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Studio Vural envisions Manhattan tower draped in colourful flowers

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Lilly by Studio Vural

US firm Studio Vural has conceived a mixed-use skyscraper covered with Asian lilies as a "powerful image" to promote low-energy design.

A conceptual project, the Lilly tower has been envisioned for a site alongside Bryant Park in Midtown Manhattan. Renderings show a skyscraper with a curved apex that rises near the American Radiator Building – a Gothic-style tower dating to 1923.

The LillyThe Lilly would be a mixed-use skyscraper covered in Asian lilies

The Lilly's shape was informed by the steep rice fields found in parts of Asia, "where every square inch of fertile soil matters", said Selim Vural founder of Brooklyn-based Studio Vural.

The Lilly building would be triple glazed and partly covered in vegetation, which would provide natural insulation.

Planting system on towerThe planting system would consist of lightweight, concrete beds supported by a steel frame

Vural envisions using Asiatic lilies, a hearty and low-maintenance plant that blooms every spring and remains green the rest of the year. The flowers come in a variety of hues, including red, yellow and orange.

"A flower field is a powerful image, which is fitting to Lilly's message – clean construction technology with an aesthetic statement," he said.

"Without the aesthetics, it is not architecture. It is just building."

Curved skyscraperRenderings show a skyscraper with a curved apex

Vural said the tower would be similar in spirit to the Centre Pompidou in Paris, which features exposed structural and mechanical systems on the exterior. Centre Pompidou was designed by Richard Rogers, Renzo Piano and Gianfranco Franchini and opened in 1977.

"It is the same effect as Centre Pompidou, but with flowers," Vural said of his tower.

Lilly Midtown ManhattanLilly has been envisioned for a site in Midtown Manhattan

The planting system would consist of lightweight, concrete beds supported by a steel frame. Water would come from rainwater and greywater, along with city-supplied water if needed.

To maintain the vegetation, Vural said "brave landscapers" would pass through access doors leading to steep ladders. Drones could potentially help, as well.

Tower by Studio VuralStudio Vural suspects that lilies would thrive in this context

Vural suspects that lilies would thrive in this context, based on advice from landscape architects and his own personal experience. An avid urban gardener, Vural has a 1,000-square-foot (93-square-metre) farm on his roof in Brooklyn.

"I grow vegetables and flowers, compost, and use bottom fertilizing through custom-made water tanks," he said. "Over the 15-year history of my deck, lilies and lilacs were the main thrivers in frigid weather and extreme winds."

As for the building's program, Vural envisions 21 floors dedicated to commercial space and 18 levels for residential units.

[ Vertical forest building clad in trees

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](https://www.dezeen.com/2022/01/26/stefano-boeri-vertical-forest-skyscraper-china/)

"The tower caters to the pandemic-generated remote workforce, providing residences close to co-working spaces with large conference spaces and recreational amenities," the architect said.

Daylight would stream in through large stretches of glass, and fresh air would enter through operable windows in the residential portion. Heating and cooling would be provided by a geothermal system, with heat exchangers helping minimize energy loss.

Vural said the tower would be a passive house building – a highly energy-efficient building that follows standards that originated in Germany decades ago. Those standards include an airtight envelope, careful management of solar heat gain and the inclusion of a heat-recovery system, according to the Passive House Institute US.

Tower by Studio VuralThe studio said that the building would be energy-efficient

The term passive house can refer to all building types, not just houses.

Vural was inspired to create the Lilly tower after seeing a number of passive houses popping up in Brooklyn.

Conceptual skyscraperLilly is currently a conceptual skyscraper

"There is a silent, sustainable revolution in Brooklyn, which started with solar panels ten years ago and is in full swing with townhouses and brownstones purchased by gentrifiers," the architect said.

He described the revolution as "silent" due to passive houses blending in with more traditional buildings, in terms of visual appearance. The systems that enable a home to be highly energy-efficient are often invisible.

"In my projects, I want to make it visible, if not screaming," he said. "Architecture must make an aesthetic statement that is holistic to all layers of the project, which is what I am after in Lilly."

"If we had a hundred Lillies in Manhattan, it would be a very different city," he added.

Other conceptual projects by Studio Vural include a holiday dwelling in Cape Cod that is carved into sand dunes and operates without relying on public utilities.

The renderings are by Studio Vural.


Project credits:

Principal architect: Selim Vural

Junior architect: Ceren Kalayci

Renderings: Dom Wipas

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#skyscrapers #all #architecture #conceptualarchitecture #usa #lowenergydesign #newyorkcity #conceptualskyscrapers #midtownmanhattan #plantcoveredbuildings

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BIG's multi-storey film studio for Robert De Niro set to be built in New York

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The facade has a geometric pattern

Architecture studio BIG won approval for a 44-metre-high film studio in Queens, New York City, which is set to be the "first vertical film studio in the world".

The 760,000-square-foot film and television studio, which received planning permission last year, will be built for New York-based developer Wildflower Development Group.

Wildflower Development Group is collaborating with American actor Robert De Niro, his son and real-estate broker Raphael De Niro and American film producer Jane Rosenthal on the project.

Exterior render of the entrance to Wildflower StudiosBIG has designed Wildflower Studios in Queens

According to its developers, BIG's multi-storey film studio will become the "first purpose-built production soundstage" in the city and "the world's first vertical film studio" when it completes in 2023.

"The vertical media production village will be home to storytellers working across all mediums – a three-dimensional hub of collaboration, creativity, and innovation," said BIG founder Bjarke Ingels.

"While New York City is no stranger to being the star of many visual stories – the city effectively a character in itself – this first ground-up vertical production stage complex marks a new chapter in the city's ability to create the stories of our future."

Render of Wildflower Studios and surrounding green spacesThe film studio is set to be complete in 2023

The structure will contain 11 studio modules that each house a large stage, vertical transportation as well as production support that includes prop shops, dressing rooms and technical areas.

The rectilinear building will be clad in precast, concrete panels that are each angled to create a geometric look across the facade.

[ Wildflower Film Studio by BIG

Read:

BIG teams up with Robert De Niro for Wildflower Film Studio in New York

](https://www.dezeen.com/2019/09/23/wildflower-film-studio-new-york-big/)

Two entrances, one for pedestrians and the other for deliveries and logistics, will be framed by curving walls that will direct flow to the interior.

Fibre cement panels will line the interior of the studios tying it to the pleated cement panels across the facade.

Render of the public green spaces at Wildflower StudiosThe building will be clad in cast concrete panels

A pair of terraces will punctuate the facade and provide the studios with natural daylight, access to the nearby waterfront as well as views of the Manhattan skyline.

The building will be raised above the flood plain with parking and loading spaces placed below the film studios, while the roof will include a 150,000 square foot system of solar panels.

Render of landscaped green spaces and walkways The building will be topped by a terrace

"We are determined to create a world-class content creation campus in Queens," said Wildflower Studios managing partner Adam Gordon.

"It speaks to telling stories in all forms; streaming, AR, VR, and gaming, with a building design that looks toward the future."

[ Telosa city

Read:

Bjarke Ingels designing "new city in America" for five million people

](https://www.dezeen.com/2021/09/01/bjarke-ingels-telosa-city-marc-lore/)

Wildflower Studios is expected to be completed in late 2023. BIG was founded in 2005 by Ingels and has offices in London, New York and Barcelona.

Recent BIG projects featured on Dezeen include its proposal for a city in the US desert and the CityWave building in Milan.

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#all #architecture #news #newyorkcity #bjarkeingels #queens #us

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Maria Nicanor appointed director of New York City's Cooper Hewitt museum

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Maria Nicanor

Curator and historian Maria Nicanor has been announced as the new director of the Cooper Hewitt, Smithsonian Design Museum after a lengthy interim period following the resignation of former director Caroline Baumann in 2020.

Nicanor, who will officially start the role on 21 March, joins the museum as it celebrates its 125th anniversary and will be responsible for a collection of approximately 215,000 objects, as well as 86 employees and a $15 million annual budget.

Her role will involve leading the Cooper Hewitt museum's programme of exhibitions, which includes a newly launched digital exhibition platform.

Nicanor will also oversee various educational projects such as Cooper Hewitt's annual National Design Awards, a renowned initiative that aims to highlight the power and importance of design.

Maria NicanorNicanor has been named director of the Cooper Hewitt museum. Image is courtesy of PhotoShelter

"Joining the Smithsonian family and building upon Cooper Hewitt’s past successes provides the opportunity to bring together the three most important pillars of my career: design and architecture, public service and museum work," Nicanor said.

"We can’t ignore that it’s a particularly complicated time for museums in general right now. Not just what we do, but how we do it, for whom and with whom, are essential questions for design museums to consider."

Nicanor will "help Cooper Hewitt reach audiences around the world"

Nicanor is an architecture and design curator, historian and the executive director of the Rice Design Alliance (RDA), a public outreach programme run by Houston's Rice School of Architecture since 1972.

Born in Barcelona, she has an extensive history of work in art and design museums including the Solomon R Guggenheim Museum in New York and London's V&A. She also led the opening of the Norman Foster Foundation in Madrid.

[ Carnegie Mansion by Cooper Hewitt

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](https://www.dezeen.com/2020/02/27/cooper-hewitt-smithsonian-design-museum-opinion-aaron-betsky/)

"Maria has an impressive passion for design and a thorough understanding of the impact it has on our shared future," said Lonnie Bunch, secretary of the Smithsonian.

"Her vision and leadership will help Cooper Hewitt reach even more audiences across the nation and around the world."

Appointment follows 2020 resignation of previous director Caroline Baumann

Located on Museum Mile in New York City's Upper East Side, Cooper Hewitt, Smithsonian Design Museum is one of 19 museums attached to the Smithsonian Institution, the world's largest museum, education and research complex.

Nicanor's appointment to the museum follows the resignation of Caroline Baumann, who served as director from 2013 to 2020 but resigned after an investigation into her conduct in acquiring a wedding dress and venue.

Ruki Neuhold-Ravikumar and John Davis have acted as interim directors since 2020.

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#all #design #news #museums #cooperhewitt #smithsonianinstitution #newyorkcity

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Adjaye Associates proposes inverted supertall skyscraper for New York

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Affirmation Tower by Adjaye Associates

Architecture studio Adjaye Associates has designed a supertall skyscraper in New York, which has a series of cantilevers to give it a dramatic form.

Named Affirmation Tower, the skyscraper was designed for a 1.2-acre vacant plot of land at 418 11th Avenue in Manhattan where New York State has issued a Request for Proposals (RFP) in order to fill the site.

Affirmation TowerAffirmation Tower would be built in Manhattan

Adjaye Associates designed the 1,663-feet-tall (498-metre) supertall skyscraper – a building over 300 metres – to cantilever outwards five times so that the upper levels are much larger than the lower levels. This would give it an inverted appearance compared to a traditional skyscraper.

Outwardly defined by these stepped blocks, the building would include two hotels and office space, as well as an ice skating rink and an observation deck.

Adjaye supertall public spaceThe skyscraper would include an observation deck

Local developer Peebles Corporation has submitted the supertall to the Empire State Development Corporation in a bid to build the skyscraper on the vacant site, which is called Site K.

It is positioned next to Manhattan's Javits Center, one block away from the city's High Line, as well as the Hudson Yards real estate development and Number 7 subway line.

Adjaye supertall observation deckOffices with terraced space would feature in the design

If built, the project would be Adjaye Associates' tallest tower to date, and would also be the second tallest building in Manhattan after One World Trade Center.

According to the studio it would be the first skyscraper built by a team of Black architects, developers, lenders and builders in New York City's history.

There are plans to house the headquarters of the NAACP's Mid-Manhattan branch within the building.

[ Agenda 111 hospitals by Adjaye Associates in Ghana

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](https://www.dezeen.com/2021/08/23/adjaye-associates-district-hospitals-ghana-agenda-111/)

"Unfortunately for most of New York's history, African-Americans and people of color have been rendered as mere economic tourists who gaze upward at one of the greatest skylines in the world with the intrinsic knowledge they will never be able to participate in what really makes New York unique," said Rev Dr Charles Curtis, Head of NY Interfaith Commission For Housing Equality.

"The awarding of this project to this team will send a statement across the globe that architects, developers, engineers and financial professionals of color are now full participants in this great miracle of global capitalism called New York City."

Cantilevered skyscraperCantilevers would define the supertall's structure

The supertall would be the second New York tower designed by Adjaye Associates following 130 William, a concrete residential skyscraper designed by the firm, which was founded by Ghanaian-British architect David Adjaye in 2000.

The building would be the latest in a series of supertall skyscrapers built in New York with buildings over 300 metres designed by BIG, Foster + Partners and SHoP currently under development in the city.

The images are courtesy of the Peebles Corporation.

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#skyscrapers #cultural #publicandleisure #all #architecture #landscapeandurbanism #usa #cantilevers #news #davidadjaye #newyorkcity #supertallskyscrapers #hudsonyards #adjayeassociates

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SOM designs UAE diplomacy building with Middle Eastern motifs in Manhattan

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Architecture firm SOM has designed a limestone-clad building patterned with symbolic palm leaves for the Permanent Mission of the United Arab Emirates to the United Nations in Manhattan.

The building represents the United Arab Emirates' (UAE's) diplomacy to the United Nations (UN) and is located in Manhattan's Turtle Bay neighbourhood, close to the UN headquarters.

Palm leaf motifs on UAE buildingThe building features palm leaf motifs

The Permanent Mission of the United Arab Emirates to the United Nations is an organisation set up by the UAE to champion the UN and is headed by ambassador Lana Zaki Nusseibeh.

Indiana limestone, sourced from the same quarries that provided the facades for the Empire State Building and the Rockefeller Center, clads the diplomacy building.

Turtle Bay neighbourhood in ManhattanIt is located in Manhattan's Turtle Bay, close to the UN headquarters

The 10-storey tower was designed to blend with the scale of the rest of the neighbourhood while also representing the UAE.

SOM added palm leaf motifs to the building's canopy and entrance as an international symbol of peace.

UAE UN building facadeThe facade's tapering limestone piers echo narrowing palm leaves

As the tower rises, the facade's vertical elements attenuate to cater to privacy and light-related needs within the building, which also echoes the narrowing spine of a palm leaf.

"The palm is represented by the tapering limestone piers extending skywards from the second floor to the roof," SOM design partner Chris Cooper told Dezeen.

Interiors inside diplomacy buildingMiddle Eastern courtyards informed the building's interiors

Visitors enter the building via a 40-foot-tall (13-metre) double-height hallway that was designed to echo a courtyard in a traditional Middle Eastern house.

"On the interior, the concept of hospitality blends Middle Eastern tradition with diplomatic decorum," continued Cooper.

Neutral interiors by SOMSOM designed the project to be symbolic of international exchange

"The space brings guests and staff together in an environment that is dignified, understated, and symbolic of international exchange."

Split into three zones, the building's first two storeys house the entry hall and event spaces, while floors three to six feature an amenity level and staff offices.

Staff officesOffice spaces are included in the building

Levels seven and eight are reserved for executive areas, and at the top portion of the building, there is a roof terrace with impressive views of the Dag Hammarskjold Plaza below and the East River beyond.

"The layout of each floor of the building is inspired by the principle of the central courtyard, with a central reception and gathering space that is accessible from the elevator lobby," explained Cooper.

"These spaces choreograph the visitor's progression through the building – heeding the hospitable nature of Middle Eastern culture."

Throughout the building, interiors pay tribute to the Middle East. Conference rooms include a traditional geometric pattern known as mashrabiya, which features in every UAE diplomatic office around the world.

Lebanese designer Nada Debs created the interiors for the building's entry hall with a palette of natural materials intended to evoke serenity, such as Northern Canadian limestone.

Neutral interiors in the diplomacy buildingNeutral interiors are intended to reflect the diplomatic nature of the building

Amenity spaces were designed with flat-cut American walnut and Calacatta marble, while executive spaces house Majlis areas for entertaining guests.

"In designing the mission, we endeavored to integrate Middle Eastern and local motifs, symbolising the power and importance of cross-cultural exchange and rooting the building in New York City's architectural traditions," said Cooper.

Calacatta marble in SOM's buildingMarble features in amenity spaces

SOM is an American firm founded by Louis Skidmore, Nathaniel Owings and John Merrill in 1939. The office was recently chosen to design a mass-timber Olympic village for the Milan 2026 Winter Olympics.

The photography and drawings are courtesy of SOM.

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#cultural #all #architecture #usa #marble #unitedarabemirates #skidmoreowingsmerrill #newyorkcity #limestone #unitednations #newyork

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New York approves use of cross-laminated timber for six storey buildings

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New York mass-timber regulations

The New York City Council has approved the use of mass timber for the construction of buildings of up to 85 feet tall in the city.

Included as part of a major update to the New York City Construction Codes, the new regulations mean that mass timber, including cross-laminated timber, can be used as a structural material for low and medium-rise buildings across the city.

The new regulations mean that buildings up to 85 feet (25.9 metres) tall can be built from the materials. This equates to structures of six or seven storeys.

CLT projects up to 85 feet allowed in New York

"The updated Construction Codes now includes cross-laminated timber (CLT) as an approved Type IV construction material here in New York City," a representative from the New York City Department of Buildings told Dezeen.

"Maximum building heights for CLT projects would be up to 85 feet."

Although some mass timber buildings have been built in New York, previous regulations did not allow for the material to be used in many areas of the city. The buildings that have been built required extensive additional permits.

Revision "a step in the right direction"

The regulation was passed by the council as part of the first major code update since 2014. In total the update included 7,400 revisions to the city's construction codes.

The majority of the regulations will go into effect from the beginning of next year.

New York's decision comes as mass timber is being more widely adopted as a structural building material around the world.

In response to the revision, the AIA said it was "a step in the right direction".

"The legalization of some mass timber products, such as CLT, for shorter buildings, is welcomed by New York City's architects," said AIA New York director of policy Adam Roberts.

"New York City-based architecture firms have been designing mass timber buildings for years throughout the country and world," he told Dezeen.

"Prior to this code revision, the city had made the approval of mass timber buildings incredibly difficult, so the allowance for shorter mass timber buildings represents a step in the right direction."

"This is a great opportunity for New York architects"

Timber specialist architect Michael Green, who designed the largest mass-timber building in the US (pictured), also welcomed the news.

"With the opportunity to build in mass timber, New York can now join many cities around the world as an important leader in carbon sensitive large and tall wood building," Green told Dezeen.

"This is a great opportunity for New York architects, developers and builders to show what New York can do in wood."

"City still lags behind other areas of the country and world"

The revision to the city's codes follows an update to the International Building Code (IBC) by the International Code Council (ICC) earlier this year that allows mass timber buildings of up to 270 feet (82.2 metres) tall. This equates to around 18 storeys.

"In this instance, our city still lags behind other areas of the country and world," said the AIA's Roberts.

"It should be a wake-up call that places like Utah and Idaho have adopted the IBC mass timber code provisions, and yet New York City still has not," he continued.

"We applaud the city for finally allowing for some legalization of mass timber but recognize that this code revision leaves us behind the international standard."

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#all #architecture #news #usa #newyorkcity #crosslaminatedtimber #masstimber