#weinstein

olladij@diaspora.permutationsofchaos.com

The backlash to the #MeToo movement was always coming. We know this because a backlash has followed every single step forward feminists have ever made. This backlash was always going to be big, too. Not only did #MeToo threaten a status quo that props up powerful men, it threatened these men personally, and – as it seemed to some – with reckless caprice.
“If somebody can be brought down by accusations like this,” a White House lawyer said shortly after Christine Blasey Ford’s allegations against #BrettKavanaugh were made public, “then you, me, every man certainly should be worried.”
It wasn’t just men who were worried. The idea that systems that previously treated only #women, minorities and lower-class men unfairly might be capable of doing the same to high-status men was deeply unsettling to everyone.

https://www.theguardian.com/commentisfree/2022/may/22/metoo-is-over-if-we-dont-listen-to-imperfect-victims-like-amber-heard #usa #feminism #weinstein #depp #heard #society

hekalyce@diasp.org

“Le baiser volé” est une chanson originale du Duo Gallus qui fait écho à #metoo et à l’affaire Weinstein.
Le premier poème qui compose la chanson a été écrit par Clément Marot, un poète français de la Renaissance, à une dame dont l’identité a depuis longtemps été oubliée. La deuxième partie de la chanson est la réponse de cette femme; La troisième est la réaction de Marot à sa réponse; Et enfin, la dernière partie est un texte écrit par le Duo Gallus en réaction à cet échange épistolaire.

Baiser volé, Extrait du concert du Duo Gallus @labase.paris le 16 avril 2022

Pour découvrir leur discographie et soutenir le lancement de leur deuxième album : http://duogallus.fr/

Duo Galus #concert, “Baiser volé” is a very original song that echoes to #metoo social movement against sexual harassment and assault and the Weinstein case. The first poem in the song was written by Clément Marot, a French Renaissance poet, to a Lady whose identity has been forgotten. The second part of the song is the answer of this Lady; the third is Marot’s reaction to her response; and finally, the fourth is the Duo Gallus thoughts on this old epistolary exchange.
Follow them @ : http://duogallus.fr/

#concertvideo #video #musicvideo #showcase #livesession #duogallus #metoo #frenchmusic #frenchmusic #music #chansonfrançaise
#engagement #artistesengagés #art #comitment #weinstein #feminism