#studios

bliter@diaspora-fr.org

La #Story #Cassius Partie 1 : les #origines - #HistoiresElectroniques par #DJ #LittleNemo

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#Histoires #électroniques

Cassius, l'un des groupes fondateurs de la #FrenchTouch, un duo formé de Philippe 'Zdar' Cerboneschi et Hubert 'Boombass' Blanc-Francard, qui ont fait leurs armes en tant que techniciens dans les #studios #français avant de se faire connaître en réalisant l'album de MC Solaar, puis de réaliser des #tracks #donwtempo sous le nom #LaFunkMob.

1ère partie qui raconte les origines du groupe Cassius !

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SOURCES
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Livre 'Boom Bass' de Hubetrt Blanc-Francard
Livre 'French Touch' de Stéphane Jourdain
Livre 'French Connection' de Martin James

https://www.youtube.com/watch?v=MuS9S8JYSoY
#music #musique #house #techno

bliter@diaspora-fr.org

#DJChloé raconte la nuit #techno - #BingeAudio

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#ChloéThévenin, alias Chloé, est une figure incontournable de la #musique #électronique #française, #européenne et #internationale. Depuis plus de vingt ans, elle alterne entre les #clubs et les #studios, entre le monde de la nuit et celui du #cinéma, de la #danse, et même de la #radio puisqu’elle a signé en 2021 l’habillage sonore de #FranceCulture… Son #parcours, il #raconte en creux l’ #évolution de la musique électronique, sa sortie de l’ombre, sa #reconnaissance par le grand public, mais aussi le souci de conserver ses #valeurs, son #indépendance, une certaine idée de la #liberté et de la #modernité

C’est toute cette #histoire que Chloé a accepté de #raconter au micro de #ThomasRozec.

https://www.youtube.com/watch?v=x6HWsHCJYrI

tpq1980@iviv.hu

"Hey Straight White Men Pass The Power!"

by #Artichoke #Trust.

#Toynbee #Studios,
28 #Commercial St,
#London E1 6AB

020 7650 7611

email: emily.lake@artichoke.uk.com

#Trustees:
Helen Marriage
Richard Kitson
Janice Evelyn Boud
Ruth Hogarth
Stephanie Flanders
Allan Cook
Dalwardin Babu

#Charitable objects:
"To advance the #education of the #public in the #arts, including the arts of #music, #speech, #drama and #dance, in all their branches and in particular by public performances."

Reg. #Charity No: 1112716

#Search Details: https://register-of-charities.charitycommission.gov.uk/charity-search

#Assets: £1.19 million.

£1+ million in #staff #pay for 2021.

Received #money from #Bloomberg, #Amazon & #UK #taxpayers.

#artichoketrust #helenmarriage #culturalmarxism

tchicketchacke@pod.g3l.org

#Covivre #Radio est une #webradio-associative fondée en 2020. Intrinsèquement liée à l’ #association Covivre dont l’ADN est la mise en lumière de causes #sociétales et #environnementales #actuelles, ainsi que la mise en place d’ #actions sur le #terrain, aux côtés d’autres #structures soutenues par l’association, Covivre Radio a pour vocation de donner la #parole aux #acteurs du milieu #associatif, aux porteurs de #projets qui dés aujourd’hui, écrivent le #monde de demain, mais également, tous les #citoyens concernés et engagés qui contribuent au futur de notre #planète. Véritablement inscrite dans un esprit ”Feel Good”, Covivre Radio, ce sont des #portraits, des #talks, des #missions #thématiques et une #programmation pointue, sélectionnée par des #professionnels de la #musique.

Dans le prolongement des actions de l'association, Covivre Radio ne se restreint pas aux murs de ses #studios, mais poursuit elle aussi, sa mission sur le terrain avec des #initiatives telle que "Covivre Kids", "Covivre Teens" et "Covivre +" (pour les séniors) dont le but est non seulement de partir à la rencontre des ces différentes #générations afin de recueillir leur #vision du monde d'Hier et d'Aujourd'hui, mais également leurs #espoirs pour Demain.

La radio se veut donc #engagée et active sur le terrain ! Fermement #inclusive, Covivre s'affirme en outre comme un #média #collaboratif où chacun peut s'emparer du #micro !

https://www.covivre.org/

bliter@diaspora-fr.org

Welcome #Organelle S! - #critterandguitari

https://www.youtube.com/watch?v=eVYx7XKFo4E

The Organelle S is for #musicians who like what they see and hear in the Organelle M but don't need the portability of the M's battery power and speaker.

In all other functions, the S is identical to the M. They share same #patches, processor, RAM, audio & MIDI connections, keys, knobs, screen, microphone, HDMI output, USB ports, and power adapter.

TLDR:
• The Organelle S is great for #studios & pedalboards.
• The Organelle M is portable and autonomous!
• The Organelle is a powerful instrument that keeps up with your spontaneity and creativity!

https://www.critterandguitari.com/organelle
Learn more about the update on our Blog!
https://www.critterandguitari.com/blog/organelle-family-is-growing
#synth #synthesizer

anonymiss@despora.de

#Piracy #Release Group #EVO ‘Blames’ #Movie #Industry For Its #Popularity

source: https://torrentfreak.com/piracy-release-group-evo-blames-movie-industry-for-its-popularity-211114/

Maybe, if #studios would care a bit more about the #consumer, there wouldn’t be much piracy on the #internet. But they don’t care anymore, what matters is profit, profit and #profit.

#economy #capitalism #money #politics #news #media #entertainment #p2p #download #filesharing #warez

dezeen@xn--y9azesw6bu.xn--y9a3aq

Studio Bua transforms derelict Icelandic farm building into artist's studio

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A converted farm building in Iceland

Architecture office Studio Bua has converted an abandoned farm building in Iceland into an artist's studio and residence, featuring a new gabled volume slotted inside the existing walls.

Studio Bua, which has offices in London and Oslo, was asked to develop a proposal for revitalising a cluster of former farm buildings overlooking the Breiðafjörður Nature Reserve in western Iceland.

A converted farm building in IcelandStudio Bua has converted an abandoned farm building in Iceland

"Our first proposal was to link the existing spaces to create a more cohesive landscape with a 'community' of buildings for the family and their friends to occupy," said Studio Bua. "Together they create the place and make its history evident."

The first phase of the project involved converting the derelict concrete barn into an artist's studio and holiday home for the owners.

A house in a Icelandic nature reserveThe house overlooks the Breiðafjörður Nature Reserve

The existing barn's robust concrete structure was retained and adapted to accommodate a kitchen and dining area alongside a double-height studio space.

Additional single-storey walls adjoining the main structure had been constructed without foundations and were therefore deemed too fragile to reuse. Instead, they are left as they were found, forming a perimeter around an open courtyard.

A gabled house slotted within an old farm buildingA new gabled volume is slotted inside the old farm's walls

The ground floor is designed to provide a sequence of utilitarian spaces with good natural light and views of the surrounding landscape through new and existing openings.

"On the ground floor in the original concrete structure we made openings only where it was necessary, mostly because the walls are not reinforced and opening further would compromise the structure," the architects explained.

A wood-lined living room overlooking a nature reserveThe building functions as a holiday home for the owners

"We added two new openings because we needed to let more light into the kitchen and to add an entrance to the studio, to get in large artworks."

The ground-floor spaces feature a palette of simple and practical materials including an exposed concrete floor and surfaces covered with stained birch plywood.

The wood-lined interiors of an Icelandic holiday home The new construction has a timber-framed structure

The architects collaborated with the client, who had previously used stained plywood in her practice, to develop pigments that would evoke colours found in the surrounding countryside.

A timber-framed structure added above the existing ground floor contains the building's more domestic spaces, including a small sitting room, two double bedrooms and a bathroom.

A wood-lined studio inside an Icelandic homeThere is also an artist's studio

The extension's gabled form mirrors the profile of the original concrete structure, while its homogenous, corrugated-metal cladding distinguishes it as a new addition.

A staircase positioned in one corner of the building ascends to the sitting room, which is lined with a row of windows looking out across the beach and the fjord beyond.

This mezzanine space overlooks the dining area below, which is flanked by a large opening in the original gable that once allowed hay to be hoisted into the barn.

The muted palette used upstairs is informed by local vernacular interiors, and includes walls and flooring covered with white-stained pine boards.

A wood-lined artist studioStained birch plywood lines the walls

Various reclaimed materials are used throughout the project, including plywood handrails on the first floor made using offcuts from the ground-floor cladding.

Outdoor furniture was produced using concrete salvaged from the new openings created in the existing walls, while all the internal doors, as well as the bathroom sink, were sourced from a recycling centre in Reykjavik.

The dining room of an Icelandic holiday homeThe dining area is flanked by a large opening

Studio Bua was founded in 2017 by Mark Smyth, Sigrún Sumarliðadóttir and Giambattista Zaccariotto.

The studio's name derives from the Icelandic word for "inhabit" and its architectural approach focuses on elevating everyday spaces through a combination of craftsmanship, technology and a hands-on approach to design and construction. The team also renovated a guesthouse in the same part of Iceland as the holiday home.

The photography is byMarino Thorlacius.

The post Studio Bua transforms derelict Icelandic farm building into artist's studio appeared first on Dezeen.

#residential #all #architecture #iceland #houses #studios #culturalbuildings #adaptivereuse #studiobua