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Xinxiang Cultural Tourism Centre by Mathieu Forest Architecte resembles a stack of ice cubes

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Ice Cubes cultural centre in China

A stack of nine frosted glass "ice cubes" atop a pool of water houses this cultural centre in Xinxiang, China, designed by French practice Mathieu Forest Architecte.

The Xinxiang Cultural Tourism Centre was designed as a sculptural icon for a new winter sports tourism district in the city, which will in future include an indoor ski slope.

Stacked cultural centre by Mathieu Forest ArchitecteMathieu Forest Architecte has created a stacked cultural centre in China

Inside the centre's nine cubes are a restaurant, cafe, shops, reading and children's spaces, with the stacked form used to create a series of open-air terraces that overlook the surrounding plaza and water pools.

"The ambition of the project is to create a strong urban indicator that unites the whole district," said Mathieu Forest Architecte.

Stacked cultural centre in ChinaIt is designed to resemble a stack of ice cubes

"[It] does not look like a classic building – it is not possible to figure out the number of floors, it is a sculpture out of scale, a pure and monumental volume," it continued.

The ice-like appearance was achieved through the use of printed glass panels, which are attached to the concrete structures with minimal metal fixings to avoid the need for any frames.

Glass facade of Ice Cubes by Mathieu Forest ArchitecteThe building sits beside a pool of water

During the day, the appearance of the glass panels changes depending on the light conditions, revealing certain areas of the interior and concealing others.

At night, illumination from the interior creates a glowing effect, turning the centre into a "lighthouse" for the district.

Patterned curtain wallThe ice-like appearance is achieved with patterned glass panels

"The texture of the glass facades is composed of a multitude of tangled translucent ice crystals that filter the light and the vision from the interior," said the practice.

"It is a question of hiding, whilst showing, to provoke mystery and the desire to approach," it continued.

[

Read:

Triptyque's marble and glass showroom was designed to "look like an ice cube"

](https://www.dezeen.com/2014/12/04/triptyque-groenlandia-building-marble-glass-ice-cube-sao-paulo-brazil/)

Each cube is stacked at a different angle, creating a variety of compositions depending on the direction of approach. Some cubes cantilever above the plaza and others are positioned to create small gaps to walk between.

In the central cluster of cubes, a double-height ground floor creates a large, open foyer, leading through to a reading room that opens onto a paved water terrace.

Patterned glass panelsThe panels are attached with minimal metal fixings

While this foyer merges the cubes into a single space at the ground floor level, their upper levels intersect and project out into it, creating balcony spaces supported by large white columns.

Two cubes sit away from the central area, connected via paved paths that cross the water pool and containing a shop and restaurant.

Night shot of Ice Cubes Cultural Tourist Center in ChinaThe glass facades glow at nighttime

The Beijing 2022 Winter Olympics has led to a booming interest in winter sports in China. See the buildings that were used to host the games in Dezeen's guide to the Winter Olympics' architecture.

The photography is byArchExist.


Project credits:

Architects: Zone of Utopia+Mathieu Forest Architecte

Client: Henan Rongshou Xinchuang Culture and Tourism Real Estate Co. Ltd.

Designers: Qiang Zou, Mathieu Forest

Design team: Zeng Teng, Wu Di, Wang Zhuang, Arnaud Mazza, Ma Jia, Xue Qixun

Local Design Architect: Henan Urban Planning Institute & Corporation

Structure: Arup Group Limited

Curtain wall: EDUTH

Landscape design: Hassell Shanghai

Landscape design construction: QIDI Shanghai

Lighting: PROL

Interior design: WU:Z DESIGN

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#all #architecture #cultural #chinesearchitecture #china #glass #visitorcentres #culturalbuildings #irregularlystackedboxes #xinxiang

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Neri&Hu adds mesh-clad guesthouse to Shenzhen urban village

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Chinese studio Neri&Hu has converted a nine-storey residential building in Nantou City, Shenzhen, into a guesthouse wrapped in a metal mesh.

The Shanghai-based studio aimed to reflect the cultural heritage of buildings in the Nantou City urban village within its design for the guesthouse.

The entrance of the guesthouse is directly connected to the alleyways of the local neighbourhood

It stripped back and cut open the original building's structure to reveal different layers of materials to guests.

According to the studio, this reflects an urban village – a phenomenon in China where agricultural villages were swallowed by the mass and speedy urbanisation but remain as distinct entities.

Inside picture of Nantou guesthouseNeri&Hu inserted a new metal stairwell into the old structure

Existing, exposed structural elements were combined with modern additions throughout the building.

"The contrast and tension between old and new, past and present are very much part of the spacial and sectional experience of the project," said Lyndon Neri, founding partner of Neri&Hu.

Inside picture of Nantou guesthouseThe open facade allows natural light and street life into the building

The guesthouse's small entrance was designed to not stand out within the intricate narrow alleyways of the urban village.

It was clad in a light steel screen-like cladding that gives the building a modern appearance while letting natural light into the building.

Picture of hotel room of Nantou guesthouseAll rooms are designed differently with unique view

An existing stairwell that previously connected all nine floors was cut open and expanded to create a new internal courtyard.

A metal stair was suspended within the space to allow visitors to access the upper floors.

[ Outside the Shan-Shui distillery by Neri & Hu

Read:

Neri&Hu completes stone-clad whisky distillery in China for Pernod Ricard

](https://www.dezeen.com/2021/11/16/neri-hu-shan-shui-whisky-distillery-china/)

Neri&Hu designed each of the rooms to have its own individual identity.

"We made the building retain its original 'bones' and 'skin' but add another layer of covering, so it takes on multiple readings of history and presence," said Rossana Hu, founding partner of Neri&Hu.

Picture of Nantou guesthouse's rooftopThe heavy volumes on the rooftop are designed to look like a hat

The building is topped with a dining space and rooftop terrace.

A pair of metallic monoliths sit on the rooftop platform containing heating and ventilation units that Hu said change the building "like a nice hat that gives a new identity".

Other recent buildings completed by Neri&Hu include a whisky distillery in Sichuan province and Aranya Art Center in Qinhuangdao.

The photography is by Hao Chen and top video is by Runzi Zhu.


Project credits:

Client: Shenzhen Vanke Co

Architecture design: Neri&Hu Design and Research Office

Interior design: Neri&Hu Design and Research Office

FF &E design and procurement: Design Republic

Partners-in-charge: Lyndon Neri, Rossana Hu

Senior Associate-in-charge: Chris Chienchuan Chen

Senior Associate: Christine Chang

Associate: Sanif Xu

Design team: Bingxin Yang, Dian Wang, Ningxin Cheng, Peter Ye, Bernardo Taliani de Marchio, Cheng Jia, Xiaotang Tang, Jieqi Li, Pengpeng Zheng, Eric Zhou, Yoki Yu, Zhikang Wang, Tong Shu, Matthew Sung, Kany Liu, July Huang, Lyuqitiao Wang

Design Management: Urban Research Institute of China Vanke

LDI: Bowan Architecture Co., Ltd.

Facade consultants: PAG Facade Systems Co

Interior LDI: Hign Decoration Design Engineering Co

Lighting: Grand Sight Design International Limited

Landscape: Yuanye Landscape Design

Civil Engineering: West Construction Shenzhen

Facade contractors: Shanghai Bestin Industry Co; West Construction Shenzhen

Interior contractors: Shenzhen Chuangbao Decoration Co

Steel Construction: Shenzhen Chuangbao Decoration Co

Doors and windows :Schüco International (Beijing) Co

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#all #hotels #architecture #chinesearchitecture #china #nerihu

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Open Architecture reveals design for Sun Tower in China

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Render of Sun Tower in China

Chinese studio Open Architecture has unveiled its design for a viewing tower in the coastal city of Yantai in the north east of China.

The Beijing-based architecture studio designed the 50-metre-high tower to look like a giant sundial.

Render of sun tower in China by OPEN ArchitectureOPEN Architecture has revealed visuals of Sun Tower

The form of the tower, which will act as a landmark in the city's new coastal district, was informed by watchtowers that were built in the area during the Ming dynasty.

When it is complete, Sun Tower will be a cultural facility with views of the sea, a semi-outdoor theatre on the ground floor, a winding exhibition space, library and observation deck.

Render of sun tower by OPEN Architecture in ChinaSun Tower will be a cultural facility where people can also enjoy nature

Standing in the centre of a circular plaza, it will be constructed from two white concrete conical forms connected and braced by horizontal slabs and ramps.

The space within the inner shell of the Sun Tower was designed to act as a sound collector, absorbing and amplifying the sound from the sea.

Render of Sun Tower by OPEN Architecture in ChinaThe upside-down upper shell houses a library and observation space

In summer, rain will drop from a circular opening in the roof and be collected in a small pool. In winter, this pool will be dried out and used as a fireplace.

"Immediately when we conceived of the design we wanted to reference ancient human rituals, honoring the sun, moon, and stars, and offering a space for reflection and contemplation," said Li Hu and Huang Wenjing, founding partners of Open Architecture.

[ Chapel of Sound was designed to look like a rock

Read:

Open Architecture unveils rock-like concert hall in a valley outside Beijing

](https://www.dezeen.com/2021/11/05/open-architecture-chapel-of-sound-beijing/)

Open Architecture will also work with Aric Chen, artistic director of Het Nieuwe Instituut in Rotterdam, to create the building's exhibitions, which will focus on digital exhibitions and big data.

"We wanted to ensure the building had an authentic purpose and function, creating spaces that juxtapose the incredible ocean views with the forward-thinking digital exhibitions that explore nature," added Li and Huang.

Render of Sun Tower by OPEN Architecture in ChinaA semi-outdoor observation space will be on top of Sun Tower

Open Architecture designed a shallow pool, misting devices and fountains for the plaza that will surround the building.

A linear pool of water will cut across the plaza, which will aline with the shadow of the Sun Tower follows on the day of the equinox.

The pavement will be covered in a series of elliptical ring pattern. The intersections between the rings and the waterway mark the building shadow's footprint at specific hours on the equinox day.

Render of Sun Tower by OPEN ArchitectureThe 50-meter high building is a composite shell structure

The project is currently under construction and due to complete in 2024. Open Architecture recently completed a rock-like concert hall outside of Beijing named Chapel of Sound and an art gallery within a sand dune.

The renders are courtesy of Open Architecture.

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#all #architecture #cultural #news #chinesearchitecture #china #viewpoints #culturalbuildings #openarchitecture

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LUO Studio completes intricate wooden bridge in Chinese water village

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Timber Bridge in Gulou Waterfront by LUO Studio

Hundreds of wooden elements are bolted together to form Timber Bridge in Gulou Waterfront, the latest project by Chinese architecture office LUO Studio.

The 25-metre-long bridge is located in Gulou, a water village in Jiangmen, China. This unusual manmade landscape, formed of a network of waterways and ponds, once provided an infrastructure for fishing and farming.

Close-up of Timber Bridge in Gulou WaterfrontThe bridge is arched to allow room for boats to pass underneath

With the area now being rebranded as an eco-tourism resort, Gulou Waterfront, LUO Studio was tasked with creating a new pedestrian bridge in the heart of it.

The Beijing-based studio chose to predominantly use wood, paying tribute to the traditional construction techniques employed in rural villages of southern China where the material is in plentiful supply.

Gulou bridge with 25-metre spanIts structure is made from simple wooden lengths

It was essential for the bridge to allow enough room for boats to pass underneath. This led to the design of an arch shape, with four metres clearance between the underside of the bridge and the typical water level.

"During the fishing civilisation period, roads were poorly developed, so water systems became the key route for transportation and logistics," said the studio, which is led by architect Luo Yujie.

"Since bridges need to be walkable while also ensuring more space for boats underneath to pass through, traditional bridge construction techniques in China adopted arches to create space for the passage of boats under bridges, and enhance the effectiveness of the structure."

Boat passing under timber bridge in GulouMetal panels provide integrated rainwater drainage

Despite the shape of the bridge, very few of its components are curved. Apart from the three arched beams that form the underside, the structure is almost entirely made from small, regular lengths of pine.

"Small wooden components are interlocked and anchored to the three main arched beams, functioning as sub-beams on upper and lower levels," said LUO Studio.

"In addition, the two ends of these sub-beams are combined with upward components to form a stable triangle of forces."

Night view of Timber Bridge in Gulou Waterfront by LUO StudioThe bridge span is 25 metres

Metal plates are slotted into the wooden framework, which create shelter and provide natural rainwater drainage.

The result is a structure with an intricate structure. Not only does it provide a walkway across the water, but also provides shelter to those crossing.

Entrance to timber bridge in GulouWide staircases create an inviting route for pedestrians

On both sides, the wooden bridge's entrance is a wide staircase with open treads. A smaller staircase is set into the centre of each one, leading up to viewing platforms slotted within the bridge's structure.

"This project inherits the construction wisdom of ancient covered bridges," said LUO Studio.

[ World's longest glass-bottomed bridge in Huangchuan Three Gorges Scenic Area in southern China

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World's longest glass-bottomed bridge opens in China

](https://www.dezeen.com/2020/09/04/worlds-longest-glass-bottomed-bridge-china-huangchuan/)

"The covered corridor enhances the overall structural stability and protects the arched wooden structure beneath from exposure to sun and rain."

Steel-strengthened bolts give the structure an additional layer of strength.

Interior of timber bridge by LUO StudioViewing platforms are slotted into the structure at both ends

Timber Bridge in Gulou Waterfront is the latest in a series of innovative projects designed by Luo Yujie, a rising star of the Chinese architecture scene.

His studio won a Dezeen Award for Party and Public Service Center, a community centre built over existing foundations in Yuanheguan, while other projects include the geodesic canopy, Luotuowan Pergola.

With this project, he hopes to inject new interest into an area whose fishing heritage is gradually disappearing.

Aerial view of Gulou in ChinaThe area is being rebranded as an eco-tourism resort

It is one of several new bridges that are planned as part of the Gulou Waterfront development, with the aim of making the area accessible for pedestrians without causing disruption to fishing boats.

"While passing through the platforms from two ends to reach the centre of the bridge corridor, visitors can fully experience the light and shadows from the top, feeling calmness and openness in the mind," added the studio.

The photography is by Jin Weiqi and the video is by Jin Weiqi and Xiao Shiming.


Project credits

Client: Jiangmen OCT

Design studio: LUO studio

Design/construction instruction: Luo Yujie, Lu Zhuojian, Wang Beilei

Structural consulting: LaLu Structural Consulting

Construction firm: Shenzhen Zhenhui Architectural Engineering

Wood material suppliers: Shengtehaosen, Kingspine-House

Lighting fixture supplier: Meteor Shower

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#all #architecture #infrastructure #instagram #chinesearchitecture #china #wood #bridges #woodenarchitecture #luostudio

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MAD designs cluster of wooden museum buildings to evoke bronze age masks

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Exterior visual of The Eye of Sanxingdui

Chinese architecture studio MAD has released visuals of The Eyes of Sanxingdui, a scatter of wooden buildings it has designed for the Sanxingdui Museum in Guanghan City, China.

The Eyes of Sanxingdui will contain new exhibition spaces and a visitor centre for the complex, which is officially called the Sanxingdui Ancient Shu Cultural Heritage Museum.

Aerial view of Sanxingdui Museum extension by MADMAD has designed a series of exhibition spaces for Sanxingdui Museum

As the project name suggests, MAD's design evokes the almond-shaped eyes of bronze age masks excavated from the ancient Sanxingdui archaeological site where the museum is located.

These masks were created by the Sanxingdui civilisation between 4500-2800 years ago and are now on display at the museum alongside many other artefacts discovered in the area.

Aerial view of The Eyes of Sanxingdui by MADThe cluster of structures will be made from wood

"The Sanxingdui site laid host to a number of cultural relics, including longitudinal bronze eye masks and large bronze standing figures, many of which adopt exaggerated, strange, ornate shapes," explained MAD.

"After sunset, the six buildings are enlivened as torch-like eyes behind the bronzeware and golden masks of Sanxingdui, uniting the spirits and forms, allowing people in the museum to wander between history and the future."

Wooden museum buildings by MADThe Eyes of Sanxingdui will run alongside a body of water at the museum

The museum campus is located at the northeast corner of Sanxingdui's main protected area and covers an area of 90,000 square metres.

The Eyes of Sanxingdui will consist of a cluster of six wooden buildings scattered in an east-west direction alongside a body of water and dense greenery on the site.

Render of The Eyes of Sanxingdui by MADThey are designed to evoke the eyes of bronze age masks found in Sanxingdui

Its easternmost structure will contain the 5,830-square-metre visitor centre. Beyond this will be five exhibition spaces.

Externally, the exhibition spaces will be connected by an undulating green roof, which will be publicly accessible and provide visitors with views of the surrounding landscape.

Render of museum extension by MADA skylight will run along the roof of each structure

The decision to divide The Eyes of Sanxingdui into a series of buildings was made to help blend the structures in with the landscape and preserve nature on the site.

They are intended to appear as though they are emerging out from this landscape, with their timber finishes and structures echoing the surrounding trees.

Render of the exterior of The Eyes of Sanxingdui by MADThe Eyes of Sanxingdui is designed to complement its natural surroundings

"The scheme respects and preserves the site's natural trees and water features where possible, weaving these natural features into a landscape strategy that remains in harmony with the new pavilion building," MAD explained.

"The intersection of artifacts, atmosphere, and nature will encourage people to experience the Sanxingdui civilization's inscribed influence on contemporary civilization and the human spirit."

[ A cloud-like museum

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](https://www.dezeen.com/2021/08/13/mad-hainan-science-and-technology-museum-china/)

Visitors to the site will begin their journey at The Eyes of Sanxingdui's visitor centre before proceeding through the exhibition halls via an underground corridor.

The exhibition halls will be connected to each other via a south-facing glass corridor, which will frame views of the surrounding landscape.

Museum interior in China by MADThe skylights will naturally light the interiors

MAD has designed the buildings' timber structures to allow for open column-free interior spaces, accommodating various exhibition layouts.

Natural light will be provided through the rooftop skylights, which evoke the opening of the almond-shaped eyes from above.

Inside Sanxingdui Museum extensionThe structures will be linked by glass corridors

MAD was founded by Ma Yansong in Beijing in 2004. Elsewhere in China, the studio is currently developing a "futuristic" cruise terminal modelled on gantry cranes and a white cloud-like science museum on the coast.

It recently completed Yabuli Entrepreneurs' Congress Center in the mountains in northeast China and a kindergarten in Beijing with a red rooftop playground.

The visuals are courtesy of MAD.


Project credits:

Architect: MAD

Principal architects: Ma Yansong, Dang Qun, Yosuke Hayano

Competition design team: Tiffany Dahlen, Liu Zifan, Pittayapa Suriyapee, Ma Yiran, Cievanard Nattabowonphal, Luo Man, Chen Hao, Chen Shijie, Wang Shuang, Xiao Yuhan

The post MAD designs cluster of wooden museum buildings to evoke bronze age masks appeared first on Dezeen.

#all #architecture #cultural #news #chinesearchitecture #china #mad #culturalbuildings #woodenarchitecture #chinesemuseums

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Chinese steel factory transformed into exhibition centre with polycarbonate walls

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Chinese steel factory conversion

Architecture office Kokaistudios has slotted a polycarbonate structure into the shell of a former factory in Shanghai, China, to create the Baoshan Exhibition Center.

The exhibition space occupies one of few factory buildings that have been preserved on a large industrial site in the Baoshan District, which was once used to produce steel.

Exterior of Baoshan WTE Exhibition Center by KokaistudiosKokaistudios has adaptively reused a former factory in Shanghai

Shanghai-based Kokaistudios' goal for the 725-square-metre factory was to create a flexible interior while preserving all of the structure's original details.

The project is shortlisted for the cultural building of the year in the Dezeen Awards 2021.

Converted steel factory The studio inserted a polycarbonate structure

The factory building chosen for the project is positioned at the gateway of the 450,000-square-metre site.

It was commissioned by its owner Baosteel to promote the redevelopment of the remaining factories on the site, as well as other disused industrial buildings in Shanghai.

Converted factory in ChinaThe polycarbonate volume sits independently from the original building

"Baoshan Exhibition Center preserves the industrial legacy in Shanghai, while setting the stage for its future functions," said Kokaistudios.

"Through embedding new architecture volume, as well as in-built flexibility, Kokaistudios' structure sets a precedent for this landmark project."

Baoshan WTE Exhibition Center by KokaistudiosThe intervention was designed to preserve the existing building

According to Kokaistudios, Baosteel's vision for the site is to create an "eco-industrial park".

Alongside the exhibition centre, it is expected to include a new waste-to-energy power plant, a museum, offices, a park and a series of wetland areas.

Polycarbonate exhibition centreIt contains an exhibition centre inside

The polycarbonate structure inserted into the factory is designed as a fully separate element, meaning it sits independently from the building's original envelope.

The structure forms a watertight and flexible interior while preserving the factory's original details, which include bulky pipes and machinery inside and out.

[ A red steel ramp

Read:

Rede Architects and Moguang Studio turn abandoned factory into youth activity centre

](https://www.dezeen.com/2021/05/16/the-youth-activity-center-rede-architects-moguang-studio-china/)

According to the studio, polycarbonate was chosen to create "a powerful contrast between the heaviness of the existing steel building and the lightness of the new building".

Polycarbonate is also lightweight, reusable and could be prefabricated, reducing costs and construction times.

Baoshan WTE Exhibition CenterConcrete tiles are paired with the polycarbonate walls

Inside, the main exhibition space is filled with freestanding furniture to maximise its adaptability.

Elsewhere, there is a small coffee lounge, meeting room and smaller spaces for use as other exhibition spaces.

Polycarbonate meeting roomsA meeting room is among other spaces created inside

Alongside the polycarbonate, the studio has introduced a material palette that includes concrete and stainless steel, chosen for their "cooler tones".

"Throughout, cooler tones contrast with the structure's former associations of blasting furnaces," the studio explained.

Polycarbonate exhibition centreMaterials with "cooler tones" were selected

The main exhibition hall is the only space to feature natural materials, including wooden veneer that nods to the trees surrounding the site.

Kokaistudios' renovation of the factory is completed with a landscape design that includes simple stone pavers arranged in a striped formation.

Old steel factoryOriginal details of the factory have been preserved

Other shortlisted projects in the cultural building of the year in the Dezeen Awards 2021 include the Yabuli Conference Center by MAD Architects and the Babyn Yar Synagogue by Manuel Herz Architects, which won the public vote for the same category.

Elsewhere in China, Rede Architects and Moguang Studio also recently adaptively reused a factory in Beijing to create a youth centre filled with ramps and slides.

The photography is byTerrence Zhang.


Project credits:

Architect: Kokaistudios

Chief architects: Andrea Destefanis, Filippo Gabbiani

Design director: Li Wei

Architecture design manager: Andrea Antonucci

Design team: Lu Tian, Qu Hao

Client: SIIC Bao Steel Environmental Resources Technology Co., Ltd.

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#cultural #all #architecture #chinesearchitecture #china #shanghai #renovations #factories #adaptivereuse #kokaistudios