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#comedian

spektrum@anonsys.net
Spektrum (inoffiziell)

Der Humorist Cornelius W. M. Oettle bringt ChatGPT seinen Humor bei. Sein Buch ist eine unterhaltsame und lehrreiche Begegnung mit künstlicher Intelligenz. Eine Rezension

Der Humorist Cornelius W. M. Oettle trainiert eine künstliche Intelligenz, ihn zu ersetzen – mit erstaunlichen Ergebnissen. Eine Rezension (Rezension zu Meine Witze sind alle nur gecloud von Cornelius W. M. Oettle)#ChatGPT #KI #künstlicheIntelligenz #Witz #Humor #Satire #Comedy #Ironie #Titanic #Comedian #ITTech #PsychologieHirnforschung
»Meine Witze sind alle nur gecloud«: Künstliche Intelligenz: Lachen mit großen Sprachmodellen

»Meine Witze sind alle nur gecloud«: Künstliche Intelligenz: Lachen mit großen Sprachmodellen

Der Humorist Cornelius W. M. Oettle trainiert eine künstliche Intelligenz, ihn zu ersetzen – mit erstaunlichen Ergebnissen. Eine Rezension (Rezension zu Meine Witze sind alle nur gecloud von Cornelius W. M. Oettle)

One person like that
nowisthetime@pod.automat.click
nowisthetime

#WARNING: This video contains strong language
#Piers debating an #Egyptian #comedian who makes his points with shocking sarcasm and dark humor

Source: https://youtube.com/watch?v=4idQbwsvtUo

Oct 18, 2023 #piersmorgan #israel #palestine

Piers Morgan Uncensored is joined by Egyptian comedian Bassem Youssef and later on by co-founder of the Daily Wire, Jeremy Boreing, for a heated and emotive debate on the historical treatment of Palestine during their conflict with Israel and whether Israel's decision to bomb Gaza in an attempt to get rid of Hamas is justified and proportionate after the attacks on October 7th.

Bassem condemns the terrorist organisation Hamas and tries to explain that people have been desensitised to accept that civilians dying is an inevitability of war.

Piers then suggests he doesn't know what the "proportionate response" to a terrorist attack of Hamas's scale would be. Bassem responds by referencing a graph that shows the total amount of deaths in the conflict prior to the attacks and questions the Palestinian killings in the West Bank, which has never been occupied by Hamas fighters.

Bassem then mocks Ben Shapiro for his public stance on Israel defending themselves, questioning how an occupier can be defending themselves. Shapiro's friend and colleague Jeremy is then invited by Piers to debate Bassem's criticisms. " -

This interview made me think(again) about Piers Morgan giving so much space to the opponents of the globalist narrative ,and this comment resonates with my suspicions;

"At this point I believe that Piers Morgan is actually a good man who is totally against Israel, but he fears getting cancelled or angering his show's sponsors if he makes his true stance clear. So he's intentionaly bringing in knowledgeable people to educate his viewers about the real situation."

One person like that
mkwadee@diasp.eu
Khurram Wadee

A #joke by the late #comedian #DaveAllen.

A priest and an atheist are discussing religion and the existence of God. The priest says,
"You are like a man who is blindfolded, in a totally dark room, looking for a black cat that isn't there."
The atheist replies,
"I think you are likewise like a man who is blindfolded, in a totally dark room, looking for a black cat that isn't there. The only difference is that you've found it."

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yew@diasp.eu
YA

#hm... currently reading

he by John Conolly

An extraordinary reimagining of the life of one of the greatest screen comedians the world has ever known: a man who knew both adoration and humiliation; who loved, and was loved in turn; who betrayed, and was betrayed; who never sought to cause pain to others, yet left a trail of affairs and broken marriages in his wake . . .

And whose life was ultimately defined by one relationship of such tenderness and devotion that only death could sever it: his partnership with the man he knew as Babe.

he is Stan Laurel.
But he did not really exist. Stan Laurel was a fiction.

With he, John Connolly recreates the golden age of Hollywood for an intensely compassionate study of the tension between commercial demands and artistic integrity, the human frailties behind even the greatest of artists, and one of the most enduring and beloved partnerships in cinema history: Laurel &Hardy.

#StanLaurel #comedian #biography #book #novel #JohnConolly

he

An extraordinary reimagining of the life of one of the greatest screen comedians the world has ever known: a man who knew both adoration ...

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hipstre@diasp.org
Rifkin Semmelweis

How I'm a "Racist"
I remember once there was a #comedian on the Conan O'Brien show, he had a very generic name like "Neil Jones" and he was doing a very generic comedy tour. Conan introduced him normally, "Our next guest is a comedian, touring the country, tomorrow night he'll be at the Chucklehut in Secaucus, New Jersey, and on Wednesday at Laughterhouse Five in Minneapolis. Ladies and gentlemen, Neil Jones…"

There is polite #applause. The camera cuts to the curtain which opens, the polite applause continues. As Neil Jones emerges here is what is expected, and usual. He steps up to the microphone and the applause trails off as he says, "Thank you." But what happened? As Neil Jones emerges into the light and steps up to the microphone, it is revealed he is black. And rather than polite, trailing applause, the applause rises and some "whoo!"s are thrown in. Neil Jones has to say, "Thank you," twice before the applause dies down.

What was that? Well, we all know what that was. The audience saw he was black and went from perfunctory, polite applause to enthusiastic applause because they had to go from a boring ritual to demonstrating how not racist they are. There might be a few New Yorkers who go to comedy clubs and know that in black comedy clubs it is permissible and expected to go a little fuckin' crazy with the applause, but mostly, I suspected it was the other thing.

Who is the racist here? Not Neil Jones. Not Conan. The audience? Well, how would that work? That's tough. There's a bunch of 'em. It's me. I'm the racist, for pointing it out.