0 Persons are tagged with #celtic

#celtic

ramnath@nerdpol.ch
ramnath

https://www.bitchute.com/video/NpvNEQO6PtJq/

#ceylon #news
#Himalayan #salt vs. #Celtic Sea Salt?
09.23 who want you to stop eating
11.36 german farmers not happy
12.10 Take_note_America_germany_berlin_farmers_farmlife_farming_Original
13.30 fake eggs are they real
14.59 sugar or white death
15.51 thanks giving
18.30 holiday not what u think
20.00 hermes
22.07 f e astronotts
23.06 f e mercury veneus
24.38 f e van allen belts
27.27 epsteins log
27.52 epstiene diaz
28.54 paedos running amock
30.10 refuges sent here
31.08 russia eukrain hoax
34.03 j6 testomoney
38.23 Demonstration of the perfect combination of magnetic levitation and electromagnetic induction
39.23 ev dangers
40.37 why they killed african leaders
42.54 israel. genocide exposed
44.16 israel. child sniper
44.42 israel. Glasgow
45.28 israel. shooting females
45.45 israel. sick
49.27 Rt news

…Himalayan salt vs. Celtic Sea Salt?

If you enjoyed today's video, if you feel you got something from it, there are ways to support this channel. And I thank all those that do. https://ko-fi.com/ceylon please buy me a coffee. Thank you. …Himalayan salt vs. Celtic Sea Salt? 09.23 w…

girlofthesea@diasporasocial.net
Girl Of The

#celtic #ireland #legends
Amergin Glúingel

Amergin[ Glúingel ("white knees") (also spelled Amhairghin Glúngheal) or Glúnmar ("big knee") is a bard, Druid priest, and judge for the Milesians. He was appointed Chief Ollam of Ireland by his two brothers, the kings of Ireland. A number of poems attributed to Amergin are part of the Milesian legends.

One of the seven sons of Míl Espáine, he took part in the Milesian conquest of Ireland from the Tuatha Dé Danann, in revenge for their great-uncle Íth, who had been treacherously killed by the three kings of the Tuatha Dé Danann, Mac Cuill, Mac Cecht and Mac Gréine. They landed at the estuary of Inber Scéne, named after Amergin's wife Scéne, who had died at sea. The three queens of the Tuatha Dé Danann (Banba, Ériu and Fódla) gave, in turn, permission for Amergin and his people to settle in Ireland. Each of the sisters required Amergin to name the island after each of them, which he did: Ériu is the origin of the modern name Éire, while Banba and Fódla are used as poetic names for Ireland, much as Albion is for Great Britain.
The Nineth Wave
The Milesians had to win the island by engaging in battle with the three kings, their druids and warriors. Amergin acted as an impartial judge for the parties, setting the rules of engagement. The Milesians agreed to leave the island and retreat a short distance back into the ocean beyond the ninth wave, a magical boundary. Upon a signal, they moved toward the beach, but the druids of the Tuatha Dé Danann raised a magical storm to keep them from reaching land. However, Amergin sang an invocation calling upon the spirit of Ireland that has come to be known as The Song of Amergin, and he was able to part the storm and bring the ship safely to land. There were heavy losses on all sides, with more than one major battle, but the Milesians carried the day. The three kings of the Tuatha Dé Danann were each killed in single combat by three of the surviving sons of Míl, Eber Finn, Érimón and Amergin. In her Gods and Fighting Men (1904), Augusta, Lady Gregory translates The Song of Amergin as such:

I am the wind on the sea;
I am the wave of the sea;
I am the bull of seven battles;
I am the eagle on the rock
I am a flash from the sun;
I am the most beautiful of plants;
I am a strong wild boar;
I am a salmon in the water;
I am a lake in the plain;
I am the word of knowledge;
I am the head of the spear in battle;
I am the god that puts fire in the head;
Who spreads light in the gathering on the hills?
Who can tell the ages of the moon?
Who can tell the place where the sun rests?

Amergin then divided the land between his two brothers, Eber taking the southern half of Ireland, Eremon the north. Within the year Érimón defeated Éber in battle and gained the kingship of the whole island. Local tradition in Drogheda locates his burial-place under Millmount.

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ramnath@nerdpol.ch
ramnath

enter image description here
#triquetra #cross

The #Carolingian Cross is but one variation in the vast historical imagery of Christian symbolic representations of the Crucifixion of Jesus, going back to at least the ninth century.[1] All crosses and Christian symbols have an inherent meaning arising from a multitude of sources and distinct features that set them apart from other religions.[2] From both a design aspect and a theological perspective, the Carolingian Cross consists of a mixture of Christian and pre-Christian concepts built over a long history of cultural adaptation, religious iconography, liturgical practices and theological premises. German graphic designer Rudolf Koch in 1932 published a collection of 158 plates of drawings of Christian symbols. Under the heading of "Cross", this includes twelve drawings of Christian cross variants. One of these, the "Carolingian Cross" (Karolingisches Kreuz) shows a cross of #four #triquetras

Iron Age
The term triquetra in archaeology is used of any figure consisting of three arcs, including a pinwheel design of the type of the triskeles. Such symbols become frequent from about the 4th century BC ornamented ceramics of #Anatolia and #Persia, and it appears on early #Lycian coins.[1]

The triquetra is found on runestones in Northern Europe, such as the Funbo #Runestones, and on early Germanic coins.[citation needed] It bears a resemblance to the valknut, a design of three interlacing triangles, found in the same context.

Insular art
The triquetra is often found in insular #art, most notably metal work and in illuminated manuscripts like the #Book-of-Kells. It is a "minor though recurring theme" in the secondary phase of Anglo-Saxon sceatta production (c. 710–760).[2] It is found in similar artwork on early Christian High Crosses and slabs. An example from early medieval stonework is the Anglo-Saxon frithstool at Hexham Abbey.[3]

The #symbol has been interpreted as representing the #Holy #Trinity, especially since the #Celtic revival of the 19th century. The original intention by the early medieval artists is unknown and experts[who?] warn against over-interpretation.[2] It is, however, regularly used as a Trinitarian symbol in contemporary Catholic iconography.

Buddhist tradition
The triquetra has been a known symbol in Japan called Musubi Mitsugashiwa.[citation needed] Being one of the forms of the Iakšaku dynasty signs, it reached #Japan with the dynasty's Kāśyapīya spreading technology and Buddhism via Kingdom of Khotan, #China and #Korea.[citation needed]

Modern use
The triquetra is often used artistically as a design element when Celtic #knotwork is used, especially in association with the modern Celtic Nations. The triquetra, also known as a "trinity knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.

Celtic pagans or neopagans who are not of a Celtic cultural orientation may use the triquetra to symbolise a variety of concepts and mythological figures. Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea and Sky),[5] or as a symbol of one of the specific Celtic triple goddesses – for example the battle goddess, The #Morrígan. The symbol is also sometimes used by #Wiccans, #White Witches, and some New Agers to symbolise the #Triple #Goddess, or as a #protective symbol.[6]
https ://en.wikipedia.org/wiki/Triquetra

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francoisvillon@societas.online
Harry Göhde

Edmund Blair Leighton - Tristan and Iseult

Tristan und Isolde
Gemälde, Öl auf Leinwand, 129 × 147 cm, 1902

Loreena McKennitt - The Mystic's Dream

Album: The Mask And Mirror, 1994
cover
A clouded dream on an earthly night
Hangs upon the crescent moon
A voiceless song in an ageless light
Sings at the coming dawn
Birds in flight are calling there
Where the heart moves the stones
It's there that my heart is longing for
All for the love of you

A painting hangs on an ivy wall
Nestled in the emerald moss
The eyes declare a truce of trust
And then it draws me far away
Deep in the desert twilight
Sand melts in pools of the sky
When darkness lays her crimson cloak
Your lamps will call, call me home

And so it's there my homage's due
Clutched by the still of the night
And now I feel you move
And every breath is full
So it's there my homage's due
Clutched by the still of the night
Even the distance feels so near
All for the love of you.

#romantik #medieval #lovestory
#EdmundBlairLeighton #präraffaelismus #Kunst #art #paintings #gemälde #peinture
#LoreenaMcKennitt #newage #celtic #folk #music #musik

File:Leighton-Tristan and Isolde-1902.jpg - Wikimedia Commons

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