#competitions

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#Best #Amiga #Mega #demos 2017 - 2022 #Music #Mix - #Weena_CN

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https://www.youtube.com/watch?v=fVrr3AwfVgA

The best Amiga #Megademos from 2017 to 2022

Beam Riders by Haujobb Ghostown
Brutalism by Capsule
Elude - Rise And Shine
Focus Design - Storm Rider
#Haujobb - Signals
Kick The Sofa by Focus Design
PEEK by Spaceballs
#Spaceballs - Makt
The Electronic Knights - Hologon
Transhuman_Pachinkoland - The Electronic Knights
Unique - Origins
Unique - singularities
Zener Drive - Amiga 500 by Altair

You can #download all #Demos here:
http://www.demoscene.ru/

#Commodore Amiga 500 600 1000 1200 1500 2000 2500 3000 4000 #CDTV and #CD32
Commodore Amiga #Monitor 1930 1935 1936A 1940 1942 1950 and 1960

What is a Amiga Demo or Megademo

The Commodore Amiga was a popular #personal #computer that was known for its #advanced #graphics and #sound #capabilities. One of the ways that users of the Amiga #demonstrated these capabilities was through the #creation of #demos, which were short #programs that #showcased the system's #audio and #visual capabilities.

MegaDemos, also known as demo #collections, were a type of Amiga demo that combined multiple smaller demos into a larger #package. These collections typically included several different demos with varying #themes and #styles, and were often designed to be impressive showcases of the Amiga's capabilities.

MegaDemos were usually created by groups of demo #programmers and #artists who collaborated to create the demos, and they often competed with other groups to see who could create the most impressive demo. These #competitions were known as demo parties, and were popular among Amiga enthusiasts in the 1980s and 1990s.

Some famous MegaDemos include the "Unreal" and "State of the Art" demos by the demo group "The Silents," and "Hardwired" and "9 Fingers" by "Spaceballs." These demos were known for their impressive visuals, music, and animations, and were popular among Amiga users and demo enthusiasts.

MegaDemos played an important role in the early demo scene and helped to showcase the power of the Amiga's advanced graphics and sound capabilities. Today, they are still enjoyed by retro gaming enthusiasts and are seen as an important part of the history of the Commodore Amiga computer.

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Competition: win a recycled plastic Fiber Chair from Muuto

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A set of Muuto Fiber side chairs with grey bases surround an oak table

For our latest competition, we've teamed up with Danish furniture brand Muuto to offer readers the chance to win a Fiber Chair in a colour and base of their choice.

Originally launched in 2014, Muuto has released a recycled plastic version of its Fiber Chair as part of a drive to create more sustainable products using reused raw materials.

In celebration of the new generation of Muuto chairs, one lucky Dezeen reader will win a Fiber Armchair or Side Chair in their choice of base and colour.

Three Muuto Fiber Chairs in dusty green, black ochre and woodMuuto has launched a recycled plastic version of its Fiber Chair

Designed by Copenhagen studio Iskos-Berlin, the Fiber Chair was conceived as a "modern yet timeless" take on a classic shell chair.

"One of the most difficult and noble disciplines of design is to create simple, well-functioning, and almost ordinary objects that nevertheless have a strong identity," said Iskos-Berlin. "We designed the Fiber Chair to do just that through a clear sculptural language that refuses to compromise on comfort."

The shell of the Fiber chair is made from a composite of plastic and wood fibres, which gives it a distinct surface with a soft, matte touch.

80 per cent of the plastic used is recycled from post-industrial waste from the manufacturing of eyewear.

A photograph of the Muuto chairsThe shell of the Fiber Chair is made from a composite of plastic and FSC-certified wood fibers

"It is a chair stripped of all unnecessary layers," the studio explained. "The iconic form marries soft, embracing curves with an innovative wood fibre composite, giving the Fiber Chair a unique expression and tactile texture."

The chair is available in Muuto's signature colours, including Black, Dusty Green, Grey, Ochre and White. Customers can choose from an oak, metal, or swivel base.

A group of Muuto Fiber Chairs in grey surround an oak veneer table in a minimalist interior The chair is available in a range of colours including Dusty Green

Other products by Muuto include the solid oak top 70/70 table by Swedish architecture and design studio TAF, which balances "simple Scandinavian aesthetics" with the warmth of layered wood, and the Outline Daybed by Norwegian studio Anderssen & Voll, which is distinguished by its "understated yet characterful proportions".

The brand is also known for its adaptable workplace products, including Danish designer Thomas Bentzen's Linear System Series, a range of tables, lighting, screens, and trays that have been designed to fit as comfortably in an office as they do a hospitality venue.

Founded in 2006, Muuto is a Danish design company "rooted in the Scandinavian design tradition characterised by enduring aesthetics, functionality, craftsmanship and an honest expression".

With showrooms across the globe, the brand aims to deliver new perspectives on Scandinavian design through its use of diverse materials and techniques.

To find out more about the brand, visit its website.

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Competition closes on 10 April. Terms and conditions apply. One reader will win a Muuto unupholstered Fiber Armchair or Side Chair in their choice of colour and base. The winner will be selected at random and notified by email. This competition is open to readers in Europe only.

Partnership content

This competition is a partnership between Dezeen and Muuto. Find out more about Dezeen partnership contenthere.

The post Competition: win a recycled plastic Fiber Chair from Muuto appeared first on Dezeen.

#all #design #competitions #furniture #chairs #muuto #iskosberlin

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Twenty innovative designs shortlisted in the second edition of Dezeen and LG Display's OLEDs Go! competition

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Portal by Thomas Grannells

Televisions that fold into lamps, cabinets with digital displays for doors and screens that roll up into speakers are among the designs shortlisted in Dezeen and LG Display's OLEDs Go! competition, which called for creative uses for OLED technology.

Over 300 entrants from more than 45 countries around the world entered the second edition of the contest, which challenged participants to create beautiful and innovative designs using OLED technology to enrich people's changing lifestyles.

OLED stands for organic light-emitting diode and is typically used for digital displays on products such as televisions and smartphones. Entrants had to come up with designs that would make the most of OLED's key qualities, such as its lightness and thinness and the possibility for OLED panels to be flexible or transparent.

Twenty designs have now been shortlisted and are in the running for a share of the €88,000 prize pot. The finalists will be revealed in April 2022 and the winner announced in June 2022.

The winner will receive a top prize of €35,000, the runner up will receive €20,000, third place will win €15,000, fourth place will win €10,000 and fifth place will win €8,000.

The shortlisted entries are listed below in the order that they were submitted.


Portal by Thomas Grannells

Portal by Thomas Grannells

Shanghai, China

Thomas Grannells' design is an ultra-thin, lightweight and transparent OLED television that doubles as a partition to delineate space in open-plan homes. The television can be rotated to be viewed from any angle, which can be controlled manually or via a remote control.

It features an anodized metal frame and stand, which conceal cables through a cavity. Its frame and stand come in black, white, silver matt or silver polished finishes.

Portal is designed in three sizes: a large model, a freestanding model and a small model designed to rest on a table, desk or TV console.

"Portal is designed for active and diverse lifestyles," said Grannell. "Cooking tutorials for the kitchen, gaming for the living room, films for the bedroom, video conferencing for the home office or exercise routines for a home workout – depending on its orientation, Portal caters for a variety of use cases throughout an active day."


Vela by Gabriele Panciera

Vela by Gabriele Panciera

Milan, Italy

Vela is a foldable OLED television suspended from the ceiling via a vertical hanging system designed by Gabriele Panciera. The structure is mounted to the ceiling and held in place with a concrete weight that rests on the floor.

The suspension system is informed by the rod structures found in sailboats and mimics the way the sail of a boat can be adjusted to be opened and closed or moved up and down. These adjustments are made via two handles placed behind the screen.

The back of the television is upholstered with a fabric cover and is lined with a thin tube light that creates atmospheric lighting in the room.

"Vela has been designed for people who love relaxing at home, reading a book or watching television," said Panciera.


Totem by Selce Studio

Totem by Selce Studio

Lund, Sweden

Totem is a dual-monitor system for home and office spaces designed by Selce Studio, which is run by designers Jaxon Pope and Riccardo Centazzo. The design was created to respond to ever-changing work environments and the increasing need for adaptable solutions that aid and enhance performance, such as multi-monitor workspaces.

Totem is composed of a central column from which two 27-inch rollable OLED screens can be opened and retracted. The column can be adjusted to various heights while the screens offer 10 degrees of rotation to aid comfortable posture and reduce eye strain.

Additional features such as a webcam, microphone and speakers are embedded in the column.

"Increasingly, a wide range of contemporary jobs require the user to operate multiple programmes and apps simultaneously and seamlessly," said the designers.

"It has become more and more evident how productivity and user experience can be enhanced with the introduction of a second screen."


Pndnt by Marcelo Dantas

Pndnt by Marcelo Dantas

Torres Vedras, Portugal

Another design that makes use of LGD's rollable OLED technology is Marcelo Dantas' minimalist suspension system called Pndnt. The multifunctional design consists of three modules: the ceiling fixture, the rollable OLED screen and the speaker – the latter two of which are suspended via motorised cables.

The deconstructed design enables each element to function irrespective of the other: when the TV screen is retracted, the system can be used for lighting or as a Bluetooth speaker.

Pndnt can be complemented with further independent lighting and audio equipment, which allows for a more immersive experience.

"[The design] seeks to build a sensorial choreography of movement, light, image and sound, with a minimalist spirit in design and maximalist potential in functionality," said Dantas.


Flip by Thomas Grannells

Flip by Thomas Grannells

Shanghai, China

Designed to showcase OLED technology's ability to bend, Flip is a freestanding OLED television by Thomas Grannells that can be folded over to transform the screen into a multifunctional furniture piece.

As its name suggests, the screen can be flipped when not in use to double as an ambient light and a speaker. The speaker, the weighted base and the back of the TV are wrapped in a fabric that not only aids acoustic quality but disguises the product as a piece of furniture instead of technology.

Flip is designed to suit contemporary interiors and comes in four standard colours: redwood, beige, grey and leaf green.

"By integrating a TV, speaker and ambient light into one product and reducing technological clutter around the home, Flip aims to appeal to people who tend toward products that suit a minimal lifestyle," said Grannells.


O2 by Nikolay Hristov Ivanov

O2 by Nikolay Hristov Ivanov

Vienna, Austria

Nikolay Hristov Ivanov has designed a flexible display arm that doubles as a table lamp when not in use.

The design consists of two main elements: a U-shaped rotatable arm, which is affixed to a static U-shaped body. When the arm is rotated outwards, it reveals a flexible OLED screen that can be used as a monitor or television.

When the display arm and column are aligned, the flexible OLED screen can be retracted into a vertical opening to conceal the screen, transforming the object into a simple desk lamp.

"O2 is minimalistic in design, yet the characteristics of emerging technologies embedded in it, enrich it and convert it into this transformative piece of technology," said Ivanov.


LG-Pod by Cagatay Demirpence and Ece Demirpence

LG-Pod by Cagatay Demirpence and Ece Demirpence

Kocaeli, Turkey

With the ongoing coronavirus pandemic bringing about the need to work from home more regularly, Cagatay Demirpence and Ece Demirpence has designed a pod for homes with scarce space, in which users can work, study, play games and relax.

Called LG-Pod, Demirpence set out to recreate the full office experience without having to compromise on living space. Once work is complete, living spaces are returned to home environments, allowing users to designate home and work spaces effectively.

The pod is composed of two curved panels: a freestanding panel at the back and a movable panel at the front, which can be opened and adjusted via a rail system. This creates visual privacy and sound isolation from the surrounding environment to aid focused work.

Integrated within the panels is the curved LG OLED screen, which is concealed within the back panel when not in use.

"LG-Pod creates a whole office experience inside living space without becoming a permanent stationing. As soon as work is done, you will have your living space back in a few seconds," said the designers.


Tiny by ​​Damla Aras

Tiny by ​​Damla Aras

Bursa, Turkey

Damla Aras's design aims to "create an easy flow between living and working" by combining a 27-inch rollable OLED screen with a foldable desk that becomes a shelf when closed.

The screen can be retracted incrementally with full-view, low-view and zero-view options. The low and zero views are designed to be used as a sound system, with the latter providing an option to maximise desk space when the screen is fully retracted.

Tiny can be mounted onto a wall or rest on a stand. It comes in three colour options to suit a wide range of interiors, including Calm Green, Dusty Rose and Silver White.

"Tiny is the ultimate piece of furniture and technology designed for anyone who works or studies from home, including digital artists, designers, photographers or videographers," said Aras.


Cocoon by Juan Restrepo

Cocoon by Juan Restrepo

Eindhoven, Netherlands

Informed by the shape and process of a butterfly's metamorphosis, Cocoon is an OLED table lamp that unfolds into a 27-inch computer monitor designed by Juan Restrepo.

When folded, Cocoon can be used as an ambient desk lamp that makes use of the OLED display as a light source, easing the transition from work to a more relaxed atmosphere.

The screen is affixed to a metal hinged stand that can be adjusted to suit user preferences. The screen features a sturdy textile shell on the back, which forms the shade of the lamp when it is folded.

Cocoon features a textile handle that enables it to be transported easily. The compact and lightweight quality of the lamp allows it to be easily repositioned or stored away when needed.

"To enhance the experience of working in a variety of domestic spaces, Cocoon provides a stylish, lightweight and versatile computer monitor for better posture and enhanced productivity," said Restrepo.


Totem by Studio Booboon

Totem by Studio Booboon

Tokyo, Japan

Studio Booboon's design uses LGD's rollable OLED technology to create a retractable display that doubles as a sculptural soundbar.

The OLED display is fixed onto a stable stand and can be adjusted to varying heights and angles, enabling multiple configurations and screen formats. When the display is rolled away, the product transforms into a totem-like object that blends into the surrounding environment with a minimal footprint.

Totem features multiple modes: when the display is entirely retracted it can be used as a speaker, while its landscape mode is designed for an enhanced viewing of standard media. The portrait mode is intended for phone mirroring for uses such as social media, music streaming, weather updates, news or health apps.

"Designed as a characterful, sculptural object rather than a flat form, Totem utilises OLED rollable technology to seamlessly blend into the user's home," said the studio.


Halo by Brandon Yeo and Abigail Sonia Chang

Halo by Brandon Yeo and Abigail Sonia Chang

Singapore

Informed by the act of drawing blinds, Halo is a wall-mounted sconce that unfurls into a monitor screen by Brandon Yeo and Abigail Sonia Chang.

Halo is composed of a cylindrical body that features a tab that can be pulled for the display to unroll and slide out. When no longer needed, the same tab can be pulled again to retract the display back into the main body, to symbolise "drawing the blinds to a close on the digital world and open into the material one".

When the screen is not in use, Halo functions as a wall sconce that blends into its surroundings as an illuminated piece of decor. The intensity of the light is adjusted through the rotary knob on the left end of the main body.

"Halo seeks to draw a clear balance between work and life, digital and material worlds," said the designers.


Easel by Hyeona Kim and WooSeok Lee

Easel by Hyeona Kim and WooSeok Lee

Gyeonggi, South Korea

As its name suggests, Hyeona Kim and WooSeok Lee's Easel design supports a 43-inch OLED display on a movable frame that resembles an artist's easel.

The slender and lightweight aluminium frame means it can be folded and transported around the home and used in a range of settings, including living rooms, balconies or a front deck. This negates the need to buy multiple devices since it can be easily transported around the home.

Easel can be used by leaning it against a wall or it can be mounted to stand independently. It comes in three colour options including graphite, ivory and winter green. The screen has a transparent option, in which the OLED display becomes clear to seamlessly fit in with its surroundings.

"The design of Easel focuses on creating harmony with our interior," said the designers.

"Its overall shape and lines are designed like living furniture, so you can hang some of your magazines on a lower rack or put some accessories on top of it."


Caelum by Cagatay Afsar

Caelum by Cagatay Afsar

Ä°zmir, Turkey

Caelum is a working desk with an integrated OLED screen designed by Cagatay Asfar. Designed for the home or office, the transparent OLED screen provides a glimpse into the surroundings to prevent a monotonous working experience.

If focused work is required, Caelum can be customised with integrated separators to aid concentration. The metal legs and tabletops are equally customisable, offering maximum flexibility to suit a range of working styles.

The integration of the OLED screen within the body of Caelum provides plentiful desk space and reduces clutter.

"Our desk has become the most important object in our home and we have started to spend most of our lives here," said Asfar.

"So why shouldn't this table, where we spend so much time, be more technological and stylish?"


Vivid by Studio WA+CH

Vivid by Studio WA+CH

Milan, Italy

Vivid is a multifunctional movable screen that can be used as a whiteboard, room divider or a video conferencing device. The concept was designed by Studio WA+CH, a team comprising designers Fuhua Wang, Weichih Chen, Tzyun Huang and Wenheng Chang.

The product allows users to easily swap from working mode to living mode: when the work day is finished, users can switch to either the transparent option or a mode that displays digital plants to blend in with the home environment.

It is equipped with a camera on its right side that enables users to make video calls or it can be connected to multiple Vivid screens in a row to form a stylish room divider. Other uses include fitness and health programmes such as yoga or aerobics, browsing social media or video gaming.

"Vivid is a smart screen designed for home workers to help users introduce part of the office scene into the home space," said the designers.

"Its interactive design allows users to create a synchronised collaborative environment in different locations at the same time."


Coated by Studio WA+CH

Coated by Studio WA+CH

Milan, Italy

Informed by the rapid development of the Internet of Things, Studio WA+CH designed a series of cabinets equipped with a 55-inch OLED sliding door that displays information such as the time, date and weather.

Designed to highlight the thin and flexible qualities of OLED displays, the sliding door can also simulate different materials, textures and patterns including wood, rock or fabric, so users can customise their furniture to suit their interior.

Users can also place their smart devices on top, which will then synchronise with the OLED display for music playback or message viewing made via an NFC connection.

"Coated rethinks the relationship between furniture and people," said the designers. "It provides a brand new way to achieve home space beautification and decoration services."


Showcase by Jinwoo Chae and Hayong Kim

Showcase by Jinwoo Chae and Hayong Kim

Seoul, South Korea

Jinwoo Chae and Hayong Kim's design combines a transparent OLED display with a cabinet. It comes in two sizes: one with a 47-inch OLED screen option and the other with a 55-inch screen.

Concealed within the cabinet are two shelves that can be used for storage or to display decorative items. When the OLED display is not being used, it will appear transparent to reveal the items within the cabinet.

To gain access to the cabinet, the OLED screen can be slid upwards and can be positioned at various heights to suit user preferences. The cabinet comes in four colour options including black, white, green and wine.

"Showcase can be used as a cabinet anywhere, such as the living room, bathroom and terrace," said the designers. "It can maximise interior effects by providing various moods on a screen."


Foled by Luke Sanders and Oliver Hay

Foled by Luke Sanders and Oliver Hay

London, UK

Luke Sanders and Oliver Hay's design makes use of the flexible properties of OLED panels to create a 27-inch lightweight display that transforms into a slim, curved lamp shade with a faceted back panel.

Called Foled, the lamp features a number of lighting options to highlight the vibrance and range of OLED displays, including bright task lighting and subtle mood lighting. Its form is a reinterpretation of the traditional banker's lamp and features a careful geometry that has been designed with the specific curvatures of the OLED display in mind.

To convert the lamp back into a monitor, the display can be unfolded until it magnetically snaps into the vertical alignment.

"Foled is an elegant monitor that transforms into a sophisticated table lamp when it’s time to get away from the screen and relax – an aide to establishing a work-life balance at home," said the designers.


Digital Hearth by ​​Kristopher Swick

Digital Hearth by ​​Kristopher Swick

Glendale, California, USA

As its name suggests, Digital Hearth is designed to replace traditional fireplaces and the TV that often hangs above it, while improving air quality and reducing carbon emissions.

Designed by Kristopher Swick, the proposal features two transparent 55-inch OLED displays mounted to a champagne-coloured aluminium base, which conceals an integrated heater and surround sound audio.

When in fireplace mode, the dual screens display digital burning flames or other animated graphics for added effect.

"Digital Hearth aims not merely to replace the indoor fireplace, but to combine with the media capabilities of the TV that usually hangs above the hearth to produce an entirely new and advanced media experience," said Swick.


Hanji by Lingfei Liu

Hanji by Lingfei Liu

Dwight, Ontario, Canada

Lingfei Liu's design is a multi-use device that consolidates media consumption, recreation, creativity and productivity into an all-in-one OLED display, showcasing OLED's impressive image quality, thinness, lightness and flexibility.

Named after the versatile handcrafted paper from Korea, Hanji appears as a typical 50-inch TV at first glance. However, the screen has the ability to fold to create a more immersive experience: its top half is an ultrawide screen, while the bottom half tilts towards the user for use as a touchscreen.

Hanji also features a keyboard and trackpad panel that folds out from behind the screen. Due to its adjustable height, Hanji can be used both as a standing desk or a sitting desk.

"Hanji is a premium device designed for the many of us who need to get more done in less space," said Liu.

"It provides an immersive entertainment and recreational experience as well as a versatile workstation on the same screen, in order to save space and reduce material consumption."


Flap by Denizhan Arda and Seher Naz Ayhan

Flap by Denizhan Arda and Seher Naz Ayhan

Kartal, Turkey

Flap is a 32-inch OLED display supported by a rotatable and extendable metal pipe structure designed by Denizhan Arda and Seher Naz Ayhan.

The highly customisable and adaptable design means it can be used for work, video conferencing or as lighting by tilting it to the desired position. The screen can be positioned over a dining table or folded over to provide light for growing plants.

Flap can be customised with additional baskets and shelves to suit a wide variety of uses. It also features camera modules and microphones to assist with video calls.

"To reduce the problem of eating alone and the feeling of loneliness in individual life, Flap aims to make the presence of someone else feel virtual and to bring people closer virtually in hybrid working conditions," said the designers.


Partnership content

OLEDs Go! is a partnership between Dezeen and LG Display. Find out more about Dezeen partnership contenthere.

The post Twenty innovative designs shortlisted in the second edition of Dezeen and LG Display's OLEDs Go! competition appeared first on Dezeen.

#all #design #technology #competitions #instagram #oledsgo #oleds #lg

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Competition: win a £500 voucher to spend at a Plum Guide home

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For our latest competition, we've teamed up with vacation rental platform Plum Guide to offer readers the chance to win a £500 voucher towards a stay at any Plum Guide home.

Plum Guide finds and awards luxurious homes across the world with its stringent quality mark, the Plum Guide Award. Current homes on the site include a stylish apartment in London's Hackney Wick and a five-bedroom stone villa in Tuscany.

"In this era of almost infinite choice, we need a new system to help customers choose the best for them," said Plum Guide's co-founder and CEO, Doron Meyassed.

One lucky Dezeen reader will win a £500 voucher to use towards any Plum Guide home in any location.

A photograph of a townhouse's marble kitchenThe Knowledge is a townhouse based in Lower Clapton, London

Plum Guide has vetted and approved thousands of holiday homes since its launch, including cottages in the British countryside, London townhouses, family homes in Stratford-upon-Avon and Parisian pieds-à-terre.

Each of the platform's vacation rentals is put through a test, which includes identifying candidate homes through proprietary AI, interviewing hosts, and sending home critics to visit and test nominated houses in-person.

A photograph of The Norfolk BeaconThe Norfolk Beacon has been featured on Channel 4's Homes by the Sea

A set of 150 design and operational criteria make up the Plum Test, including shower pressure to kitchen design, with only the top three per cent of homes in each price bracket going on to win the Plum Guide Award.

Plum Guide uses a price checking algorithm to ensure customers won't find the homes listed on its site cheaper on another platform.

A photograph of the entrance of Gwen's Portrait Gwen's Portrait is a family home based in Statford-upon-Avon

Plum Guide was founded in London in 2016 by Doron Meyassed and Imran Arshed. The brand has since expanded to thousands of destinations across the globe and strives to "take the headache and anxiety out of booking a home".

To find out more about Plum Guide and the homes it offers, visit its website.

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Competition closes on 31 March 2022.

Terms and conditions apply. One reader will win a £500 voucher towards any Plum Guide home in any location. A winner will be selected at random and notified by email. The voucher is redeemable until 31 March 2023, and can only be used on a single booking.

Partnership content

This competition is a partnership between Dezeen and Plum Guide. Find out more about Dezeen partnership contenthere.

The post Competition: win a £500 voucher to spend at a Plum Guide home appeared first on Dezeen.

#all #competitions #holidayhomes #holidayapartments

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Competition: win a Luna outdoor chair by King

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For our latest competition, we've teamed up with King to offer readers the chance to win one of three Luna outdoor chairs.

Created by contemporary furniture designer Charles Wilson for the Australian brand King, the Luna outdoor chair is designed to be an ideal piece for sitting and relaxing in the garden.

Three readers will win a Luna outdoor chair in a premium King fabric and colour of their choice.

King Living Luna chairThe Luna outdoor chair's fabric range includes textiles called Malibu, Oceania, Seacliff and Maldives

Inspired by the original indoor version, the Luna outdoor chair has a similarly low, generous seat perched atop three legs.

The chair's back and base are made from expanded steel mesh with an intricate net-like structure, creating a robust design with an almost weightless appearance.

Luna's frame is also steel with a powder-coated finish. Readers can choose from Eucalyptus, which is pale green; Salt, a form of white; or Blush, a creamy pink.

The seat is completed by a fabric-covered pad and is attached by a magnet, meaning you can easily remove it for cleaning or change the colour to update the look.

Choose from a variety of Sunbrella fabrics for the seat pad, including Malibu, Oceania, Seacliff and Maldives. Each comes in a number of colourways. Sunbrella fabrics are resistant to UV rays, pool splashes and damaging coastal conditions.

King Living Luna chairThe Luna outdoor chair's back and base are made from expanded steel mesh with an intricate net-like structure

"From small inner-city balconies to sprawling backyard areas, the King range of outdoor pieces have been thoughtfully designed to suit our native climate and a variety of different outside spaces," said David Hardwick, global head of design and product."

"When it comes to outdoor furniture, Australia's harsh climate demands a high level of quality," continues Hardwick.

The King Outdoor collection also comes with a 10-year steel frame outdoor warranty to give you added peace of mind.

King Living Luna chairThree readers will win a Luna outdoor chair in a fabric and colour of their choice

The Luna outdoor chair measures 36 inches wide by 26.75 inches deep by 27 inches tall.

Founded in Sydney in 1977, King operates in Australia, New Zealand, Asia and North America. Its award-winning furniture is available to buy from your nearest showroom or online.

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Competition closes 23 August 2021. Terms and conditions apply. Three winners will be selected at random and notified by email. Please note delivery is only available to readers in cities where there is a King showroom.

Partnership content

This competition is a partnership between Dezeen and King. Find out more about Dezeen partnership contenthere.

The post Competition: win a Luna outdoor chair by King appeared first on Dezeen.

#all #design #competitions #furniture #chairs

rebecca@diasp.org

Image: Rhapsody, 5"x7", watercolor on board, ©Rebecca Latham

Rivalry and Competition

I am a part of a family of artists. My Mother and sister paint. Many of you may already know this.

We have always shared a studio, or located our studios close to one another since I began painting, drawing, etc. It has it’s benefits.

Not having extended periods of studio isolation is nice, where otherwise the only person I would be speaking to is the cat (he thinks he’s a person). An impromptu critique of something that’s bothering me, or one of them, can pull a painting out of a dreary stage. ..and then of course, running out of burnt umber and having some to borrow only a few steps away is a lifesaver. There are probably others perks as well, but I won’t go on..

We've, I've, been interviewed a number of times concerning this. Reporters, and I suppose the general public, find it intriguing. They often, however, assume there is a viscous nature lurking behind studio doors - there are always questions:

Do you compete against each other? Yes of course. We often show in the same venues, some of those are competitions or juried exhibits.

Do you get along? Do you sabotage each other’s work? If you and your sister are painting pieces for the same exhibit, do you, like, sneak into the other’s studio and mess up their entry?
I’m sure that would make for a very entertaining read, but.. Um. No. (I'm never quite sure if they are serious or trying to be humorous - perhaps the dividing line on that is blurred? ..anyway. )

I would imagine, if that did actually happen, the sharing of or closely located studios would have a moving van parked out front in no time. Honestly, I'd rather set fire to my paintings than damage one of theirs. I love seeing my family in the same exhibits as my work and am cheering them on when they win. ..even if it means I didn't.

Just a few months ago, my sister skunked me in a show. I was delighted. Really. She needed that boost. She's been fighting to get back into the world of shows and exhibits, even just managing to complete work, after her serious health issues she has faced. ..and she soared upon arrival. I couldn't be happier watching that unfold.

I am not saying that I don't care about awards, or exhibits and shows. I'm honored when something I've done is seen to have merit to earn that spot at an opening or accolade, just as I'm honored to have so many people following my work in social media and real life. ..but all of that is dwarfed by the core reasons I do this.

So, sadly for the lovers of great drama, there isn't family rivalry and fierce competition. But for the record, I have had a painting or two sabotaged when the cat wanted to help. So it really wasn’t malicious, just the curiosity (or playfulness) that killed the painting.

©Rebecca Latham
http://lathamstudios.com/rebecca/2013/07/rivalry-and-competition/

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