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Sandhelden 3D prints sand trophies for drawing competition

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Bavarian manufacturer Sandhelden has created four 3D-printed trophies made from locally sourced quartz sand from ** Bavaria, Germany, for a drawing competition by design and architecture collective Archisource.**

The twisted, grey trophies aim to reveal the material's opportunities within the design industry and were created by Archisource and Sandhelden for Archisource's annual Drawing of the Year Awards.

The sand is bound with Furan made from sugar cane, corn husks, or rice hulls

Sandhelden 3D printed the trophies using binder jetting technology, which uses a layering process to 'print' an object into shape. Layer by layer of quartz sand is glued together by binder agents typically used in the foundry industry.

The binder used for the trophies was Furan, which is made from renewable resources including sugar cane, corn husks, or rice hulls, according to Archisource.

According to the studio, binder jetting does not require high temperatures

3D sand printers ExOne GmbH and Voxeljet AG, which Sandhelden says are "pioneers for this particular technology," were used to construct the trophies.

Both printers work in three similar steps. After recognising the 3D design, the shapes are printed in layers with high-precision nozzles. Afterwards, the printed object is exposed to air pressure to remove loose grains of sand.

Archisource says that binder jetting does not require high temperatures, and instead can be compared to a glue that quickly solidifies at room temperature.

"However, printed parts in binder jetting are rather fragile," said Archisource. "Therefore, it is necessary to apply our patented process in order to increase its stability substantially."

A photograph of the four sculptures that are 3D printed in grey quartz sandThe four 3D-printed trophies made from quartz sand

The binder-jetting process also allows high levels of precision, which enabled the designers to create wave-like patterns on the trophies' surface.

"We wanted to explore the binder-jetting process, and we were very excited by its ability to resolve very detailed surface textures," said Archisource. "The high levels of precision allowed us to achieve intricate and interesting patternations on the surface."

"The finish of the surface, coupled with the natural texture of the sand, makes holding the trophies quite a unique experience," it added.

A photograph of the 3D printers Two 3D sand printers were used to make the sculptures

According to Archisource, sustainability is an important factor in its designs and locally-sourced quartz sand was used to make the trophies.

"Our production facility, main partners and suppliers are all located in Bavaria," Archisource explained. "We even source our quartz sand from regional sources to minimize the carbon footprint."

[ Fashion awards Parley for the Oceans trophy

Read:

Parley for the Oceans creates trophies from 3D-printed ocean plastic for The Fashion Awards

](https://www.dezeen.com/2021/12/14/parley-oceans-trophies-plastic-british-fashion-awards-2021/)

3D printing is considered an expensive resource but according to Archisource, binder jetting is up to 40 per cent more economical than other processes, as any excess material gets reused to minimise waste.

"The designs of the trophies are also constructed in a way that as little material is used as possible," Archisource said. "We do not burn or melt sand in the production process as some other 3D printing technologies do. We have a binder-based process that allows a low energy production."

A photograph of the grey 3D printed sculpturesThe binder jetting process also allows high levels of precision

Previous trophies include the 3D printed recycled plastic trophies by Rotterdam-based design studio The New Raw created in 2020.

For the 2019 awards, Mamou-Mani Architects designed the trophies from sugarcane bioplastic using computational design tools, which aim to showcase the "possibilities of parametric design".

Other recent design trophies include Parley for the Oceans' 3D printed ocean plastic trophies for The Fashion Awards and Yinka Ilori's and Es Devlin's pair of Brit Awards trophies.

The post Sandhelden 3D prints sand trophies for drawing competition appeared first on Dezeen.

#all #design #architectureanddesignawards #3dprinting #sand #trophies

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Hemp fabric by Camira

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Hemp fabric by Camira

Dezeen Showroom: made from one of the world's most carbon-sequestering crops, the Hemp fabric by Camira is designed to showcase a rich variation in tone.

First launched in 2012, Camira's Hemp fabric is made from a blend of wool and hemp fibres, combined into a classic weave.

Hemp fabric by CamiraThe Hemp fabric by Camira is a classic of sustainable design

The hemp comes from a minimally psychoactive strain of cannabis sativa, grown in England and processed using environmentally conscious methods such as dew retting, which involves allowing dew and rain to break down the plant so its fibres can be extracted.

The crop itself is fast-growing and highly carbon-sequestering – it captures atmospheric carbon twice as effectively as forests, according to recent research by the Centre for Natural Material Innovation at Cambridge.

Hemp fabric by CamiraThe fabric is available in 21 rich, muted colours

According to Camira, Hemp has grown into one of its "most iconic and loved" fabrics, and one whose merits have been proven as sustainability issues have come to the fore over the last decade.

"One of our proudest achievements, [Hemp] is one of the most eco-friendly fabrics on the market, providing incredible environmental benefits, and is also beautiful in its aesthetics," said Camira senior innovator Jodie Padgett.

Product: Hemp

Brand: Camira

Contact: marketing@camirafabrics.com

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Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details emailshowroom@dezeen.com.

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Commenter wonders if vulva-shaped spaceship colliding with rocket would "lead to big bang"

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In this week's comments update, readers are questioning the design of a vulva-shaped spaceship concept and discussing other top stories.

German feminist art group Wer Braucht Feminismus? has created a vulva-shaped spaceship to challenge the convention of phallic spacecraft design.

The group hopes that the European Space Agency will realise the concept and "restore gender equality to the cosmos".

"This is just clitbait"

In total the story has attracted over 100 comments so far. "Look," said Steelblue8. "I am absolutely 100 per cent for destroying gender roles, but if you look at the peak of human achievement and think 'haha penis' that's on you."

"Given a choice between a rocket designed to address engineering issues and a rocket designed to address ideological issues, I'll go with the former," replied Kevin Van Horn.

"Aerodynamics as social convention... okay," added Marc Sicard.

That Designer Thingy had a question: "What happens when it collides with phallic-shaped rockets? Procreation? Big bang?"

"This is just clitbait," concluded C. Labia.

Are commenters missing the point? Join the discussion ›

11 West 57th Street skyscraperFalling ice from supertall skyscrapers on Billionaires' Row causes injuries and closures

Reader calls supertall New York skyscrapers "a danger to plebians"

Commenters are discussing reports that ice falling from supertall skyscrapers in New York over the weekend, including 11 West 57th Street on Billionaires' Row, injured motorists and closed roads.

"Great," said Rustbeltbrett. "If the buildings weren't already empty useless investment instruments, now they're a danger to us plebians on the streets."

"You reap what you sow," continued AlfredHitchcock. "Of course extremely tall buildings in cold climates will attract ice at the top and that ice will inevitably fall off."

"What goes up must come down," concluded Ken Steffes.

Are supertall skyscrapers dangerous? Join the discussion ›

A virtual woman outside the Viceverse officeBIG designs virtual office in the metaverse for Vice Media Group

Commenter says BIG's virtual office for Vice Media Group "isn't architecture"

Readers aren't sold on BIG's design for its first building in the metaverse, a virtual office for employees at media company Vice Media Group.

"This is not architecture," said Ken Steffes. "This is computer imaging."

"Looks like a fairly conventional building," added Rustbeltbrett. "Why not take advantage of there being no gravity in terms of both circulation and form?"

Chris agreed: "Architects that want to address digital space need to start questioning what architecture actually means in a digital realm, where the restrictions and possibilities have very little parallel to building in the real world."

Do you agree? Join the discussion ›

The building has a rectilinear formKaan Architecten designs geological centre in Germany to look like a "block of stone"

Reader dubs building designed to look like a block of stone "post-mortem architecture"

Commenters disagree that the new Kaan Architecten-designed Geo and Environmental Centre in Tübingen, Germany, resembles a block of stone.

"More like butcher-block-inspired brutalism," said Romeo Reyes.

Johnk continued: "Post-mortem architecture".

"Some interesting moments (i.e. the corners and the columns)," concluded JZ. "But awfully subtle. Like an early Herzog & de Meuron without any of the phenomenological swagger."

Are readers being harsh? Join the discussion ›

Comments update

_Dezeen is the world's most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions onour comments page._

The post Commenter wonders if vulva-shaped spaceship colliding with rocket would "lead to big bang" appeared first on Dezeen.

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Twenty innovative designs shortlisted in the second edition of Dezeen and LG Display's OLEDs Go! competition

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Portal by Thomas Grannells

Televisions that fold into lamps, cabinets with digital displays for doors and screens that roll up into speakers are among the designs shortlisted in Dezeen and LG Display's OLEDs Go! competition, which called for creative uses for OLED technology.

Over 300 entrants from more than 45 countries around the world entered the second edition of the contest, which challenged participants to create beautiful and innovative designs using OLED technology to enrich people's changing lifestyles.

OLED stands for organic light-emitting diode and is typically used for digital displays on products such as televisions and smartphones. Entrants had to come up with designs that would make the most of OLED's key qualities, such as its lightness and thinness and the possibility for OLED panels to be flexible or transparent.

Twenty designs have now been shortlisted and are in the running for a share of the €88,000 prize pot. The finalists will be revealed in April 2022 and the winner announced in June 2022.

The winner will receive a top prize of €35,000, the runner up will receive €20,000, third place will win €15,000, fourth place will win €10,000 and fifth place will win €8,000.

The shortlisted entries are listed below in the order that they were submitted.


Portal by Thomas Grannells

Portal by Thomas Grannells

Shanghai, China

Thomas Grannells' design is an ultra-thin, lightweight and transparent OLED television that doubles as a partition to delineate space in open-plan homes. The television can be rotated to be viewed from any angle, which can be controlled manually or via a remote control.

It features an anodized metal frame and stand, which conceal cables through a cavity. Its frame and stand come in black, white, silver matt or silver polished finishes.

Portal is designed in three sizes: a large model, a freestanding model and a small model designed to rest on a table, desk or TV console.

"Portal is designed for active and diverse lifestyles," said Grannell. "Cooking tutorials for the kitchen, gaming for the living room, films for the bedroom, video conferencing for the home office or exercise routines for a home workout – depending on its orientation, Portal caters for a variety of use cases throughout an active day."


Vela by Gabriele Panciera

Vela by Gabriele Panciera

Milan, Italy

Vela is a foldable OLED television suspended from the ceiling via a vertical hanging system designed by Gabriele Panciera. The structure is mounted to the ceiling and held in place with a concrete weight that rests on the floor.

The suspension system is informed by the rod structures found in sailboats and mimics the way the sail of a boat can be adjusted to be opened and closed or moved up and down. These adjustments are made via two handles placed behind the screen.

The back of the television is upholstered with a fabric cover and is lined with a thin tube light that creates atmospheric lighting in the room.

"Vela has been designed for people who love relaxing at home, reading a book or watching television," said Panciera.


Totem by Selce Studio

Totem by Selce Studio

Lund, Sweden

Totem is a dual-monitor system for home and office spaces designed by Selce Studio, which is run by designers Jaxon Pope and Riccardo Centazzo. The design was created to respond to ever-changing work environments and the increasing need for adaptable solutions that aid and enhance performance, such as multi-monitor workspaces.

Totem is composed of a central column from which two 27-inch rollable OLED screens can be opened and retracted. The column can be adjusted to various heights while the screens offer 10 degrees of rotation to aid comfortable posture and reduce eye strain.

Additional features such as a webcam, microphone and speakers are embedded in the column.

"Increasingly, a wide range of contemporary jobs require the user to operate multiple programmes and apps simultaneously and seamlessly," said the designers.

"It has become more and more evident how productivity and user experience can be enhanced with the introduction of a second screen."


Pndnt by Marcelo Dantas

Pndnt by Marcelo Dantas

Torres Vedras, Portugal

Another design that makes use of LGD's rollable OLED technology is Marcelo Dantas' minimalist suspension system called Pndnt. The multifunctional design consists of three modules: the ceiling fixture, the rollable OLED screen and the speaker – the latter two of which are suspended via motorised cables.

The deconstructed design enables each element to function irrespective of the other: when the TV screen is retracted, the system can be used for lighting or as a Bluetooth speaker.

Pndnt can be complemented with further independent lighting and audio equipment, which allows for a more immersive experience.

"[The design] seeks to build a sensorial choreography of movement, light, image and sound, with a minimalist spirit in design and maximalist potential in functionality," said Dantas.


Flip by Thomas Grannells

Flip by Thomas Grannells

Shanghai, China

Designed to showcase OLED technology's ability to bend, Flip is a freestanding OLED television by Thomas Grannells that can be folded over to transform the screen into a multifunctional furniture piece.

As its name suggests, the screen can be flipped when not in use to double as an ambient light and a speaker. The speaker, the weighted base and the back of the TV are wrapped in a fabric that not only aids acoustic quality but disguises the product as a piece of furniture instead of technology.

Flip is designed to suit contemporary interiors and comes in four standard colours: redwood, beige, grey and leaf green.

"By integrating a TV, speaker and ambient light into one product and reducing technological clutter around the home, Flip aims to appeal to people who tend toward products that suit a minimal lifestyle," said Grannells.


O2 by Nikolay Hristov Ivanov

O2 by Nikolay Hristov Ivanov

Vienna, Austria

Nikolay Hristov Ivanov has designed a flexible display arm that doubles as a table lamp when not in use.

The design consists of two main elements: a U-shaped rotatable arm, which is affixed to a static U-shaped body. When the arm is rotated outwards, it reveals a flexible OLED screen that can be used as a monitor or television.

When the display arm and column are aligned, the flexible OLED screen can be retracted into a vertical opening to conceal the screen, transforming the object into a simple desk lamp.

"O2 is minimalistic in design, yet the characteristics of emerging technologies embedded in it, enrich it and convert it into this transformative piece of technology," said Ivanov.


LG-Pod by Cagatay Demirpence and Ece Demirpence

LG-Pod by Cagatay Demirpence and Ece Demirpence

Kocaeli, Turkey

With the ongoing coronavirus pandemic bringing about the need to work from home more regularly, Cagatay Demirpence and Ece Demirpence has designed a pod for homes with scarce space, in which users can work, study, play games and relax.

Called LG-Pod, Demirpence set out to recreate the full office experience without having to compromise on living space. Once work is complete, living spaces are returned to home environments, allowing users to designate home and work spaces effectively.

The pod is composed of two curved panels: a freestanding panel at the back and a movable panel at the front, which can be opened and adjusted via a rail system. This creates visual privacy and sound isolation from the surrounding environment to aid focused work.

Integrated within the panels is the curved LG OLED screen, which is concealed within the back panel when not in use.

"LG-Pod creates a whole office experience inside living space without becoming a permanent stationing. As soon as work is done, you will have your living space back in a few seconds," said the designers.


Tiny by ​​Damla Aras

Tiny by ​​Damla Aras

Bursa, Turkey

Damla Aras's design aims to "create an easy flow between living and working" by combining a 27-inch rollable OLED screen with a foldable desk that becomes a shelf when closed.

The screen can be retracted incrementally with full-view, low-view and zero-view options. The low and zero views are designed to be used as a sound system, with the latter providing an option to maximise desk space when the screen is fully retracted.

Tiny can be mounted onto a wall or rest on a stand. It comes in three colour options to suit a wide range of interiors, including Calm Green, Dusty Rose and Silver White.

"Tiny is the ultimate piece of furniture and technology designed for anyone who works or studies from home, including digital artists, designers, photographers or videographers," said Aras.


Cocoon by Juan Restrepo

Cocoon by Juan Restrepo

Eindhoven, Netherlands

Informed by the shape and process of a butterfly's metamorphosis, Cocoon is an OLED table lamp that unfolds into a 27-inch computer monitor designed by Juan Restrepo.

When folded, Cocoon can be used as an ambient desk lamp that makes use of the OLED display as a light source, easing the transition from work to a more relaxed atmosphere.

The screen is affixed to a metal hinged stand that can be adjusted to suit user preferences. The screen features a sturdy textile shell on the back, which forms the shade of the lamp when it is folded.

Cocoon features a textile handle that enables it to be transported easily. The compact and lightweight quality of the lamp allows it to be easily repositioned or stored away when needed.

"To enhance the experience of working in a variety of domestic spaces, Cocoon provides a stylish, lightweight and versatile computer monitor for better posture and enhanced productivity," said Restrepo.


Totem by Studio Booboon

Totem by Studio Booboon

Tokyo, Japan

Studio Booboon's design uses LGD's rollable OLED technology to create a retractable display that doubles as a sculptural soundbar.

The OLED display is fixed onto a stable stand and can be adjusted to varying heights and angles, enabling multiple configurations and screen formats. When the display is rolled away, the product transforms into a totem-like object that blends into the surrounding environment with a minimal footprint.

Totem features multiple modes: when the display is entirely retracted it can be used as a speaker, while its landscape mode is designed for an enhanced viewing of standard media. The portrait mode is intended for phone mirroring for uses such as social media, music streaming, weather updates, news or health apps.

"Designed as a characterful, sculptural object rather than a flat form, Totem utilises OLED rollable technology to seamlessly blend into the user's home," said the studio.


Halo by Brandon Yeo and Abigail Sonia Chang

Halo by Brandon Yeo and Abigail Sonia Chang

Singapore

Informed by the act of drawing blinds, Halo is a wall-mounted sconce that unfurls into a monitor screen by Brandon Yeo and Abigail Sonia Chang.

Halo is composed of a cylindrical body that features a tab that can be pulled for the display to unroll and slide out. When no longer needed, the same tab can be pulled again to retract the display back into the main body, to symbolise "drawing the blinds to a close on the digital world and open into the material one".

When the screen is not in use, Halo functions as a wall sconce that blends into its surroundings as an illuminated piece of decor. The intensity of the light is adjusted through the rotary knob on the left end of the main body.

"Halo seeks to draw a clear balance between work and life, digital and material worlds," said the designers.


Easel by Hyeona Kim and WooSeok Lee

Easel by Hyeona Kim and WooSeok Lee

Gyeonggi, South Korea

As its name suggests, Hyeona Kim and WooSeok Lee's Easel design supports a 43-inch OLED display on a movable frame that resembles an artist's easel.

The slender and lightweight aluminium frame means it can be folded and transported around the home and used in a range of settings, including living rooms, balconies or a front deck. This negates the need to buy multiple devices since it can be easily transported around the home.

Easel can be used by leaning it against a wall or it can be mounted to stand independently. It comes in three colour options including graphite, ivory and winter green. The screen has a transparent option, in which the OLED display becomes clear to seamlessly fit in with its surroundings.

"The design of Easel focuses on creating harmony with our interior," said the designers.

"Its overall shape and lines are designed like living furniture, so you can hang some of your magazines on a lower rack or put some accessories on top of it."


Caelum by Cagatay Afsar

Caelum by Cagatay Afsar

İzmir, Turkey

Caelum is a working desk with an integrated OLED screen designed by Cagatay Asfar. Designed for the home or office, the transparent OLED screen provides a glimpse into the surroundings to prevent a monotonous working experience.

If focused work is required, Caelum can be customised with integrated separators to aid concentration. The metal legs and tabletops are equally customisable, offering maximum flexibility to suit a range of working styles.

The integration of the OLED screen within the body of Caelum provides plentiful desk space and reduces clutter.

"Our desk has become the most important object in our home and we have started to spend most of our lives here," said Asfar.

"So why shouldn't this table, where we spend so much time, be more technological and stylish?"


Vivid by Studio WA+CH

Vivid by Studio WA+CH

Milan, Italy

Vivid is a multifunctional movable screen that can be used as a whiteboard, room divider or a video conferencing device. The concept was designed by Studio WA+CH, a team comprising designers Fuhua Wang, Weichih Chen, Tzyun Huang and Wenheng Chang.

The product allows users to easily swap from working mode to living mode: when the work day is finished, users can switch to either the transparent option or a mode that displays digital plants to blend in with the home environment.

It is equipped with a camera on its right side that enables users to make video calls or it can be connected to multiple Vivid screens in a row to form a stylish room divider. Other uses include fitness and health programmes such as yoga or aerobics, browsing social media or video gaming.

"Vivid is a smart screen designed for home workers to help users introduce part of the office scene into the home space," said the designers.

"Its interactive design allows users to create a synchronised collaborative environment in different locations at the same time."


Coated by Studio WA+CH

Coated by Studio WA+CH

Milan, Italy

Informed by the rapid development of the Internet of Things, Studio WA+CH designed a series of cabinets equipped with a 55-inch OLED sliding door that displays information such as the time, date and weather.

Designed to highlight the thin and flexible qualities of OLED displays, the sliding door can also simulate different materials, textures and patterns including wood, rock or fabric, so users can customise their furniture to suit their interior.

Users can also place their smart devices on top, which will then synchronise with the OLED display for music playback or message viewing made via an NFC connection.

"Coated rethinks the relationship between furniture and people," said the designers. "It provides a brand new way to achieve home space beautification and decoration services."


Showcase by Jinwoo Chae and Hayong Kim

Showcase by Jinwoo Chae and Hayong Kim

Seoul, South Korea

Jinwoo Chae and Hayong Kim's design combines a transparent OLED display with a cabinet. It comes in two sizes: one with a 47-inch OLED screen option and the other with a 55-inch screen.

Concealed within the cabinet are two shelves that can be used for storage or to display decorative items. When the OLED display is not being used, it will appear transparent to reveal the items within the cabinet.

To gain access to the cabinet, the OLED screen can be slid upwards and can be positioned at various heights to suit user preferences. The cabinet comes in four colour options including black, white, green and wine.

"Showcase can be used as a cabinet anywhere, such as the living room, bathroom and terrace," said the designers. "It can maximise interior effects by providing various moods on a screen."


Foled by Luke Sanders and Oliver Hay

Foled by Luke Sanders and Oliver Hay

London, UK

Luke Sanders and Oliver Hay's design makes use of the flexible properties of OLED panels to create a 27-inch lightweight display that transforms into a slim, curved lamp shade with a faceted back panel.

Called Foled, the lamp features a number of lighting options to highlight the vibrance and range of OLED displays, including bright task lighting and subtle mood lighting. Its form is a reinterpretation of the traditional banker's lamp and features a careful geometry that has been designed with the specific curvatures of the OLED display in mind.

To convert the lamp back into a monitor, the display can be unfolded until it magnetically snaps into the vertical alignment.

"Foled is an elegant monitor that transforms into a sophisticated table lamp when it’s time to get away from the screen and relax – an aide to establishing a work-life balance at home," said the designers.


Digital Hearth by ​​Kristopher Swick

Digital Hearth by ​​Kristopher Swick

Glendale, California, USA

As its name suggests, Digital Hearth is designed to replace traditional fireplaces and the TV that often hangs above it, while improving air quality and reducing carbon emissions.

Designed by Kristopher Swick, the proposal features two transparent 55-inch OLED displays mounted to a champagne-coloured aluminium base, which conceals an integrated heater and surround sound audio.

When in fireplace mode, the dual screens display digital burning flames or other animated graphics for added effect.

"Digital Hearth aims not merely to replace the indoor fireplace, but to combine with the media capabilities of the TV that usually hangs above the hearth to produce an entirely new and advanced media experience," said Swick.


Hanji by Lingfei Liu

Hanji by Lingfei Liu

Dwight, Ontario, Canada

Lingfei Liu's design is a multi-use device that consolidates media consumption, recreation, creativity and productivity into an all-in-one OLED display, showcasing OLED's impressive image quality, thinness, lightness and flexibility.

Named after the versatile handcrafted paper from Korea, Hanji appears as a typical 50-inch TV at first glance. However, the screen has the ability to fold to create a more immersive experience: its top half is an ultrawide screen, while the bottom half tilts towards the user for use as a touchscreen.

Hanji also features a keyboard and trackpad panel that folds out from behind the screen. Due to its adjustable height, Hanji can be used both as a standing desk or a sitting desk.

"Hanji is a premium device designed for the many of us who need to get more done in less space," said Liu.

"It provides an immersive entertainment and recreational experience as well as a versatile workstation on the same screen, in order to save space and reduce material consumption."


Flap by Denizhan Arda and Seher Naz Ayhan

Flap by Denizhan Arda and Seher Naz Ayhan

Kartal, Turkey

Flap is a 32-inch OLED display supported by a rotatable and extendable metal pipe structure designed by Denizhan Arda and Seher Naz Ayhan.

The highly customisable and adaptable design means it can be used for work, video conferencing or as lighting by tilting it to the desired position. The screen can be positioned over a dining table or folded over to provide light for growing plants.

Flap can be customised with additional baskets and shelves to suit a wide variety of uses. It also features camera modules and microphones to assist with video calls.

"To reduce the problem of eating alone and the feeling of loneliness in individual life, Flap aims to make the presence of someone else feel virtual and to bring people closer virtually in hybrid working conditions," said the designers.


Partnership content

OLEDs Go! is a partnership between Dezeen and LG Display. Find out more about Dezeen partnership contenthere.

The post Twenty innovative designs shortlisted in the second edition of Dezeen and LG Display's OLEDs Go! competition appeared first on Dezeen.

#all #design #technology #competitions #instagram #oledsgo #oleds #lg

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VicBooth Office by Vicoustic

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VicBooth Office booth with white walls and full length windows used in an open plan office with wooden floors

Dezeen Showroom: VicBooth Office created by acoustic design brand Vicoustic is a collection of phone booths and meeting rooms designed to create sound-insulated spaces within open plan offices.

The brand created VicBooth Office in response to the increasing demand for private, flexible spaces in offices.

The booths are ideal for phone calls and video call meetings, as well as quiet spaces for employees to focus on work.

VicBooth Office booth with white walls and full length windows used in an open plan office with brick wallsThe exterior of the pods come in three different colours, including white

The collection varies in size from one-by-one metre booths to three-by-four metre rooms, which can be combined to create different office layouts.

Made from melamine and MDF, the exterior is available in three colours, including black, natural oak and white.

Vicbooth Office pod by Vicoustic used in the corner of an office with white walls and glass doorVicBooth Office pods come in a range of sizes that can be customised to suit different office spaces

The interior is finished in a non-woven textile made from recycled plastic bottles, which is also intended to provide sound insulation.

The booth walls are made up of modular sections that come in customisable options, including plain wall, glass door, full-length or half-length windows and with shelves.

Product: VicBooth Office

Brand: Vicoustic

Contact:sales@vicoustic.com

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details emailshowroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership contenthere.

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Ye and Kano release MP3 player designed to "challenge what an album can be"

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Stem Player in a palm of a hand

American musician Ye, formerly known as Kanye West, and design technology company Kano have launched Stem Player, a pebble-shaped device that allows users to customise songs in the palm of their hand.

Stem Player lets users control the vocals, drums, bass and samples – the "stems" of a track – by swiping their fingers across the grooves of the device as they listen to music.

Stem Player lit up in redStem Player is an MP3 player that allows users to customise songs

"We wanted to create a living album that allows you to remix the songs, add effects and listen to the music differently each time you repeat use," Bruno Schillinger, lead product designer at Kano, told Dezeen.

"It is a way to be a participant in the listening experience and it really challenges the idea of what an album can be."

Stem Player connected to headphonesThe Stem Player can be connected to headphones or speakers

The device gets its name from the music production term "stems" – individual sections that make up a song. Stem Player allows users to speed up or slow down different sections of a track, as well as reverse and loop parts of the song.

It also incorporates haptic feedback, as users slide their fingertips over the silicone-covered object and the lights flash in real-time to changes in the song.

A beige device connected to a Mac laptopUsers can download music onto the device and then remix the stems

The designers see this "return to primal interactions" as an antidote to popular MP3 players on the market, which are usually controlled by users tapping or scrolling on black screens.

"One thing that we set out to do from the beginning was to use very primary dots of light and colour to signify function," explained Schillinger.

"The grooves in it – the channels that you slide your finger across – are supposed to be a little bit like meditation stones that you can stroke to make you feel calm," he added.

A man putting a Stem Player into his pocketThe portable device can fit in pockets

With this brief in mind, the team set about creating something that could be intuitively used by children. The interface is designed so that it reveals itself as you watch it, with the stems pulsing to the data.

For example, you can watch the vocal stem move up and down as the artist speaks, and the speed of your loops is mirrored by the pace at which the lights move.

Users can listen to music directly from the MP3 player, which can also be connected to headphones and speakers using bluetooth or cable.

[ Microsoft and Kano partner on build-your-own PC

Read:

Microsoft and Kano partner on build-your-own PC for children

](https://www.dezeen.com/2019/06/26/microsoft-kano-build-your-own-pc-technology/)

In their quest for simplicity Ye and Kano looked to nature for inspiration, which is why the Stem Player resembles a smooth pebble.

"Kanye has this mantra where nothing should have sharp edges and everything should be rounded as it is in nature," explained Schillinger.

"As a result, we also looked beyond stones and pebbles and were really inspired by ancient artefacts."

A hand holding a Stem Player against the skyUsers slide their fingers across the grooves and lights to alter tracks

Ye and Kano have been working together on the device since meeting at the Consumer Electronics Show in 2019 and believe that the Stem Player has the potential to revolutionise music in a similar way to the iPod.

"[It] lets you go from listening to music to creating and then you're building new creations – but then at a press of a button, you go back to listening," James Hicks, lead designer at Kano, told Dezeen.

"I think that way to move from consuming something to creating something in single seamless transition is something that doesn't really exist anywhere else in music."

A Stem Player on sandThe beige device looks similar to a round pebble

Playing it on the device will also be the only way people will be able to listen to Ye's upcoming album Donda 2, in a move that Ye and Kano believe will give control back to the artist – especially when compared to releasing the album on a streaming site like Spotify.

This is Ye's first music-playing device, but the musician is no stranger to product design. His previous projects include footwear line Yeezy and an ongoing partnership with high street retailer Gap.

The post Ye and Kano release MP3 player designed to "challenge what an album can be" appeared first on Dezeen.

#all #design #products #technology #news #music #gadgets #kanyewest #technologyanddesign

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Doppelgänger creates polystyrene substitute from plastic-eating mealworms

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Chitofoam cup by Doppelgänger made from mealworm exoskeleton next to a polystyrene cup

Charlotte Böhning and Mary Lempres of design duo Doppelgänger have developed a bioplastic version of polystyrene foam that is made from the exoskeleton of mealworms and breaks down in soil in a couple of weeks.

The material, called Chitofoam, is shock-absorbent, water-resistant and can be formed into cups, foam peanuts and other packaging, much like its fossil-based counterpart.

Doppelgänger created the bioplastic to offer a backyard-compostable alternative to traditional expanded polystyrene (EPS).

Chitofoam packaging materials by Doppelgänger made from mealworm exoskeletonChitofoam can be turned into cups (top image) and packaging materials (above)

Regular EPS, of which Styrofoam is the most well-known brand, is difficult and uneconomical to recycle, meaning it ends up occupying around 30 per cent of the space in our landfills.

"At the end of its short life, polystyrene is not accepted by recycling centres and is undesired by landfills," Lempres told Dezeen. "It is a problematic plastic with no second life that affects future generations, our environment and our future earth."

While polystyrene is made from petroleum-based styrene, which the World Health Organisation has deemed a "probable carcinogen," Chitofoam is derived from a biopolymer called chitin, which mealworms use to build their strong yet pliable exoskeleton.

Chitofoam peanuts in a bag made from chitofilmIt can also be formed into packaging peanuts, much like traditional polystyrene

Doppelgänger says the bioplastic foam could be made from any mealworm – the larval form of the mealworm beetle – or other insect or crustacean with a chitin-rich shell, such as lobsters and beetles.

Böhning and Lempres made their version from the mealworms living in their own homemade biodigester, which the industrial design students developed to dispose of the polystyrene modelling foam and packaging used in their studio.

This harnesses mealworms' natural ability to digest and break down polystyrene using their gut bacteria, which was documented by researchers from Stanford University in 2015.

Mealworms eating styrofoam peanutsMealworms can safely digest polystyrene plastic

"It started off quite simply as a tank with 1,000 mealworms in which we put our waste foam, a material that is unfortunately abundant in design school," Böhning said. "It has gradually grown to include tiered-drawers and many more worms."

"The mealworms can help divert polystyrene waste from landfills and natural environments," she continued. "They can safely and efficiently digest the polystyrene foam with no ill effects on their own health."

With Chitofoam, Doppelgänger aims to show that the little bugs could be used not just to degrade existing polystyrene waste but also to create a bioplastic alternative to it.

Complex foam constructions by Doppelgänger next to piece of coralDoppelgänger has modelled the packaging on the shape of coral

Once the mealworms have reached the end of their life, the designers collect them from the biodigester and extract the chitin from their exoskeletons by treating them with an alkaline solution, in a process known as deacetylation.

This powdered chitin derivative called chitosan is then dissolved in citric acid, mixed with a waste-derived biopolymer that the studio is keeping under wraps until its patent application has been granted.

Vigorous shaking ultimately gives the mixture its characteristic foamy consistency, which Doppelgänger says is more flexible and elastic than traditional expanded polystyrene while having natural antifungal and antimicrobial properties.

[ Hermes Victoria bag in Sylvania mycelium leather by MycoWorks

Read:

The Dezeen guide to bio-based materials in architecture, design and interiors

](https://www.dezeen.com/2021/12/09/dezeen-guide-biomaterials-architecture-design-interiors/)

Chitofoam can be cast or injection-moulded into shape, much like Styrofoam, but Böhning and Lempres are currently still testing whether the material has the same thermal insulation properties that would allow it to be used to store hot foods and drinks.

As Chitofoam is a thermoplastic it can be melted down and reformed into new products, or placed in soil where it decomposes in two to three weeks.

Doppelgänger says the material has a "high biocompatibility and very low toxicity". But some experts have raised concerns about whether the acidity of bioplastics could throw off the ph balance of soil and water.

Chitofoam packaging materialsThe material has shock-absorbent properties thanks to its foamy texture

Chitofoam is one of six projects shortlisted for this year's Lexus Design Award, with the winner set to be decided later this spring.

Until then, Doppelgänger is working to further progress the project with the help of a £19,000 budget and guidance from a group of four mentors including designer Sabine Marcelis and Yosuke Hayano of Beijing architecture firm MAD.

The studio's plan is to develop a food product from the protein-rich, plastic-eating mealworms, which would then be packaged in the mealworm bioplastic.

Foam peanuts and padding made from mealworm exoskelletonsThe material could be used as a substitute to traditional polystyrene packaging

"Mealworm farming has been highlighted in recent years as an environmentally sustainable solution to malnutrition, particularly in developing rural economies," the studio said.

"Growing edible mealworms is affordable, low-resource and space-efficient. The resultant food source is twice as protein-efficient as beef with zero methane emissions."

In this way, the designers say the mealworms could eventually help to tackle two sustainable development goals at the same time, providing food security and fighting pollution.

Chitofilm by Doppelgänger made from mealworm exokelletonsChitin can also be turned into a bioplastic film

Early studies have shown that mealworms that have digested polystyrene can still be used to feed other animals, but more research is necessary on whether they could safely be eaten by humans and whether they could be used to break down plastics at a mass scale.

As the mealworms digest the polystyrene, around half of the fossil carbon that was stored in the plastic is also emitted into the atmosphere as CO2, which could contribute to global warming.

The chitin found in their exoskeletons has been much more widely studied and already turned into a range of different materials including a leather alternative and a bioplastic film.

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#all #design #materials #products #technology #plastic #insects #packaging #bioplastic #recycling #polystyrene #doppelgänger

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Bethany Williams: Alternative Systems opens at the Design Museum

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Clothing by Bethany Williams is hung from branches

An exhibition highlighting London-based designer Bethany Williams' waste-combating, social-driven vision for the fashion industry has opened at the Design Museum.

Exhibited in the atrium of London's Design Museum, Bethany Williams: Alternative Systems is a celebration of Williams' work which explores and responds to social issues through the use of community-led enrichment initiatives.

Image of the clothes displayed at the Bethany Williams: Alternative Systems displayBethany Williams: Alternative Systems is a free display in the atrium of the Design Museum

A number of key works by the designer were exhibited across the four walls of the atrium's balcony gallery, which is free to entry.

Mannequins are displayed among textiles samples, photography and raw waste materials in efforts to highlight the studio's commitment to sustainable fashion.

Mannequins dressed in Bethany Williams garments are on displayThe display was chosen to be shown in a free entry space in the museum

"I decided to organise the display thematically rather than by collection," said Design Museum's head of curatorial and interpretation Priya Khanchandani.

"It opens with a section about the studio specifically and then there's a part about creative process, intellectual references and the way in which they propose alternative infrastructures of working, followed by a section about reuse and another about community collaborations," she told Dezeen.

"Bethany's work not only tackles the question of the environmental impact of design, but it also has an amazing social purpose."

Garments are suspended from branches at Bethany Williams: Alternative Systems The exhibition design was completed by Edit

Williams is a fashion designer, humanitarian and artist. She graduated from Brighton University with a degree in Critical Fine Art before receiving a master's from the London College of Fashion in Menswear.

She launched her namesake brand in 2017 and has strived to spotlight and respond to social and environmental issues, her works see her partnering with local grassroots programs and manufacturing collections using waste materials.

Scrubs are displayed at Bethany Williams: Alternative Systems Garments are exhibited alongside research, drawings and materials

A section of the display exhibits Willliams' work as part of the Emergency Designer Network. The initiative is a collaboration between herself and designers Phoebe English, Cozette McCreery and Holly Fulton.

The group of creatives, with their textile manufacturing knowledge and teams of volunteers, produced 12,000 scrubs, 100,000 masks and 4,000 gowns for frontline healthcare workers during the peak of the coronavirus pandemic.

[ Waste Age exhibition at the Design Museum

Read:

Waste crisis a "design-made mess" says Design Museum show curator

](https://www.dezeen.com/2021/10/23/waste-age-design-museum-exhibition/)

Waste from packaging tape sourced from Rimini, Italy was handwoven and constructed into functional items and garments as part of Williams's Autumn Winter 2018 collection, which was on display.

"I felt it was very important to show not just the finished garments, which you would see in a retail fashion context; being a museum display I wanted to add other layers of information," explained Khanchandani.

Bethany Williams: Alternative Systems includes shoes crafted from packaging wasteWilliams' work merges streetwear and craft

"There are process materials like drawings and sketches, and also source material," said Khanchandani. "For instance, a jacket made of waste newspaper is shown alongside some of the waste material, the Liverpool Echo, which is dangling next to the garment."

"You're able to see the journey of the objects from inception, to finished product."

Detail image of shoes made from plastic wasteWilliams has collaborated with San Patrignano, a drug and alcohol rehabilitation programme

Each season, the fashion studio collaborates with different local charities and grassroots programs and donates a percentage of its profits to its causes.

"With our work, we hope to continue to reach new audiences, encourage inclusivity and positive change for the fashion industry," said Williams. "The Design Museum continues to be aligned with this via the exhibitions curated, including their Waste Age exhibition, which we featured in last year."

"We are so proud to showcase our new exhibition: Bethany Williams: Alternative Systems, a celebration of the new way of working proposed for the fashion industry by the studio's work."

Printed and patchwork clothing pictured suspended on the walls of the Design MuseumDresses and corsetry feature boning constructed from waste materials

The opening of Bethany Williams: Alternative Systems was timed to coincide with Williams' Autumn Winter 2022 collection, titled The Hands that Heal Us, which was presented at the museum.

The collection included a cactus leather jacket, and garments made from recycled and organic-based denim with detachable metal hardware that aid the recycling process at the end of its life.

Mannequins wearing clothing at Bethany Williams: Alternative SystemsA skeleton suit was informed by a 19th-century children's playsuit

In 2016, Williams graduated from London College of Fashion and showed her MA graduate collection in the university's show as part of London Fashion Week.

Last year's Waste Age exhibition at the Design Museum, which featured Williams' work, explored how design has contributed to the increasing throwaway culture and how people can create an alternative circular economy that doesn't exploit the planet.

Photography is byFelix Speller.

Bethany Williams: Alternative Systems is on display at the Design Museum from 22 February 2022. See Dezeen Events Guide for all the latest architecture and design events taking place around the world.

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#all #exhibitions #design #fashion #installations #designmuseum #sustainabledesign #fashionexhibitions #sustainablefashion

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Tabloid desk by Blu Dot

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Tabloid desk by Blu Dot

Dezeen Showroom: created by US brand Blu Dot, the Tabloid desk is designed to bring a pop of colour and a cosy feeling into any work environment.

"With Tabloid, we set out to design a desk with useful storage that could live comfortably both at home or in an office," said Blu Dot.

Tabloid desk by Blu DotThe Tabloid desk's Forbo linoleum top is an opportunity to add colour

The desk features a wood frame topped with Forbo linoleum, which Blu Dot chose to bring warmth and an opportunity for colour. The powder-coated steel legs are colour matched to the tabletop.

A wraparound gallery creates a feeling of cosiness and privacy for the user, while the slim steel legs make the piece look light and suspended in space.

Tabloid desk by Blu DotA cable management space at the top of the desk hides power cords out of sight

There is substantial space for storage, including a covered cord management nook on the back edge of the tabletop, and two drawers with metal slides.

Tabloid is available in three colour combinations including a black tabletop with walnut wood veneer, a navy green tabletop with white oak veneer, and a putty grey tabletop with white oak veneer.

Product: Tabloid

Brand: Blu Dot

Contact: partnerships@bludot.com

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details emailshowroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership contenthere.

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Designers and architects create visions of future Valencia for World Design Capital 2022

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Futuristic city for World Design Capital 2022

Promotion: five creative studios have produced immersive designs for the Valencia 360 exhibition during World Design Capital Valencia 2022 that show both dystopian and utopian projections of the city's future.

Studios Quatre Caps, C LAB Atelier, Lloyd Martin, Ex Figura and Rarea Studio were chosen by independent organisation Non Architecture to create a 360-degree virtual image that shows potential visions of what the Spanish city of Valencia could look like in 2030.

Futuristic city for World Design Capital 2022Images like Valencia's orchard tomorrow by Ex Figura, top, and New Turia River, above, explore what Valencia could look like in 2030

Half the images, or 180 degrees, show a dystopian version of the future, while the other 180-degree view is of a utopian future.

These pictures try to answer what the city will be like in the future as part of World Design Capital Valencia 2022.

Future vision of Valencia with lots of plantsLloyd Martin combined a cityscape with natural elements in his design called Miramar Tower

The project was conceived through Futur Lab, Las Naves innovation centre, and looks at how technology will affect the physical environment as well as what public spaces will look like in the future and how mobility will evolve.

Each of the five studios created a 360-degree immersive image in a different style, which can be viewed through a smartphone, laptop or virtual reality (VR) glasses.

"To encourage discussion, we asked them to design one half as what they consider to be a utopian future and the other half as what would be a dystopian future," Non Architecture said.

"The images represent relevant issues such as tourism, lack of resources, desertification and natural disasters."

Images of future Valencia by Rarea StudioRarea Studio is another of the five studios taking part with La Malvarrosa, the Valencia's beach

Among the ideas that were created for Valencia 360 are a virtual beach by Rarea Studio and a suggestion for how the city can make use of vertical farming by Ex Figura.

The designers taking part in Valencia 360 were selected for the "disruptive nature" of their proposals and are all young, with an average age at just over 30. This was a deliberate choice by the festival.

Illustration for Valencia 360C LAB used a friendly graphic style for its immersive design called To be, or to visit, that is the question

"The new generations of designers are able to participate and even lead a debate about the cities we want to inhabit in the not too distant future," Xavi Calvo, general director of World Design Capital Valencia 2022, said.

"Valencia 360, like so many other projects and initiatives promoted by Valencia World Design Capital, intends to build a discourse and generate a legacy that will go far beyond 2022."

World Design Capital Valencia 2022 takes place in Valencia, Spain from 1 January to 31 December. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Partnership content

This article was written by Dezeen for World Design Capital Valencia 2022 as part of a partnership. Find out more about Dezeen partnership contenthere.

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Designers create illustrations to show solidarity with Ukraine

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Pentagram Ukraine war protest design

Studios and designers including Olafur Eliasson and Pentagram are sharing illustrations to show support for Ukraine following the invasion by Russia. We've rounded up 10 of the most striking.

Designers around the world have taken to social media to show their support and to publicly condemn Russia's invasion of the country, which began on 24 February.

As well as creating illustrations, many are using their platforms to raise awareness and to provide information on how to help refugees or donate to various international and grassroots charities.

[ Red swing set in front of a Kyiv building damaged during the Russian invasion of Ukraine

Read:

Designers react to the Ukraine invasion in today's Dezeen Agenda newsletter

](https://www.dezeen.com/2022/03/01/ukraine-invasion-agenda-newsletter/)

In response to the war, creatives from Lithuania launched Creatives for Ukraine, an open platform where designers, illustrators, and photographers all over the world can submit their work for free use.

"We are using our voice and written word while engaging our contacts to support peace," said Kristina Skindelytė-Galdkovienė, co-founder of Blue Oceans PR, one of three Lithuanian agencies that started the platform.

"We want the whole world to see and share art and images that convey frustration, hurt, helplessness and anger that creatives capture so adequately," she said.

Below are 10 artworks designed to show solidarity with Ukraine:


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A post shared by Pentagram (@pentagramdesign)

Pentagram

Design studio Pentagram created an illustration containing the word Unity written using the colours of the Ukrainian flag – blue and yellow.

Alongside the post, the brand announced that it will donate funds to the United Nations' refugee agency United Nations High Commissioner for Refugees (UNHCR), in an effort to help people affected by the war.


View this post on Instagram

A post shared by Studio Olafur Eliasson (@studioolafureliasson)

Olafur Eliasson

Danish-Icelandic artist Olafur Eliasson, who is based in Berlin, shared details of organisations that are transporting donations to the border of Ukraine as well as groups that are arranging housing for refugees in the city.

The information was posted below an image created by Eliasson of a painting on a piece of wood in yellow, blue, black and white arranged in a formation that looks like a rising sun.


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A post shared by Atelier Adam Nathaniel Furman (@adamnathanielfurman)

Adam Nathanial Furman

Designer Adam Nathanial Furman created an illustration of the Derzhprom constructivist complex in Kharkiv, again using the colours blue and yellow.

Furman is selling the artwork, as well as mugs and T-shirts, with proceeds set to go to the Disaster Emergency Committee's Ukraine humanitarian appeal.


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A post shared by Jaime Hayon (@jaimehayon)

Jaime Hayon

Among the first international designers to post an illustration in solidarity with Ukraine, Jaime Hayon created a drawing of two birds embracing in his signature playful.

The artist has since shared other illustrations condemning the war including an optical illusion of a man wearing a face mask that can also be interpreted as a white bird of freedom.


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A post shared by Ronan Bouroullec (@ronanbouroullec)

Ronan Bouroullec

French studio Ronan and Erwan Bouroullec co-founder of Ronan Bouroullec covered a blank canvas in blue and yellow colours to show his solidarity with the country.


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A post shared by Sascha Lobe (@sascha_lobe)

Sascha Lobe

A print for People of Print with the words "Russian warship, go fuck yourself" – a quote from a Ukrainian soldier at the beginning of the invasion – was Pentagram graphic designer Sascha Lobe's creative way of raising money for Ukrainian refugees.

The design was screen printed on paper, with all proceeds of the print sale going to UNHCR.


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A post shared by PANTONE (@pantone)

Pantone

To show solidarity with Ukraine, colour company Pantone created an image featuring the colours from the country's flag labelled Freedom Blue and Energizing Yellow. It also posted a picture of a yellow sunflower against a blue sky.

The brand added a link to a list of organisations accepting relief donations to its Instagram bio.


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A post shared by Krista Kim (@krista.kim)

Krista Kim

Instead of raising money in a traditional fashion, Toronto-based digital artist Krista Kim encouraged users to donate to the official Ukrainian Ethereum wallet, a digital piggy bank for crypto donations for the country.

Kim is selling non-fungible token No. 700 v.26 on the NFT marketplace platform Super Rare to generate funds for the wallet.


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A post shared by Oliver Jeffers (@oliverjeffers)

Oliver Jeffers

Artist Oliver Jeffers provided examples of actions people can take, including switching to renewable energy instead of using oil-based energy which he believes plays a role in upholding Russian.

To accompany his message Jeffers created an illustration that asked the question: "Why are we back here?", referencing the history of past wars and conflicts.


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A post shared by Karolis Strautniekas (@strautniekas)

Karolis Strautniekas

Lithuania-based artist Karolis Strautniekas drew a portrait of Russian president Vladimir Putin, who he describes as "a blatant liar, manipulator and psychopath".

The image, which Strautniekas submitted to the Creatives for Ukraine platform, depicts Putin with a snake covering most of his face, alluding to the serpent's connotation with evil and death.

The post Designers create illustrations to show solidarity with Ukraine appeared first on Dezeen.

#graphics #all #design #illustration #graphicdesign #art #ukraine #ukrainewar

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Cross Bar chair by Pearson Lloyd for Takt

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Cross Bar chair by PearsonLloyd for Takt

Dezeen Showroom: London-based design studio Pearson Lloyd aimed to bring the ethos of replaceability to an overlooked furniture type with the Cross Bar chair, created for Takt.

"The Cross Bar chair extends Takt's commitment to full replaceability and repairability to a new furniture category, delivering an efficient solution to the bar-stool market," said Pearson Loyd co-founder Luke Pearson.

Cross Bar chair by PearsonLloyd for TaktThe Cross Bar chair is repairable with replaceable components

Its repairable nature makes the stool particularly good for hospitality and workplace settings, although aesthetically it is just as suited to the home.

The Cross Bar chair comes in two heights and is made of timber that is available in three different finishes: oiled oak, smoked oak and black-lacquered oak.

Cross Bar chair by PearsonLloyd for TaktIt is made of timber with an optionally upholstered seat

The chair is designed to prioritise comfort and has a backrest that Pearson Lloyd also favours because it gives the stool a "definite orientation".

The seat can be optionally upholstered in a choice of three eco-labelled textile colours including sand grey, dark petrol or golden ochre or in cognac or black leather that has the Nordic Swan Ecolabel.

Product: Cross Bar chair

Designer: PearsonLloyd

Brand: Takt

Contact: pro@taktcph.com

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Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details emailshowroom@dezeen.com.

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Arch pendant lamp by Johan Lindstén and Markus Johansson for Oblure

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Arch pendant lamp by Johan Lindsten and Markus Johansson for Oblure

Dezeen Showroom: designed by Johan Lindstén and Markus Johansson for Swedish brand Oblure, the Arch pendant lamp has a shape that nods to a classical architectural form.

The Arch lamp has a graphic presence formed by a repeatedly curving piece of tubular metal and is described by Oblure as "alluring and eye-catching".

Arch pendant lamp by Johan Lindsten and Markus Johansson for OblureThe Arch pendant lamp recalls a classic architectural form

Light shines down each of the pendant's seven pillars, and the lamp is available in a number of bold colours.

The standard colour selection includes black, white and cobalt blue in a high-gloss finish and nude in a matt finish. There are also custom hues available on request.

Arch pendant lamp by Johan Lindsten and Markus Johansson for OblureLight shines down each of its seven pillars

Oblure recommends Arch for both private and public spaces and says it looks particularly good above dining tables and kitchen islands, as well as in conference rooms and offices.

The piece is suspended on adjustable steel wires that are practically invisible.

Product: Arch

Designer: Johan Lindsten and Markus Johansson

Brand: Oblure

Contact: order@oblure.com

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details emailshowroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership contenthere.

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Hulasol sun umbrella by Hulasol

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Dezeen Showroom: dual functionality and futuristic design characterises Hulasol, the signature sun umbrella of Belgian manufacturer Hulasol.

The umbrella functions both as a traditional parasol and an outdoor light source, which can be controlled by a smartphone app.

A photogaph of the Hulasol light lit up at nightHulasol's light can be controlled via smartphone app

The umbrella comprises a base with wheels for manoeuvrability, as well as an aerodynamically designed canopy to ensure stability.

It folds away into a compact leaf-like shape for easy storage.

A photograph of the Hulasol light, with a woman sitting underneath itIt comes in two finish options

"Hulasol is the world's first classy outdoor mood lamp and sun umbrella combined in one beautiful eye-catcher," said Hulasol. "Designed to captivate and comfort, its curves celebrate sun and moon."

The polyester canopy and all other surfaces have been treated to withstand water, dirt and mildew.

Hulsol comes in matte black and matte white colourways.

Product: Hulasol

Designer: Peter Mortelmans, Lin Bertels, Amandus Van Quaille

Brand: Hulasol

Contact: lin@hulasol.com

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details emailshowroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership contenthere.

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Polestar unveils electric roadster with personal drone

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Polestar O2 concept electric sportscar

Electric carmaker Polestar has revealed the O2 roadster concept car that features its own personal drone.

The Polestar O2 is a hard-top convertible that aims to showcase potential future technologies and design ambitions from the company, which brands itself a "pure play performance car brand".

"Polestar O2 is the hero car for our brand," said Polestar CEO Thomas Ingenlath. "It looks incredible, and being able to lower the roof and not hear an engine promises a superb sensation."

Polestar O2 roadster convertible with top downThe Polestar O2 is a hard-top convertible with a fully electric engine

The vehicle aims to combine the looks and performance of a sports car with the brand's sustainability efforts and the novelty of an "autonomous cinematic drone", which can be seen in the video below, to capture the driver's most picturesque journeys.

The car evolves the design language of Polestar's previous concept car, the Precept, adapting it into the form of a more compact roadster. Polestar describes it as having "classic sports car proportions but with a clearly modern, electric feel".

Behind the rear seat is the car's most unorthodox feature: a built-in drone that can be deployed at speed from a special aerofoil that raises from the back of the car.

Electric sportscar with low, wide body and aggressive stanceThe car is meant to have the looks of a classic sports car but with a contemporary, electric feel

The aerofoil creates a calm area of negative pressure so the drone can take off while the car drives, and the device then follows the O2 autonomously, at speeds of up to 90 kilometres per hour.

There are different filming modes to choose from, and the videos can be edited and shared directly from the car.

Polestar explained that the goal of the drone was to heighten what it considers quite an emotional experience, mixing the joy of driving an open-top vehicle with the excitement and tranquility of electric mobility.

Rear of the Polestar O2 showing rear lights and little overhangThe car evolves the design language Polestar established with its earlier concept, the Precept

"We wanted to emphasise the experience you can have with a car like the Polestar O2 in new and unusual ways," said Polestar head of design Maximilian Missoni.

"Not needing to stop and offload the drone before filming, but rather deploying it at speed, is a key benefit to this innovative design."

[ Polestar 0 project

Read:

Polestar's aim to produce a climate-neutral car is a "moonshot goal" says sustainability head

](https://www.dezeen.com/2021/06/15/carbon-neutral-car-polestar-0-interview/)

Sustainability initiatives are a key theme with the O2, which highlights some of the technologies Polestar might use as it aims to create the "world's first climate-neutral car" by 2030.

The O2's interior is largely made from a mono-material, meaning a single substance is used across many different components, facilitating easy recycling.

Rear of Polestar O2 car with aerofoilThe rear of the car contains an aerofoil from which to launch an integrated drone

That material is a recycled and recyclable polyester thermoplastic that makes up the seats' foam, 3D knit upholstery and even the adhesive between them.

Recycling has also been a focus for the car's chassis, which is a bespoke bonded aluminium platform adapted from the existing Polestar 5.

To avoid the effects of "downcycling", where the recycled material loses quality with each iteration, Polestar has invented a method of labelling that marks the quality grade of each part. This should ensure each grade of aluminium remains pure throughout recycling.

Interior of the Polestar O2 sportscar with recycled polyester thermoplastic mono-material seatsAll of the soft components in the interior are made of mono-materials

Because the O2 is a concept car, there are no technical specifications, but Polestar promises the vehicle will have tight body control, high rigidity and intuitive dynamics, with the high quality and rigidity of the aluminium platform making it highly responsive.

Sports cars are uncommon in the electric vehicle market, with the only other roadster coming from Tesla.

Polestar plans to launch three cars over the next three years, and says that each will have the potential to realise some of the ideas presented by the O2.

A personal drone can be launched while the car is moving

The Swedish company, which was founded in 2017 by Volvo Cars and Geely Holding, currently has two car models on the road, the Polestar 1 and Polestar 2.

One of Polestar's most ambitious goals is to create the world's first climate-neutral car by 2030 – a project which its head of sustainability has previously described as a challenge akin to putting a man on the moon.

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Worm sofa bench by Missana among new products on Dezeen Showroom

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Worm sofa bench by Missana in green with two people

Dezeen Showroom: a modular sofa bench with a millipede-like shape is among seven new products featured on Dezeen Showroom this week.

Worm sofa bench by Missana in green with two people

Worm by Clap Studio for Missana

Worm is a sofa bench made up of three modules including an end module, a straight module and a curved module that users can arrange to suit the needs of the space.

Designed by Clap Studio for Missana, the bench has a rounded upholstered seat and metal legs that resemble the shape of a millipede.

Worm was featured on Dezeen Showroom this week, alongside a glass pendant light informed by dewdrops on leaves and a coffee table created in a collaboration between a glass artist and a carpenter.

Read on to see the rest of this week's products:


Arholma outdoor table and four chairs on decking

Arholma outdoor collection by Alexander Lervik for Skargaarden

Created by Alexander Lervik for Swedish brand Skargaarden, Arholma is an outdoor furniture collection with a minimalist design.

The collection includes chairs, tables, a sofa and sun lounger, all made from galvanised powder-coated aluminium and durable outdoor fabrics.

Find out more about Arholma ›


Big Sur Low coffee table by Fogia in brown tinted glass and dark brown legs used in a living room setting

Big Sur Low coffee table by Simon Klenell and Kristoffer Sundin for Fogia

The Big Sur Low by Swedish brand Fogia is a coffee table featuring a thin tinted glass tabletop and rounded wooden legs.

The table is available in a range of colours and is the result of the collaboration between glass artist Simon Klenell and carpenter Kristoffer Sundin.

Find out more about Big Sur Low ›


Two Silent Room pods by Narbutas used in an open plan office

Silent Room acoustic pod by Narbutas

Workplace furniture brand Narbutas has released customisable features for its acoustic pod named Silent Room.

Silent Room creates private spaces for calls or meetings within open-plan workspaces. The new features include an optional glass insert for the back wall, which the brand suggests is ideal for spaces near windows.

Find out more about Silent Room ›


Dew pendant lights hung as a chandelier in a large white living room with tall ceilings

Dew pendant light by Shakúff

Dew designed by US brand Shakúff is a glass pendant light informed by water droplets found on leaves.

The Dew pendant lights are intended to be hung in multiples to create a chandelier and are available in clear, grey or amber glass.

Find out more about Dew ›


Two Lyra lounge chairs by Fogia in orange and green

Lyra lounge chair by Andreas Engesvik for Fogia

Designed by Andreas Engesvik for Fogia, the Lyra lounge chair contrasts soft cushioned seats with the graphic lines of its metal frame.

Fogia created Lyra to be both comfortable and aesthetically pleasing, describing the experience of sitting in the chair as feeling like you are sinking into a pile of pillows.

Find out more about Lyra ›


Close up of the Lumisonic downlight by Zuma recessed into a ceiling board

Lumisonic downlight by Zuma

Lumisonic is a downlight with an integrated loudspeaker that is operated through voice activation, created by Zuma.

The light works entirely wirelessly and has additional features including circadian rhythm lighting and mood lighting.

Find out more about Lumisonic ›

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details emailshowroom@dezeen.com.

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This week architects and designers responded to Russia's invasion of Ukraine

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Ukraine invasion

This week on Dezeen, we covered the reaction to the war in Ukraine, which has led to studios withdrawing from projects in Russia and the country being condemned by architects and designers.

In response to the invasion of Ukraine by Russia, which began on 24 February, more than 6,500 Russian architects, designers and urban planners signed an open letter to "demand the immediate end of violent war".

Red7 tower in MoscowMVRDV announced that its Red7 tower in Moscow is on hold

Several architecture studios made the decision to stop working in the country, with Dutch studio MVRDV halting work on all five of its projects in Russia, including its Red7 tower in Moscow (pictured).

UK architecture studios David Chipperfield Architects and Zaha Hadid Architects also announced they were suspending work on Russian projects.

A wide range of architects, designers and cultural institutions, including fashion designer Giorgio Armani, also showed their solidarity with Ukraine.

Metaverse office by BIGBIG has designed a virtual office for Vice

In the virtual world, Danish architecture studio BIG revealed its design for its first building in the metaverse.

The studio created a virtual office named Viceverse, where employees of media company Vice Media Group can work on digital projects.

Vulva Spaceship by Wer Braucht Feminismus?Wer Braucht Feminismus? revealed a concept for a vulva-shaped spaceship

In design news, German feminist art group Wer Braucht Feminismus? (WBF?), which translates to Who Needs Feminism?, revealed its concept for a vulva-shaped spaceship.

Designed to "restore gender equality to the cosmos", the ship aims to challenge the convention of phallic spacecraft design.

Ice falling from 11 West 57th Street closed roads and damaged a motorist

This week saw disruption in New York caused by ice falling from several supertall skyscrapers, including 11 West 57th Street on Billionaires' Row (pictured).

A motorist was injured when rapidly warming weather caused a chunk of ice to fall from the SHoP Architects-designed building.

Pastel-hued kitchen extensionAn extension with Romanesque arches was among the projects shortlisted for this year's Don't Move, Improve! awards

In London, the shortlist was named for this year's Don't Move, Improve! competition, which aims to find the city's best home renovation.

In total 15 homes were recognised, including a pastel-hued extension with Romanesque arches (pictured) and a converted artist's studio.

Image of the high-rise church among other tall buildingsA high-rise church in Taiwan was completed this week

Popular projects this week included an apartment in a former pub in Hoxton, a high-rise church in Taiwan (pictured) and a mid-century home in Phoenix.

Our lookbooks this week focused on contemporary interiors by Ukrainian designers, homes with decorative parquet flooring and coastal hotel rooms with calming sea views.

This week on Dezeen

This week on Dezeen is our regular roundup of the week's top news stories. Subscribe to our newsletters to be sure you don't miss anything.

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Michael Graves Design creates "visually appealing" medical furniture for CVS

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A chair by Michael Graves next to a bed

American studio Michael Graves Design has created a collection of home healthcare products for a major US pharmacy that is meant to "enhance people's lives with moments of joy".

The collection, called CVS Health by Michael Graves Design, features six items that fall into one of two categories – mobility or bath safety. The products include a shower chair designed to look like real furniture and a foldable walker.

CVS Health chair by Michael GravesCVS Health by Michael Graves Design is a range of accessible products for the home

Michael Graves Design, which was founded by AIA Gold Medal-winning architect Michael Graves, began the design process with a research phase that included interviews and in-house observations with users, caregivers and clinicians.

That research informed the design of the final products, which are intended to be both attractive and highly functional – a rarity in the world of home medical equipment.

Comfort Commode chairMichael Graves Design created the collection for the popular US pharmacy chain

"We are reinventing the home healthcare category with products that are research-insight driven, visually appealing, full of character and purpose, and that enhance people's lives with moments of joy," said the New Jersey-based studio.

The products help elevate the "quality and dignity that consumers should expect", said design principal Donald Strum.

"We are thrilled by the collaboration and the powerful change it will bring to disabled people, elders and the people who provide care for all of us."

A chair in a white bathroomThe range can be divided into mobility and bath safety products

Among the bathroom products is a shower chair that converts to a stool. It features a rustproof aluminum frame, a contoured seat that wicks away water, a removable backrest, and a built-in holder for a shower sprayer.

The Convertible Shower Chair & Stool is designed to mimic "actual furniture", and to blend with contemporary bathroom finishes and materials.

An accessible chair next to a showerThe Convertible Shower Chair & Stool has a rust-proof frame

The bath line also includes a 3-in-1 Comfort Commode that is suitable for a bedroom, living room or bathroom. It includes swing-away armrests and an extra-wide lid that enables the piece to be used as a chair.

Also in the bath line is the Raised Toilet Seat with a quick-locking mechanism that enables it to be connected and removed without the use of tools.

A bathroom with a white toiletRaised Toilet Seat has a quick locking mechanism

For the mobility line, the team conceived the Easy Fold Travel Walker. This has two wheels and a grip that angles down toward the front, helping improve the user's posture and wrist comfort. Other features include integrated brakes and easy height adjustment, along with a foldable design.

"Its unique centre column chassis looks cool, and also facilitates easier fold, better balanced carry and easier storage," the team said.

[ Gif of foldable Flow X stairlift by Pearson Lloyd for Access BDD

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Pearson Lloyd attempts to shift stigma around stairlifts with Flow X

](https://www.dezeen.com/2021/05/05/flow-x-stairlift-pearson-lloyd-design/)

The other mobility aids are the C Grip Cane, which has a crescent-shaped handle, and the Folding Cane, which is easy to store and has magnets that keep it securely folded up.

In addition to being lightweight and height adjustable, both canes feature square-shaped shafts made of aluminium and two interchangeable feet. They are offered in several colours.

A silver zimmerframeEasy Fold Travel Walker is a foldable zimmer frame

The healthcare products align with the spirit of Michael Graves Design, which was founded in 1964 by Graves, who died in 2015 at the age of 80.

In addition to noted architectural works such as Oregon's Portland Building, Graves designed mass consumer products for companies such as Alessi, Target and JC Penney.

A walking stickThe two canes in the collection are made with aluminium shafts

After Graves became paralysed in 2003 due to an infection, he adapted his Princeton, New Jersey, home for life in a wheelchair.

Graves became an advocate for accessible design and created related products, such wheelchairs and hospital furnishings. His aim was to improve healthcare and the caregiving experience through design.

A red walking stickThey both come in a range of colours

"Michael became a passionate voice among the disabled and used the power of design to improve healthcare experiences for patients, families and clinicians," his firm said.

CVS – one of the top American pharmacies – said it selected Michael Graves Design because it was a "design for all" pioneer that was "uniquely qualified to design transformative home healthcare products".

Other medical products include Flow X by Pearson Lloyd, a stairlift for the home that is meant to be aesthetically appealing, and a lightweight wheelchair by Phoenix Instinct that uses smart technology to improve its functionality.

The photography is byCVS Pharmacy.

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UN gives green light to "historic" global treaty to end plastic waste

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Picture of single-use plastic cutlery used to illustrate a story about the UN plastic treaty

World leaders from 175 countries have agreed to draw up a legally binding UN treaty that will regulate plastic production and pollution on an international scale for the first time.

Passed at the UN Environment Assembly in Nairobi, Kenya, using a recycled plastic gavel, the resolution will see nations hash out a set of universal rules and targets to end plastic waste "from source to sea" – much like the Paris Agreement did for carbon emissions.

"This is the most significant environmental multilateral deal since the Paris accord," said Inger Andersen, director of the UN Environment Programme (UNEP).

"It is an insurance policy for this generation and future ones, so they may live with plastic and not be doomed by it."

"I can't believe it's actually happened," the Ellen MacArthur Foundation's communications manager for plastic Iulia Strat told Dezeen.

"In the midst of all the grimness that we're seeing in the world, it's really such great news."

Treaty will cover whole lifecycle of plastics

To date, the world has generated more than seven billion tonnes of plastic waste. Of this, only nine per cent has been recycled.

Another 12 per cent has been incinerated, releasing the fossil fuels it contains into the atmosphere and contributing to global warming.

But the vast majority, around 79 per cent of all the plastic ever produced, is currently piling up in landfills and polluting the environment, harming marine life and breaking down into microplastics that have found their way into everything from Arctic ice to the placenta of unborn babies.

How exactly the UNEP treaty, which the organisation says marks a "historic day in the campaign to beat plastic pollution," will tackle these issues is set to be nailed down by a dedicated Intergovernmental Negotiating Committee over the next two years. The aim is to produce a draft by the end of 2024.

But the resolution agreed at the UN Environment Assembly already mandates that the final agreement will need to regulate not just waste collection and recycling, but also the design and production of plastics in order to minimise the pollution caused at every stage of the lifecycle.

This whole-life approach was supported by a number of companies including Coca-Cola, PepsiCo, Nestlé and Unilever, which surveys have regularly found to be the world's worst plastic polluters.

[ Plastic pollution from Coca-Cola and other companies

Read:

Coca-Cola, Pepsi and Nestlé named world's worst plastic polluters for third year running

](https://www.dezeen.com/2020/12/08/coca-cola-pepsi-nestle-plastic-pollution-break-free-from/)

But a number of major chemical and plastics manufacturers lobbied against the resolution and advocated instead for an alternative proposal from the government of Japan, which would have focused solely on tackling plastic waste in oceans without restricting production.

"Receiving the recognition that this problem needs to be addressed across the whole plastics value chain is a victory for groups and communities who have been confronting the plastic industry's transgressions and false narratives for years," said Von Hernandez, global coordinator of the Break Free From Plastic initiative.

"I'm personally so happy to see that we don't just have a treaty that focuses downstream," Ellen MacArthur Foundation's Strat agreed.

"After all these years of work, the fact that we're seeing specific attention given to product and packaging design and how we can design out waste from the beginning is really massive."

"Plastic pollution doesn't care about borders"

For the first time, the resolution also formally recognises the crucial role that waste pickers play in the plastics economy through the collection, sorting and recycling of waste.

"To be honest, that they're even included in the conversation is a big step," Strat said. "It means they will have a voice at the table with the other stakeholders, with the policymakers and the businesses."

The only other global treaty introduced to tackle plastic pollution to date focused solely on limiting the amount of waste that can be dumped on developing countries.

A number of nations including the UK, Kenya and India, as well as the EU, have already started individually regulating single-use plastic items. But Strat says a new, global treaty will ensure "everyone sings from the same hymn sheet".

"Plastic pollution doesn't care about borders," she said. "So you can be a perfect country with a perfect plan to tackle plastic pollution but still be open the waste from another country because it's all connected."

The top image byHeiko Prigge shows the Spoon Archaeology exhibition at the 2021 London Design Biennale.

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