#artefacts

nowisthetime@pod.automat.click

From A.I. really meaning #Alien Intelligence to the primary reason for the #Iraq invasion being because Sadam had found the remains of #Nimrod (of tower of Babel fame ) and a hoard of #artefacts buried with him.

The Cosmic Salon - A chat with Dr. Alphonzo Monzo III, ND LMT, LPNM
https://podbay.fm/p/the-cosmic-salon/e/1712779919
2 hour 5 minutes - Posted Apr 10, 2024

SHOW NOTES
Here is another riveting chat for y'all to enjoy. We get into so much, including woo, and still there is such an incredible amount to cover that I've asked Meredith to invite #Dr. #Monzo back on. #Quantum Dots. #Carbon C-60. #Nephilim. #Healing modalities. #Parasites. Weaponized #biology. #Slime #mould,

and so much more.

Dr. Monzo's website:

https://www.well-beingbydesign.com/

mikhailmuzakmen@pod.geraspora.de

#politics #art #history #colonialism #benin #artefacts #restitution

Explore Digital Benin

Digital Benin brings together all objects, historical photographs and rich documentation material from collections worldwide to provide a long-requested overview of the royal artefacts from Benin Kingdom looted in the late nineteenth century. The historic Benin objects are an expression of Benin arts, culture and history, and were originally used as royal representational arts, to depict historical events, to communicate, to worship and perform rituals. 

The digital platform introduces new scholarship which connects digital documentation about the translocated objects to oral histories, object research, historical context, a foundational Edo language catalogue, provenance names, a map of the Benin Kingdom and museum collections worldwide. Digital Benin connects data from 5,246 objects across 131 institutions in 20 countries.

Digital Benin’s scope focuses on objects looted by British forces from the Kingdom of Benin (now Edo State, Nigeria) in February 1897 and distributed in its immediate aftermath. Together, these events and processes led to the worldwide translocation of the objects shown on this platform. A small set of objects is included in the catalogue to represent the broader context in which the artistic production of Benin guilds is situated: Bini-Portuguese Ivories, produced and circulated outside West Africa in the 16th centuries, objects produced in neighbouring regions of the kingdom and a selection of works produced by named artists after 1930, which are held in museum collections. 
- https://digitalbenin.org/