#eyeball
#RgVeda and we want to be careful about whether this degrades everything:
93-94. (?) The Pitṛs named Ājyapās are the sons born of Pulaha who was born of Kardama, the Prajāpati. They reside in those worlds which can go wherever one desires. They move about in the sky in various forms and shapes. The groups of Vaiśyas who seek benefit worship these Pitṛs in Śrāddha.
Their mental daughter is well known by the name Virajā. She was the chaste wife of Nahuṣa and the mother of Yayāti.
The Pitṛs named Sukālas are the sons of the noble-souled Vasiṣṭha, son of Hiraṇyagarbha (Brahmā). The Śūdras worship them.
Those worlds where they stay in the #heaven are #Mānasa by name. Their mental daughter is Narmadā, the most excellent river.
She sanctifies the living beings as she proceeds along the Dakṣiṇāpatha (southern tract and territory). She was the #wife of #Purukutsa and the #mother of #Trasaddasyu.
It is after accepting these that Manu the lord of the Manvantara initiates the Śrāddha rites everywhere.
It's of course a little weird, hard to tell who is intended to be human. Maybe weirder to think of Arya kings as "wedded" to the southern #Narmada #River.
#Rudra is reborn in each of these #Manvantaras, and #Agni and the #Pitrs are the only thing that stays the same.
Individuals change names, classes change jobs, for example Sadhyas are now Adityas, everything else is a flux besides Agni and Pitrs.
So those are two branches that use his two wives, ##Svaha and Svadha, for the #ending of #mantras. They are his #power or, i. e. Svaha carries mantras to #Devas, Svadha to the Pitrs, Sraddha Rite, which upon examination is about #Time rather than #ancestors. Agni shows manifested units of time, the #day, #year, etc., whereas Pitrs are much like #Father-Time, duration in the abstract.
Most streams of Purana have dissipated all this, such as:
Sādhya (साध्य) refers to a group of deities that was once worshipped in ancient #Kashmir (Kaśmīra) according to the Nīlamatapurāṇa.—Various groups of the deities like #Ādityas, #Vasus, #Sādhyas, #Viśvedevas and #Maruts have their place in the #pantheon of the #Nīlamata but nothing significant is said about them.
Or they may be found shuffled in to #Shiva #Ganas that have nothing to do with this.
Where discussed, they may include:
Arthasiddhi
Brahmāṇḍa-purāṇa II. 24. 27; 38. 3.
and importantly:
Viṣṇu, Nārāyaṇa, lying in sleep in the vast mass of water.*
- Vāyu-purāṇa 23. 108.
live in Bhuvarloka; Nārāyaṇa, their overlord
in the [Śatapatha-brāhmaṇa] their world is said to be above the sphere of the gods; according to Yāska [Nirukta, by Yāska xii, 41] their locality is the Bhuvarloka or middle region between the #earth and #sun;
in the later mythology they seem to be superseded by the Siddhas
The easily-copied rosters of Sadhyas are:
Manas, Mantṛ, Prāṇa, Nara, Pāna, Vinirbhaya, Naya, Daṃśa, Nārāyaṇa, Vṛṣa, Prabhu
Mana, Anumanta, Prāṇa, Nara, Apāna, Vīryavān, Vīti, Naya, Haya, Haṃsa, Nārāyaṇa, Vibhu, and Prabhu
The latter, from #Brihadaranyaka #Upanishad, is in the context that they take birth at will, consciously. The same group of entities changes names and kingdoms; the twelve #souls have #continuity. And so they remember that they once were, on the ideal or ideational plane:
Prāṇa, Apāna, Udāna, Samāna, Vyāna, Cakṣus, Śrotram, Rasa, Ghrāṇa, Sparśa, Buddhi and Manas.
There for example is #Mind's Eye, #Caksus, which is unlike #Indra, because #ordinary #vision requires a physical #eyeball and a #psychological response to stimulus, may be easily tricked. This is i#ncorporeal vision that represents #Perfect #Sight.
"Later #mythology" means the Sadhyas appear in #Mahabharata numerous times, but, barely have any references in Bhagavata Purana.
" #Narayana" is in #Rg-Veda as the author of Purusha Sukta. That's it
"Alchemical Music for Sound Shamans" in free download here https://archive.org/details/rADio_eNd_Salvator_Salvandus Taped Rugs Productions https://archive.org/details/tapedrugsproductionsaudio and the Necrophile Hummingbird Netlabel http://www.horsnorme.org present Salvator Salvandus by rADio eNd a subtle musical elixir.
rADio eNd members involve in :
Charles Rice Goff III :
Additional sounds, mixes, final edits, and cover art of the Taped Rugs Version https://archive.org/details/SalvatorSalvandus
Ed End :
Album concept, song titles, and original source music.
Cover art photo of this version by Alain Grille edited a little.
Also if you are looking for physical hard copy (Tape, CDR) of this album (It's more for trade than selling...) you should check on http://www.tapedrugs.com
Technology :
C. Goff III :
Voice, Korg R3 Vocoder/Synthesizer, Korg Z1 Synthesizer, Micro Moog Analog Synthesizer, Hello Kitty Stratocaster Electronic Guitar, Aklot Electro-Acoustic Soprano Ukulele, Various Plectra, Boss RC 20X Loop Station Loop Duplicator, Ibanez DM 1000 Digital Delay, Yamaha FX 500 Effects Unit, Various Analog Foot Pedal Sound Effects, Tascam 424MKIII 4-Track Cassette Recorder, K-Mart Portable Phonograph, Modified Vinyl and Flexidisk Records, Cool Edit Pro II, Audacity, Midisoft MIDI Scorewriter, Windows Media Player, Roxio 2011 Sound Recorder, Several Plug-In Audio Sound Effects, Amazing MIDI Wave-To-MIDI, Polysoft MIDI to Mp3 Converter, Natural Reader Voice Emulator
Ed End :
Novation Bass Station analog synthesizer in rack with Yamaha DX21 keyboard.
Rhythms generated by a Digitech Trio Pedal in various FX circuits, coupled with a pink Mini Kaossilator Korg, an electric frequencies generator, and various FX pedals.
Samples are done with an old turntable with an elastic band and some other stuff under the records to make irregular playing surfaces.
Etheric Body incorporates a computer overlayer mix.
Editing Process :
To produce this collection, Goff blended many of his own original recordings with Ed’s source materials. Goff also modified Ed’s source materials in many ways. Simple digital effects altered source track sounds and/or speeds. Some source tracks were played on a keyboard directly through the inputs of a Korg Vocoder. On one piece, a single rhythmic source phrase was modified in a number of ways, then the various modified phrases were linked together into a chain. Some source tracks were converted to MIDI files, then the resulting tracks were altered to showcase a variety of MIDI sounds. Some edits were recorded onto a 4 track cassette tape and remixed manually into digital files.
Below the surface :
We talked a lot about the symbolic elements before Goff upgrade it.
About Salvador Salvandus concept you will discover yourself an answer if you translate the fifth track title.
It seems one big problem in this world is about on one side the self proclamated saviors, kind of people often thinking that there is only one solution : their solution... and on the other side the savior worshipers, kind of people often thinking it's more safe to be save by someone else than to do it themselves...
For me both are wrong. Of course, people with a little psychological skills know that the "hand seeking help", is more trying to drag down someone else to feel less low. Sameway that the "helping hand" is more trying to steal the benefit of the salvation. Obviously the savior can't save and the savior seeker can't be save.
Both being blinded because too much self centered. In this problem there is not only two subjects but three and this third one is the world itself, and the world, this wide network of living beings brings a real solution if you are able to listen it. You get the process and knows how to act toward to solve it till you are able to feel these connections and understand how to set your mind.
Hard to explain fully in few words roughly translate that's why I prefer let the music talk.
Above the surface :
It took me several listening before to get it, Salvador Salvandus is the kind of album you can often go back to and slowly become a familliar presence as well as that shadow behind you can be. For me it's an important step in rADio eNd study of how a kind of soul can be reveal thru the transformation of the sound material. That's why I'm so happy Goff share his editing process. And I hope you will be as joyfull than me that he brings this music to life.
Inner transmission first version is also in this Video Art Clip https://archive.org/details/what_happens_when_you_throw_fire_on_black_ice
#ccmusic #netlabel #music #freemusic #experimental #psychedelic #avantgarde #surrealism #symbolism #cryptic #eyeball #folktronica #electronics #darkambient #soundscape #dreamwave #spacerock #acidrock #industrialmusic #postpunk #noise #sound #abnormal #rock #acidrock #music #outsiderart #weird #mutant #dream #cosmic #odd #newage #cult #radio #ritual #copyleft #freeshare #freeculture #trip
