David Sylvian has posted an incredible 40-minute film of the Brilliant Trees sessions on the samadhisound vimeo account.
David writes:
Brilliant Trees sessions . Berlin . 1983 . raw camera footage
This raw footage shot on, whatâs now seen as a primitive camera but which was a top of the line consumer product at the time, a massive, unwieldily object, was documented by Yuka Fujii. Iâve put the material together in the order it was recorded to give a very general idea of the process of development. Itâs been my practice to work closely with each individual musician since my earliest days with the band in an attempt to get the best results. Iâve always maintained the band prepared me for working with others, gave me the confidence to work with my peers, the ânewcomersâ in the room all being older than myself (25). At this point in time Ryuichiâs english was very rudimentary (this was to change radically within the next ten years or so) so we had to communicate as economically as possible, or rather, 95% of the exchange was purely musical. Yuka and Peter Barakan would step in when greater explication was needed. Holgerâs english remained consistent throughout the years i knew him. Again, subtleties could be lost so the dialogue was relatively basic. These sessions in Berlin were my first step in creating what would become âBrilliant treesâ and my initial move away from the structure of the band. It was one of the happiest recording experiences I can recall while signed with a major label. Because of the success of having everyone meet in Berlin, a city native to no one involved, it felt like an adventure. People arrived with a spirit of openness and receptivity. I went on to repeat this process with albums such as âSecrets of the Beehiveâ, âRain Tree Crowâ, and âThe First Dayâ among others.
Iâve left a lot of Jonâs conversation in as itâs of interest. In one section heâs explaining the nature of raga and how he came to it by working with renowned Indian singer/teacher Pandit Pran Nath. He was also intimating that, as âBrilliant Treesâ asked that he play in the western tradition, âstepsâ as he describers it, he didnât see how his performance could be incorporated into the title track. I persevered. He returned to his hotel room that evening to work on it and, overnight, came up with something so beautiful and complimentary to the piece, that moved away from raga (outside of the coda), and gave us one of the rare, if not unique recordings, of Jon playing in the western tradition.
Besides the limited nature of my vocabulary, the paired down nature of our exchanges for the reasons given above, my only regret is that I didnât use Holgerâs guitar solo on âRed Guitarâ. At the time I felt it a little lightweight compared to the mix Steve Nye was prepping. I would now mix it quite differently pushing the drums way back (from the mid 70s through the 80s drums were often foregrounded, a trend I wasnât fond of. I fought for a change of approach on âBeehiveâ and thatâs about the time when things began to resemble how Iâd initially imagined the material. (There are always exceptions of course, âweathered wallâ, âBefore the Bullfightâ are just two examples). I loved Holger dearly and wish Iâd imortalised his solo in some capacity. If it still exists on multitrack all is not lost.
I came away from Berlin with an incomplete album and preceded to write a few remaining pieces to complement the best of what I had. âThe Ink in the Wellâ, âNostalgiaâ and âBackwatersâ were added, âBlue of Noonâ, an alternate version of âForbidden Coloursâ, and a new track composed with Ryuichi were, with the exception of the latter, to find a home elsewhere. âBlue of Noonâ was originally a vocal piece but I felt this version didnât hold together and, in any case, was out of place in the context of the album. Virgin released a working rough mix of the track as the B-side of a single.
I hope the mutual respect and good humour of everyone involved comes across along with their seriousness and committed nature to the material. Rarely has this proved otherwise for me. In this respect I feel very fortunate. From this session I made lifelong friends, a trend that was to continue for many years to come.
david sylvian july 2021
in order of appearance: Ronny Drayton . David Sylvian . Ryuichi Sakamoto . Holger Czukay . Jon Hassell . Steve Nye. RIP Mick Karn, Japan, more than 5 guys, Japan and David Sylvian, IT was A way of Life đđŻđ”đđđ
© david sylvian / yuka fujii
All CREDITS David Sylvian ©©©©©©©© ,
Thank you David for Sharing your journey with us all with this incredible personal video , , myself included, Millions would love to see a Tour one more time đ.Your past work with Steve Jensen,Richard Barbieri,Mick Karn ( RIP)Rob Dean ,( including Ryuichi Sakamito /Steve Nye, is a piece of history ,Japan still annoylingly known as "New Romantics", your reply was priceless, "You weren't Fancy Dress", You still are "A Way of Life", Rip Mick Karn