Ambassador. And he was the first Australian named in the first-ever list of Top Ten Wedding Photographers in the World by American Photo magazine. Jerry was also named as the Australian Wedding Photographer of the Year by the AIPP. Jerry is also proud to have won the WPPI (Wedding & Portrait Photographers International) Wedding Album of the Year for a record eight times among his long list of accolades and WPPI included Jerry in their Top Five Wedding Photographers in the World. In 2011, Jerry was also named by PDN magazine as one of the top photography workshop instructors in the world. To learn more from Jerry, visit his website.

#educational #tips #couples #couplesportraits #differentheights #height #howto #jerryghionis #portraits #tricks

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Haunting Street Portraits of Those Living on the Fringes of Society

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Imed Kolli is a street photographer who focuses on shooting black-and-white portraits of those living on the fringes of society. Through his project Eternal Faces, he aims to capture the soul and humanity of those who are often shunned.

"I use my camera as an unconventional way of seeing, framing, and communicating events of poor neighborhoods by shooting through obscure angles," Kolli tells PetaPixel. "The printed work offered a realistic view of my subjects with a slight bend of stillness, poverty, pain, and truth."

When a subject agrees to a portrait, Kolli gets in close and asks them to stand under a cover.

"In doing so, I created images that offer a clear version of reality outside on the poor neighborhoods," the photographer says. "[It] acts as a filter to the harsh reality of the poverty line city life outside."

It's to "draw attention through some beautiful people's portraits that summarize the diversity of the human race and to show how people are more the same than they are different," he continues. "What I do is photograph emotions."

Since his goal is to convey emotions and expressions, Kolli publishes his portraits without any location details or backstory.

"I tried to reach the authenticity of people who had contracted bitterness or resentfulness through their lives," Kolli says. "I expose the hardships and poor conditions of life of deprived people through their facial expressions. I do this in an attempt to assuage these problems. I want to vividly expose the realities of squalid living and misery caused by homelessness every day."

"Harrowing street portrait photography combined with emotional storytelling -- it's intended to engage and inform the audience and exhort them to act," the photographer says. "What I accomplished by taking these photographs from the streets was to inform the world of how people are suffering."

Kolli shoots with a Nikon D3200 APS-C DSLR and an 18-55mm Nikkor kit lens.

In post-processing, he mainly works with dodging and burning to "develop the mood" of his subjects. He also sharpens and illuminates the eyes and other distinctive facial features in post with this goal in mind.

"There is great stigma around people having the rough circumstances and the struggles that my subjects have had to endure during their existence," Kolli says. "Despite the fact that they all have this sort of extremely unfortunate life, I found them so uplifting and inspiring -- there was no self-pity whatsoever, and there was this sort of joy and the pleasure of being alive despite the fact that they were in this seemingly terrible situations.

"People who have the kind of resilience to still be able to smile back is what attracted me in some sort of emotional way to document their lives."

You can find more of Kolli's work on his website, Twitter, and Instagram.

#features #homeless #imedkolli #portraits #portraiture #street #streetphotography #streetportraiture #unprivileged

bastamedia@framasphere.org
warpspace@despora.de

Oliver Karchs Portraitphotographie folgt einem eigenen Modus. Das, was uns der Zeitgeist gerne als allgemeingültig verkauft, fehlt: Gestellte und austauschbare Schönheit, falsche Heiterkeit und Zwangslächeln. Dafür bieten uns der Photograph und nicht zuletzt die Photographierten Authentizität, Originalität und echte, schier greifbare Stimmung. Gekonnte Schwarz-Weiss-Portraitphotographie, die aus amerikanischen Bars, Clubs oder Szenelokalen der 1950er stammen.
Oliver Karch, geb. 1971 in Kaiserslautern, photographiert seit ca. 10 Jahren im semiprofessionellen Bereich.

http://www.amwebend.de/vorschau-demn%C3%A4chst-amwebend/
#amwebend #fotografie #kunst #portraits #Oliver_Karch