#sound

bliter@diaspora-fr.org

#Best #Amiga #Mega #demos 2017 - 2022 #Music #Mix - #Weena_CN

top
https://www.youtube.com/watch?v=fVrr3AwfVgA

The best Amiga #Megademos from 2017 to 2022

Beam Riders by Haujobb Ghostown
Brutalism by Capsule
Elude - Rise And Shine
Focus Design - Storm Rider
#Haujobb - Signals
Kick The Sofa by Focus Design
PEEK by Spaceballs
#Spaceballs - Makt
The Electronic Knights - Hologon
Transhuman_Pachinkoland - The Electronic Knights
Unique - Origins
Unique - singularities
Zener Drive - Amiga 500 by Altair

You can #download all #Demos here:
http://www.demoscene.ru/

#Commodore Amiga 500 600 1000 1200 1500 2000 2500 3000 4000 #CDTV and #CD32
Commodore Amiga #Monitor 1930 1935 1936A 1940 1942 1950 and 1960

What is a Amiga Demo or Megademo

The Commodore Amiga was a popular #personal #computer that was known for its #advanced #graphics and #sound #capabilities. One of the ways that users of the Amiga #demonstrated these capabilities was through the #creation of #demos, which were short #programs that #showcased the system's #audio and #visual capabilities.

MegaDemos, also known as demo #collections, were a type of Amiga demo that combined multiple smaller demos into a larger #package. These collections typically included several different demos with varying #themes and #styles, and were often designed to be impressive showcases of the Amiga's capabilities.

MegaDemos were usually created by groups of demo #programmers and #artists who collaborated to create the demos, and they often competed with other groups to see who could create the most impressive demo. These #competitions were known as demo parties, and were popular among Amiga enthusiasts in the 1980s and 1990s.

Some famous MegaDemos include the "Unreal" and "State of the Art" demos by the demo group "The Silents," and "Hardwired" and "9 Fingers" by "Spaceballs." These demos were known for their impressive visuals, music, and animations, and were popular among Amiga users and demo enthusiasts.

MegaDemos played an important role in the early demo scene and helped to showcase the power of the Amiga's advanced graphics and sound capabilities. Today, they are still enjoyed by retro gaming enthusiasts and are seen as an important part of the history of the Commodore Amiga computer.

bliter@diaspora-fr.org

#QUASIMIDI #CARUSO | The Most Impressive #Soundscapes | #Digital #Synthesizer #Module 1993

top
https://www.youtube.com/watch?v=Nl_bbwadF_Y

(c) 2023 by #AnalogAudio1
img
All #sounds come from a single QM Caruso played live without additional effects and without any treatment - right from the stereo outputs. The general #sound has something magical to it imho. All sounds are #factory #presets, which I chosed as "the best" of this #instrument. Of course there are also a lot of #accordion and #organ sounds (the organs are not bad either, but not exactly my cup of tea). Some factory presets (mostly #pads) are surprisingly good and they don't hide the fact that the Caruso has limited D/A converters, which makes the sound "lo-fi" in general. It sounds quite nice - what do you think?

The Quasimidi Caruso is not very common outside #Germany, very cheap nowadays, it's a good choice if you like lofi digital #synth sounds from the early nineties! #synthétiseur
Fiche sur Synthetiseur.net

bliter@diaspora-fr.org

#JamesBond: Au Service secret de… l' #harmonie ! - #PianoJazzConcept

top
https://www.youtube.com/watch?v=c5v9-GcxsUo

#Analyse complémentaire de 10 #thèmes de James #Bond, après laquelle nous tentons de vider la querelle des harmonistes et des #sound #designers… aussi vieille que la célèbre querelle des #Anciens et des #Modernes.

Chapitres

00:00 Intro
08:04 You Only Live Twice (John Barry, 1967)
12:33 On Her Majesty's Secret Service (John Barry, 1969)
16:16 For Your Eyes Only (Bill Conti, 1981)
20:36 Never Say Never Again (Michel Legrand, 1983)
25:35 Licence To Kill (Michael Kamen, 1989)
31:30 Goldeneye (Eric Serra, 1995)
35:34 Casino Royal — You Know My Name (Chris Cornell, 2006)
42:23 Quantom Of Solace — Another Way To Die (Jack White & Alicia Keys, 2008)
46:24 Spectre (1) — Writing's On the Wall (Sam Smith, 2015)
53:37 Spectre (2) — Radiohead
1:00:14 Querelle des Anciens et des Modernes
1:08:16 Outro

Découvrir les échelles : https://www.pianojazzconcept.com/categorie-produit/harmonie-au-clavier/

#jamesbond #ost #musique #soundtrack

merlebardenoir@diaspora-fr.org

Lors d’une de mes récentes balades en bord de mer, j’ai comparé les propriétés acoustiques de différents os de seiche échoués sur la plage. En effet, une de leurs faces comporte des stries plus ou moins profondes dont le frottement produit un son variant de hauteur en fonction de la taille du sépion. Une idée m’est alors venue : fixer une de ces reliques maritimes à une petite caisse de résonance amplifiée elle-même reliée à un looper et à quelques pédales d’effets.

#musolepsie #experimental #music #cuttlefish #bone #sound

girlofthesea@diasporasocial.net

#medieval #monk #sound

Notker the Stammerer ( c. 840 – 6 April 912), Notker Balbulus, or simply Notker, was a Benedictine monk at the Abbey of Saint Gall,
Switzerland. He was active as a librarian, composer, poet and scholar. Notker made substantial contributions to both the music and literature of his medieval time.

-The life of Notker the Stammerer (latin: Balbulus) revolved around the Swiss monastery of Saint Gall where he received a refined education before being ordained as a monk.
According to Ekkehard, the Benedictine monk had a severe difficulty in articulating words. Despite this form of stuttering, he was highly appreciated by the Emperor Charles the Fat to the point that he became his occasional counselor.
Notker the Stammerer was highly fascinated by the world of sounds and cultivated the art of composition in conjunction with his monastic duties.

kurt@pod.thing.org

#Einladung / Invitation [ bitte gerne teilen / weiterleiten... PLS share]

112.5BPM HUMATIC co.llabs

#Ausstellung 24. April bis 13. Mai 2023, Mo-Sa 12-20h
Galerie #neurotitan
c/o Haus Schwarzenberg e.V.
Rosenthaler Straße 39
D-10178 #Berlin

Autonom spielende und interaktive Klang- und Bild-Maschinen, Installationen und großformatige Bilderserien verwandeln die #Galerie in einen Erlebnisraum. 112.5BPM ist das musikalische Tempo, in dem sich die Werke zu einem konzertanten Ganzen verbinden.

Das Haus Schwarzenberg gilt als Symbol für Freiheit und #Kunst und erscheint als eines der letzten nicht-kommerziellen Refugien in Berlins Mitte. Die Galerie neurotitan machte sich besonders durch Street Art einen Namen und gehört auch als Magnet für touristische Besucher:innen wohl zu den hochfrequenten Kunsträumen der Stadt.

112 5BPM HUMATIC co.llabs Teaser
Further Info & Updates, google doc

------------------ english

#Invitation [PLS share]

112.5BPM HUMATIC co.llabs

Opening April 04, 2023 6pm

#Exhibition April 24 – May 13, 2023, Mon-Sat 12-8pm
Galerie neurotitan
c/o Haus Schwarzenberg
Rosenthaler Straße 39
D-10178 Berlin

Autonomously playing and interactive #sound and image #machines, #installations and large format #picture series transform the gallery into an unique space of experience.

Haus Schwarzenberg is a symbol of freedom and #art and seems to be one of the last non- commercial refuges in Berlin-Mitte. The neurotitan gallery has made a name for itself primarily through street art and, as a magnet for tourists, is probably one of the most visited art spaces in the city.

112 5BPM HUMATIC co.llabs Teaser, googgle doc
Further Info & Updates

https://exhibition.humatic.net/