#personal

faab64@diasp.org

Before the 79 revolution in #iran, a group of left wing students in Europe released a few albums, mostly in support of the communist guerilla group people's Fedaiian organization.

The name of the album was "Aftabkaraan- jangal" (those who planted the sun in the woods), referring to the group of Fedaii members who attacked a police station in northern city of Siahkal in 1970 in the dream of creating a Cuban style revolution in Iran. The tragic action that led to death and capture, followed by execution of all 11 members of the group followed by a brutal crackdown on many left wing groups and individuals and horrible torture and murder of many of th group's members.

Those tapes were very popular in Tehran,they would go hand in hand even among those who didn't support the group and later on became popular among groups of young people going on mountain hikes.

I haven't heard those in more than 40 years and was excited to find them on this site.

I felt like a pre-teen romantic revolutionary kid once again, when we used to listen to those songs under the cover of our bed in quiet so no one could hear it and it also brought back the.memory and the faces of so many friends, schoolmates, neighbors and family members who died before, during and after the revolution.

#iran #music #history #personal #revolution #songs #poetry

https://ashrafdehghani.com/%D8%AA%D8%B1%D8%A7%D9%86%D9%87-%D8%B3%D8%B1%D9%88%D8%AF/

escheche@diasp.org
escheche@diasp.org

Ithaka the Movie

Ithaka wins #Audience #Award and #Best #Documentary

'The campaign to free #JulianAssange takes on #intimate #dimensions in this documentary portrait of an elderly man’s fight to save his son. Arguably the world’s most famous #political #prisoner, #WikiLeaks founder Julian Assange is a figure pretty much everybody has an opinion about; perhaps more importantly, he serves as the emblem of an #international arm wrestle over #freedom of #journalism, #government #corruption and #unpunished #war-crimes. For his #family members who face the prospect of losing him forever to the #abyss of the #US #justice #system, however, this #David-and-Goliath struggle is #personal – and, with his #health declining in a #British #maximum-security #prison and #American government #prosecutors pulling out all the stops to #extradite him, the #clock-is-ticking.'

#movie #soho #london #film #freeassange

faab64@diasp.org

There are few foods I love eating cold and hot, the Iranian national dish Ghorme Sabzi is one of them.

Couple of months ago Cooke a giant pot of it and froze 7 containers.

Took out one last night and put it in the fridge (my procedure to cut electricity and heating costs down), and forgot to eat it today.

Since I got up at midnight, got hungry and took a few bites of it with home baked bread from last night.

This is one of the food, I can eat for breakfast, lunch and dinner almost every day and never get tired of it.

#Food #Iranian #GhormeSabzi #FoodAddiction #France #Personal

faab64@diasp.org

Up until about 20 years ago, I was very active focusing on Iranian politics and to work on (tryied) to create a united front including all democratically minded Iranians abroad to gather around a simple platform of an alternative to the major forces of the time, the IRI, the Cult of Rajvi, the followers of the Pahlavi with their extreme right supporters and the small but vocal extreme left.

I spend countless hours setting up, maintaining and organizing the first Iranian internet group called "Democracy Network of Iran" and helped with the side project of "Iranian Human Rights Working Group".

It all started in early 90s and lasted about 8 years, during that time, we have about 5000 members (by the time the largest online community), a fully working mailing list, a large web site and many side projects with Amnestt, IHRWG and other HR groups.

My main focus for years was to document the atrocities of the regime, mainly the mass execution of political prisoners in 1988. Something that no one, except small groups in the left and the cult of Rajavi were talking about. The Iranian diaspora in UK and US would not even mention it, because in their minds, those 1000s of young women and men who were killed by the regime, were all to blame for their loss of their beloved Pahlavi dynasty, directly or indirectly and they would not even consider helping to highlight that as a major issue and would rather focus on "regime change" with the help of Americans.

So came Khatami and his reformer movement, our discussions turned hostile, many believed that the opening of the IRI was possible and Khatami could be the Gorbachev of IRI and his reform movement was the Iranian Perestroika. Many left the group and joined one of our younger members (Trita Parsi) the Zoroastrian Iranian kid living in Sweden who was hell bent on supporting the reform movement in order to prevent a possible US/Iran war. He then later moved to US, got his PhD in political science and was one of the founders of the NIAC, the group that was mainly built to promote the interest of Iranian people and to give an impartial "Iran" oriented alternative to the MEMRI that was the only source of Persian/Farsi translation in US, funded by Mossad/AIPAC, MEMRI had build a strong grip over politicians in US and was providing them with weekly newsletter with translation of the worst of the worst of countries in the ME with main focus on Iran and it's proxies in Lebanon and Iraq.

So came 9/11, and with that, Bush's famous axis of evil and putting Iran, Iraq and North Korea as the main enemies of the united states, despite the fact that Iran was the only supporter of the Northern Alliance fighting the Taliban movement and went almost into war with them after a convoy of humanitarian aid and diplomats of Iranian consulate in Mazar Sharif were slaughtered by the Taliban.

No matter what Khatami did to please Americans, including letting them use Iranian airspace to attack the Taliban or send shipment from US military hubs as well as Europe to Afghanistan, changed the mindset of the Americans. The American for New Century, the group of neocons with Dick Cheney, Rumsfeld and Bolton to push for targeting Iran after Afghanistan. The results were devastating for Khatami and his reform movement, the conservative forces in the country, with Ahmadinejad (the conservative mayor of Tehran by the time) criticized him for being soft of US and causing more harm than good by letting US use Iranian "resources" to invade Afghanistan and later Iraq.

So DNI died out shortly after 9/11 as many Iranian Americans were simply too scared to be part of anything "Iranians" and others used the group as a jumping start for their career in US as advisors, reporters, translators and even lobbyist for neocons who were throwing money at anyone who would sing by their music!

I stopped all my contacts, kept the group's web site and mailing archive on my homepage and quit all my involvement with any Iranian diaspora.

I was pulled into politics one more time during the 2009 riots after the election of Ahmadinejad for his second term and the sad and brutal failure of desperate young Iranians who thought the criminal Mousavi was their savior and fought and died for him as they saw Ahmadinejad as the one who lost the election, but was put in place with the direct order of Khamenei and the conservative members of the Iranian Guardian Council, with backing of both Sepah (IRGC) and Basij (Militia).

My friends in US gathered around NIAC, they focused on working on normalization of relation between Iran and US and with Obama in change, many of them got an opening in US to support their views and helped John Kerry and Obama administration during their work on the road toward JCPOA.

Ever since the signing of JCPOA, the group became a main target of AIPAC who saw them as their biggest enemy in the US, specially since most of the members in the group are prominent Iranians in top industrial, educational and political positions in the US. Most are not usually political and their goal was mainly to ease the sanctions that were hurting the Iranian people much much more than it was hurting the government, who's position was actually getting stronger and it's corrupt leaders richer since they were using their position and contact to smuggle US/EU made products into the country as well as selling oil and other products to Europe and other countries by avoiding US sanctions.

When Trump got into power, the Pahlavi and extreme right groups of Iranian diaspora, as well as the cult of Rajavi who were removed from US terror list by Obama saw and opening for them to push for regime change in Iran and receiving money from various shady NGOs involved in many operations backed by Saudi, Israeli and Americans to push for a colored revolution in Iran, like they had successfully done in many former eastern blocks. The attacks against NIAC became more severe after Trump unilaterally removed US signature from JCPOA and put much harsher sanctions against Iranians (not just the regime) including the famous Muslim ban (which was actually built on the law Obama passed long before Trump). NIAC played a strong role of being the voice of Iranians in US to fight the injustice of the Muslim Ban and managed to help many stranded Iranian university student who were caught in limbo during the early days of the ban and finally managed to push for a change (together with CodePink, Amnesty US and ACLU) to exclude Iranians green card, H1B (work) visa and student visa holders from the ban and allowing many of them to return to their homes in the US.

The Current protests in Iran became another chance for the now open Israeli American groups, the Saudi backed "Iran International" TV channel, the CIA's Farsi programs of Radio Farda and VOA Persian to get together with the extreme right groups (Iranian GOP members), Pahlavi loyalists and members and supporters of Rajavi/NCRI to start a vicious and massive attack against NIAC and specially Negar Mortazavi the prominent reporter and political analyst as "paid by the mullahs" or "Iranian regime's agents" among other things.

It makes me angry and sick to stomach to see how much money, energy and time these people are spending on destroying NIAC instead of focusing on creating a united front against the brutal regime of IRI and it's murderous thugs in and outside Iran.

I am once again, despite my strong feeling going to leave the political discussion about this subject and this is the last time I am posting something about it.

It was a long time ago I wrote anything this long, I am sure it has a lot of grammar errors, but don't have time to go back and correct it. It is just my 2c of a short history of NIAC and they reason for people attacking them for those who are not familiar with the group or who is who in this nasty and dirty "war" that is going on.

#Iran #Politics #History #IranProtests #Diaspora #IranUprising #AIPAC #MEMRI #NCRI #NIAC #TritaParsi #NegarMortazavi #GOP #Journalism #HumanRights #Personal

oliver@societas.online

Personalmangel bei der Bahn, Autos, Klima und so
Ist es euch auch schon aufgefallen? Der #Bahn fehlt #Personal. Kaum ist ein #TriebwagenfĂŒhrer krank, fĂ€llt auch schon eine Zug aus und eine Strecke wird nicht befahren. Da ich den #ÖPNV nutze, merke ich das andauernd. Immerhin wird ein Schienenersatzverkehr (SEV) eingerichtet, damit ist man aber wieder lĂ€nger unterwegs.

Eigentlich mĂŒsste das ja so laufen: Die LokfĂŒhrer mĂŒssten streiken, dadurch höhere Löhne erkĂ€mpfen und in der Folge wĂŒrden sich vielleicht mehr Leute erbarmen diesen Job zu machen. Keine Ahnung, warum das nicht so lĂ€uft.

Ich weiß nur eins: Obwohl ich eigentlich auch aus Überzeugung den ÖPNV rege nutze, bin ich echt froh, wenn ich wieder ein Auto habe. Man ist damit deutlich freier und schneller. Und ich kann damit auch da hin, wo der Bus oder die Bahn nicht hin fĂ€hrt oder Tage braucht.

Die Landbevölkerung und auch die Bewohner kleinerer StĂ€dte sind sowieso oft auf ein Auto angewiesen, weil sie den ÖPNV schlicht nicht nutzen können, weil sie damit nicht zur Arbeit kommen. Wenn ich nur ein paar Kilometer weiter vom Bahnhof weg wohnen wĂŒrde, hĂ€tte ich auch dieses Problem. Dann könnte ich bestenfalls P+R nutzen, der das Auto aber ja nicht ĂŒberflĂŒssig macht. Die Kosten fĂŒr Anschaffung und Unterhalt des Autos hĂ€tte man dann auch an der Backe, spart halt nur etwas Sprit und steckt das Geld in ein Ticket fĂŒr die Bahn.

An dem Punkt relativiert sich mein VerstĂ€ndnis fĂŒr manche Klimaaktivisten. So sehr ich ja auch fĂŒr den Klimaschutz bin, so sehe ich aber doch die Lebenswirklichkeit fĂŒr viele Menschen. Da mĂŒsste man eigentlich ganz andere Dinge unternehmen, statt sich auf die Straße zu kleben oder Kunst zu attackieren. Ich denke jedenfalls nicht, dass das hilft.

WĂ€re es nicht sinnvoller FlughĂ€fen zur Hauptreisezeit zu blockieren? Oder TriebwagenfĂŒhrer zu werden anstatt einen Bachelor in irgendwas zu machen? Oder - was ich persönlich gut fĂ€nde - den Konsumwahn irgendwie zu bekĂ€mpfen? Fragen ĂŒber Fragen, auf die ich auch nicht die eine richtige Antwort habe.

faab64@diasp.org

The love on their faces makes me sick

Only a few years ago, such image was unthinkable.

The Russian puppet they used to call him. A man with roots in Neo Nazi groups and a populist with no program other than hate.

Today, this despicable charlatan setting the direction of Swedish politics.

Having received the blessing of 21% of the voters. He is not holding back.

Crush every barrier towards environmental Armageddon.

Destroy unions, public schools and public service.

Cut the funding to all green activities subsidiesed by former government and declare war against cyclists in big cities.

It's just hard to understand how far this man can take the country before people realize that their problems were not caused by a few Afghan minors who came into the country "illegally", but policies of conservatives and the Nazis that is turning Sweden, more and more like US.

#Sweden #Politics #StopNazis #Personal

faab64@diasp.org

Farid Farjad - Iranian/American violinist who plays many of the old classical songs and music with violin and piano!

When we got married, we decided to send the invitation in the form of a CD, with collection of Iranian music to our friends and family!

For almost 95% of them it was the first time they ever heard Iranian music and it was both a surprise and shocking to hear all the comments about how they loved it and could never imagine music from Iran being so "nice" or so "western".

This piece is about 2 of the most famous popular love songs of the 60s and 70s in Iran adapted to instrumental music!
#Music #Iran #Personal #FaridFarjad
https://www.youtube.com/watch?v=xK-DTtsbAc0

joseph_teller@diaspora.glasswings.com

Folks :

I am doing my best to reconnect with everyone that I was sharing Aspects with over on Pluspora. With nearly 900 accounts over many different pods (though I suspect probably a hundred of them are inactive) I am sure to miss a few. If you were connected with me over there and add me into your aspects that would be appreciated as it will make the process easier (I know some of you are facing the same daunting task as I am).

Additionally Right Now I am only making two aspects, rather than the many detailed aspects I was running previously. So Basically You are In my General Acquaintances Aspect or a Combination of that and my #Life Aspect. I will still use the tagline system on my posts but since I actually post a lot less than I did back when I set those aspects up, I am not as afraid as I once was of overwhelming people with posts and content.

#Pluspora #Aspects #Transition #LIfe #Acquaintences #RebuildingReality #Personal

badbit@diaspora.psyco.fr

¿Por qué tan calladito?

Tanto a Ășltima publicaciĂłn de mi blog como mi Ășltimo video de YouTube son de octubre de 2021, despuĂ©s de eso hay un silencio sepulcral. ÂżQuĂ© sucediĂł? ÂżMe hartĂ© de escribir gratis en Internet? ÂżAbandonĂ© prematuramente lo que tanto trabajo me costĂł construir? Obviamente no. Escribir para Internet es algo que hago desde que tengo quince años y no pienso detenerme pronto. Este breve escrito es solo para saludarlos y actualizarlos sobre lo que ha sucedido en todo tiempo, ademĂĄs de explicarles mis planes para el 2022, al menos en lo concerniente a contenido para Internet.

Para leer la entrada completa da clic aquĂ­.

#blog #mexico #español #escritura #personal

florida_ted@diasp.org

Be careful when using any social media

Social media is a perfect way for scammers to reach a lot of people, and we often see them using this to round up victims. There are many kinds of Bitcoin scams to be found on YouTube, Twitter, and other platforms. And along with Tech Support scams, Ponzi schemes, misinformation, and many phishing attempts, you can find every kind of scammer on social media without having to look very hard.

#privacy #security #online #personal #data #scam #fraud

https://blog.malwarebytes.com/how-tos-2/2021/10/how-social-media-mistakes-can-impact-cybersecurity/

christina_engela@joindiaspora.com

Christina Engela Interview With Robb Wallace

This was an interview conducted by Robb Wallace, published on October 16, 2021.

Christina Engela Author Bio:

Christina Engela, one of South Africa’s most unique, prolific and skilled storytellers, has already written and published numerous fiction and non-fiction titles and is best known for her creative sci-fi stories and realistic characterization. The Port Elizabethan writer brings a wealth of personal experience to each of her stories, and with more than one new offering in the pipeline at any given time – and new titles being made available in audiobook format, the future is bound to be busy for her fans! You can find out more on ChristinaEngela.com

christina-engela-interview-image

Check her out at Moon Books Publishing!

Get “Blachart” – book 1 in the Galaxii Series by Christina Engela on Audible now, audiobook narrated by Nigel Peever!

You can find out more on ChristinaEngela.com

“Christina Engela is a South African editor and author of horror, fantasy and science fiction novels. Her books are never short of suspense, adventure and humor, while her colorful characters and thought-provoking settings take readers into another world, making her one of the most gifted and creative storytellers. A firm supporter of the LGBT community, Christina believes that Sexual and Gender Minority characters aren’t reflected enough by authors due to a number of reasons. As such, Christina’s writing isn’t stereotypical, and her characters aren’t stereotypes, regardless of their sexuality or gender.” – Booksradar.com, June 21, 2021.

https://www.booksradar.com/engela-christine/engela.html

An interview with science fiction author Christina Engela

About Christina Engela (Who, why, when, where, what):

Q: Tell us something about your books, including your genre and your characters and/or themes.

A: My primary genre is science fiction. My usual style is that of space opera, with a good deal of action and adventure thrown in, also including elements such as suspense. I also include touches of horror and fantasy for good measure.

My lead characters tend to be heroic inspirational types like Mykl d’Angelo or Joe Lofflin, and sometimes they’re anti-heroes like Blachart the Corsair. While my leads generally fall somewhere on the LGBT spectrum, this is not always the case. For me storytelling is about the people and their issues and obstacles and how they overcome them. That’s why I don’t write high science fiction – for me, sci-fi is more about the adventures of friends living in a distant different future than about explaining the fine details of how future tech works!

Q: Where are you based?

A: I live in the city of Port Elizabeth, on the South-eastern tip of Africa, in a country called South Africa. I was born here nearly 50 years ago – and unless something goes incredibly right, I’ll probably die here too!

Q: Latest releases and upcoming titles?

A: My latest print/eBook release was a novel called “Mirror, Mirror” (2019). I just finished the first draft of another novel, “Sentinel”, which is book 4 in the Galaxii Series, but that will need to go through the editing process before anyone sees it! A few of my books have begun to appear in audiobook format – the latest is “Black Sunrise”, book 1 in the Quantum Series narrated by Darla Middlebrook. She’s still busy with book 2, which should be coming out shortly.

Q: What are you currently working on?

A: I usually work on several books at once – it tends to keep things more spicy that way, don’t you think? I just finished “Sentinel” last week, and I’m still busy with “The Song Of The Drillipede”, “Underground Movement” (Quantum book 7) and “Where Darkness Softly Treads” (Galaxii book 5). I also have a horror story lurking ominously in the background that needs finishing (shivers)! Its working title is “Pets”.

Q: What inspires you to write?

I’m not so sure “inspires” is the right word. For me writing is more than that – it’s a drive, an obsession almost. Inspiration is just about WHAT I write
 I’m almost never happier than when I’m deep in thought behind a PC typing away at a story! Perhaps it’s an escape? Maybe. But what an escape it is then!

Q: When and why did you get into writing fantasy/Sci-fi?

A: To clarify, I don’t write pure fantasy – at least I haven’t yet! My main genre is sci-fi, but I blend sci-fi with elements of fantasy. The same is true for horror.

It was in about 2005 when I wrote the first book in the Quantum Series, “Black Sunrise” that I first started to blend elements of other genres with sci-fi. Yes, it’s set in a sci-fi framework, but there’s a lot of fantasy elements in the series – from the character of Fred the Arborian, who’s an alien walking, talking pot plant who causes drama and theatrics wherever he goes – to critters like the crabby-grass that roam the sidewalks and parks of Atro City, to the strato-penguins that fly high overhead, with the occasional straggler exploding if it strays too high. In later books, Vampires have also made the occasional appearance, and they begin to feature quite strongly from book 5 onwards.

In my third series, “Panic! Horror In Space”, I blend sci-fi with horror to create a satirical look at how people in a higher tech future would deal with paranormal events such as hauntings and things which so far defy scientific explanation – like zombies for example! Naturally, there’s a lot of comedy in this series because it’s meant to be a parody. There are also serious parts, and there are things in there which do truly frighten me!

Q: Who are your favourite sci-fi/fantasy writers/authors?

A: That would have to be Harry Harrison and Terry Pratchett!

Q: What is your favourite fantasy series and why?

Terry Pratchett’s Discworld series of course! I’ve always admired his writing technique, his wit and intelligence, and how he tells a story. He also had a way to construct the text so that you could read the same book again and pick up on something new that you missed the last time – which is something I absolutely admire! He told human stories, and his ability to cut through all the pretense and bullshit to expose the core of the matter was remarkable. His character and world-building was intricate and life-like. He could play his audience like a maestro conducting an orchestra. If there were any writer of any period or genre that I could hope to evoke, it would be him.

Q: What is your favourite sci-fi series and why?

A: Star Trek, without a doubt – although Star Wars always seemed to come a close second. Firefly was also right up there with them too! There’s adventure, tech, excitement – but also emotion and depth. It’s not just a bare-knuckle brawl or things blowing up for no reason, it’s about purpose, doing the right thing, helping people, being better. It’s inspirational. Best of all, the tech is based on actual science of the time! I like happy endings I suppose, because if we were to consider the story of our species with all its problems and its history of falling and rising civilizations and failures to reach the stars to attain equality with the gods of old, then Star Trek would be that happy ending.

Q: Who are some of your all-time favourite sci-fi characters? And why do you think they became your favourites?

A: Spock from the original Star Trek of course! I admired his logical mind, his Sherlock Holmes methodology and style – and his abilities to control his own pain and his struggles with his own limitations.

Q: Do you follow any entertainment outside of books? (Video Games, Boardgames, Comics etc)

A: I have a collection of around 2000 comics! I collect a fair variety, and I have most of the Star Trek comics, and also items like Magnus Robot Fighter, Flash Gordon, Buck Rogers, BSG, Space Family Robinson etc. In the graphic novel department, Tintin, Asterix and Lucky Luke are my all-time favorites. I also have a selection of figurines and models spanning the same interests – it’s just a pity that in South Africa most of anything we find here is Star Wars and not much else!

Q: What’s going on in the next few months? Anything on the Horizon?

A: I recently signed with a local publisher called Hally Park, who will finally bring my books into South African book shops in print! This country’s publishing and book selling industry is still steam-powered, and nouveau publishers like Hally Park are likely to break the strangle-hold on indie authors in South Africa! They have a contract to supply books to public schools, so what this brings forward is the likelihood that my books could be appearing in schools in future!

Q: What kind of books did you read that contributed to your upbringing, as far as fantasy and science-fiction?

A: I grew up reading a lot of sci-fi, mostly Star Trek (the TV adaptations of the original series by James Blish). I read those a lot! Also, there was an old series called Tom Swift by Victor Appleton that I enjoyed too.

Tintin was a huge influence on me as a child, and although it wasn’t sci-fi on its own, Tintin and his companions did travel to the Moon in one of their adventures (Destination Moon & Explorers On The Moon), and were saved in another by a UFO (Flight 714)!

Q: Was your upbringing pretty geeky?

A: (Whispers) I loved learning about dinosaurs and science and space travel from books, and read encyclopedias at the breakfast table! When I was 14 I had fifty copies of National Geographic magazine on my shelf!

Q: Do you have a process, do you plan or do you fly by the seat of your pants?

A: I plan the broad strokes of the story, but the finer detail – well, that writes itself!

Q: How has your writing process changed since you first started writing?

A: When I first started writing, it was literally with pen and paper! Since 2003 it’s been digital. This has made revising and editing much easier – and relegated writer’s cramp to the past! Having the internet handy for research has also improved the process.

Q: How long does it normally take you to write a novel, and what proportion of the time is spent doing what?

A: That varies! I worked on “Blachart” from 1991 until 2005 (14 years!) while “Sentinel” (begun in 2020) took just over a year to complete the first draft. The difference here was that I’d started writing “Blachart” in the old-school style – with a pen and paper, rewriting each draft over manually, which is very time consuming and labor intensive! In 2003 I digitized it and then it became much quicker and easier to write and edit my books! In 2005, I wrote the first three books in the Quantum Series in just three months!

Starting a new story for me begins with mentally developing a picture of what I’d like it to be about, then working out how it will influence or fit in with the over-all story arc of whatever series it’s in, and then planning which characters will appear in it. If it’ll be previously used characters, that saves time, but if I need to invent new ones, I spend a little time working out who and what I’ll need, determine their roles and create interesting backgrounds for them, picture their appearances and personalities and so on. Often I won’t know I need a new character until I get to a certain point in the story, and then I’ll do this on the spot!

I generally work on more than one project at a time, so in one week I might work on two or three different books more or less simultaneously. I do this so that I don’t get in a rut; it helps to keep it interesting – and if the writer remains interested, then the readers will too!

Q: What is your favourite part of the writing process?

A: When I hit my stride and I’m typing away furiously, my mind already two sentences ahead of what’s appearing on my screen! It’s a rush!

Q: Have your previous vocations influenced your writing?

A: Definitely. I’ve been a lot of different things in my life, including being a soldier and a computer technician and I have plenty of anecdotes and experiences to enrich my writing!

Q: Do you involve other people in your writing, as collaborators or editors? How do you make this work?

A: Not often, but it has happened! I co-wrote some short stories with Alex S. Johnson, and I assisted Deena Larsen with the translation of her Rose Project into Afrikaans. Collaboration can be very difficult, so there needs to be some form of chemistry between participating writers! As for my own writing, I do it all myself.

Q: As far as writing goes, what do you use? Software, Apps, Hardware etc?

A: For the last decade or so I’ve typed and processed my stories on a succession of laptops which I carry virtually everywhere I go! I use nothing special, just Word to type and format the manuscripts in, PowerPoint to design covers, posters and book trailer videos, and Exel to track and manage sales and distribution.

Q: Do you do a lot of research for each book? If so how do you conduct your research?

A: Define a lot! Ha ha. Well, it depends on the individual book. There might be aspects of the book that I’d need to research, and where my personal experience and my creativity run out, my usual avenue is the internet!

Q: How do you overcome blank writing spells?

A: I start by opening a manuscript I’m still working on, read through it, and then do a little editing – which turns into embellishing – and then (if uninterrupted) this turns into full-blown writing. Honestly, if nobody stops me I might not be seen for hours!

Q: A number of fantasy/sci-fi authors have been known to use art, music, exercise, alcohol and even drugs as a way to find inspiration to enter the zone! Do you use any tools to enter into your creative headspace?

A: I find that music helps.

Q: Do you prefer to write in silence and or have some sort of sound in the background?

A: That depends on my mood. Mostly I prefer to have soft music in the background, usually playing on the laptop I use for writing!

Q: Will your next book be traditional or indie published?

A: “Sentinel” (already completed) will be published exclusively through Hally Park Publishers.

Q: Would you recommend self-publishing to aspiring authors, or would you suggest a more traditional path?

A: Definitely. It’s pointless and counterproductive to sit around and wait for a traditional publisher to accept your manuscript, or to “discover” you. Meanwhile, you could be self-publishing, refining your work, and most importantly, building your audience and your brand!

Q: What sort of input do you give to formatting, cover design, marketing?

A: I edited, formatted and designed covers for my books, and also did most of the marketing. In the case of books distributed through Moon Books or Hally Park, they have either used the covers I supplied with them, or asked me to approve the ones they made to suit them.

Q: What do you do pre and post-release to help get your books noticed?

A: I mention the book and its series in posts and articles, also in my newsletters. I also write articles to promote them and share these all over social media. I promote them to reviewers and then circulate and promote the reviews.

Q: Marketing is so important nowadays, what’s your best advice to fellow authors?

A: Get rich some other way 😉 Write for the love of it. Marketing consumes all your free time which would be better spent writing more.

Q: How did you decide the pricing of your material; how did you go about promotion/advertising and distribution of your work?

A: Since I live in South Africa and most of my book sales are via the internet, the income is calculated in USD. The Rand-Dollar exchange rate is pitiful really, so in terms of sales this is the only time it benefits me at all! For every $1 I get in royalties, that works out to around R15 – so conversely what I decided to do was price my eBooks as low as I reasonably could. To determine a base-line price I researched similar books by other authors and then set what I felt was a reasonable low price for my books! In most cases, my books go for around $2.99, which I think is quite cheap! Even in South African Rands, it only works out to about R60, which is far cheaper than some other similar novels in eBook format!

As for marketing and promotion, I was always a firm believer that this should be handled by publishers – but I’ve had to roll with the punches, and accept that this simply doesn’t seem to happen anymore. My US publisher has run a few Facebook ads in the past though it’s hard to gauge how effective that has been.

When it comes to spending power, the currency conversion rate that worked in my favor in terms of earnings, now works against me in this department as the ‘only $50’ asked by some internet marketers works out to R750! The worst part is, that’s per title, not per author – and I have over 30 titles I need to market! The $3000 per title asked by others at the opposite end of the scale works out to R45,000! (Plop!) I have no idea what sort of person thinks a poor struggling author could possibly afford to pay fees like that, but what I do know is, they’re delusional! Consequently, I had to learn to do marketing on my own, picking up tips here and there and figuring it out as I went along. Honestly, there’s only so much you can achieve with free marketing.

Q: Advice on making an impact in today’s busy Scifi and Fantasy markets.

A: It’s so difficult to stand out in todays’ crowded markets! There are so many writers out there all peddling their stories as unique and creatively different or innovative – and readers really are spoiled for choice! The only thing, I think, writers can hope for without having the power of a big publishing or advertising company behind them, is to stand out enough to have their own little niche audience form around them.

Q: Must-read sci-fi novels?

A: “The Stainless Steel Rat” and “The Technicolor Time Machine” by Harry Harrison, “The Door Into Summer” by Robert Heinlein.

Q: Must-read non-sci-fi novels?

A: The Discworld series by Terry Pratchett, “Riotous Assembly” by Tom Sharpe (in fact, anything by him!)

Q: Most prized book in your collection?

A: My Tintin and Asterix books!

Q: Do you read digital, paperback or hardback or do you listen to audiobooks?

A: I’m not too picky! These days cost is a factor, so being well-aware that eBooks are cheaper, I often read those – and I don’t blame other readers for doing the same! EBooks are easier to read in the dark, after all – or on the move! I like audiobooks too, especially the ones that have sound effects and lively narration! They remind me of the dramatized radio shows I grew up listening to!

Q: What are some difficulties you’ve experienced in your writing career; how do you handle book critiques/criticism?

A: My first traditional publisher was a small press that made me take down all my self-published books – and then spent the next two years putting up just two of them. In the meantime I lost goodness knows how many sales while I waited for them to edit, format and design new covers for those books
 and I also had no items to link to in order to promote! In short, while I waited, the reading world forgot about me. During the time I was with them, the publisher did zero marketing other than for their own staff members books; my own books were not promoted at all other than an initial announcement at release, and when I asked about marketing I was gruffly told “that’s how the publishing industry works”! In addition, they were as transparent as concrete about sales – and every time I made enquiries, I was rebuffed or spoken down to. Then after wasting two and a half years of my time, one day out of the blue, they decided to rebrand themselves as a “pure horror” publisher and dumped the rest of their author stable, and me along with them.

Since then I’ve been stubborn about sticking to self-publishing and distrustful (and even resentful) of so-called traditional publishers! As a writer one has to be very careful who one signs contracts with! I find indie publishing to be an integral part of the creative process – not only do I get to write the story, I also get to design the cover and layout!

I have since signed with two small press traditional publishers (one in the US and the other in South Africa) – which means that I actually have two publishers at the moment – but I still retain the right to distribute existing titles on my own via my own indie channels as well! That way I don’t need to lose any income (or my internet footprint) while I wait for any promises from said publishers to materialize!

When it comes to book reviews and critics, and even reader reviews, I’ve had good experiences over-all so far! That said, I know sci-fi isn’t for everyone, and even sci-fi that includes a few novelty items like vampires or talking plants isn’t for every sci-fi fan. Mind-bogglingly, some people don’t like sci-fi that contains LGBT characters that aren’t horrible cliché’s or disparaging stereotypes, or which tackle current affairs and social issues head-on, and will take the trouble to leave their comments or send nasty notes via email.

I’ve always rolled with the punches and taken criticism from whence it came. A friend of mine once sagely advised me that ‘there’s no such thing as bad publicity’, so I list all my hate mail on my website for posterity. I visit them now and then for a good laugh.

Q: What are the best experiences in your writing career?

A: Writing itself (of course)! Finishing a new story and looking through it. Announcing to the world that my new book is available. Reading genuine heart-felt and honest reviews of my writing. Stumbling across public comments about my books on websites or forums etc. that I didn’t know about. People I meet in shops asking about my next book. Feeling fulfilled when I look back at one or more of my stories and notice something funny or profound I’d forgotten about.

Q: What are some encouraging words you’d give to another author/writer?

A: Write for yourself, publish for fame and fortune by all means – but never forget who it is you’re writing for.

Get in touch with author Christina Engela:

Website & Social Channels:

My author website & blog – https://christinaengela.com/

Moon Books: https://moonbooks.net/authors/christina-engela/

My Facebook page: https://www.facebook.com/ChristinaEngelaAuthor

Twitter: https://twitter.com/pinkfuzzyninja

GoodReads: https://www.goodreads.com/author/show/3358833.Christina_Engela

Book links:

Amazon: https://www.amazon.com/Christina-Engela/e/B00OBY5PD8/

Barnes & Noble: https://www.barnesandnoble.com/s/christina+engela?_requestid=2972541

Newsletter:

I have a monthly newsletter which is circulated from my website (https://christinaengela.com/)! I also put out weekly updates of goings-on in my life!

Quantum Series <a class=#1 - Black Sunrise by Christina Engela - Cover sml">

Quantum Series <a class=#2 - The Time Saving Agency by Christina Engela - cover sml">

Quantum Series <a class=#3 - Dead Man's Hammer by Christina Engela - cover sml">

Quantum Series <a class=#4 - Loderunner by Christina Engela - cover sml">

Quantum Series <a class=#5 - Prodigal Sun by Christina Engela - cover sml">

Quantum Series <a class=#6 - High Steaks by Christina Engela - cover sml">

When Darkness Calls by Christina Engela - Cover sml

Best Served Cold by Christina Engela - Cover sml

Galaxii <a class=#1 Blachart by Christina Engela - Cover sml">

Galaxii <a class=#2 Demonspawn by Christina Engela cover sml">

Galaxii <a class=#3 Dead Beckoning by Christina Engela - Cover Sml">

Lifetime by Christina Engela - Cover

Mirror, Mirror by Christina Engela - Cover - Small

Panic! Horror In Space <a class=#1 Static by Christina Engela - Cover sml">

Panic! Horror In Space <a class=#2 Life Signs by Christina Engela - cover sml">

Panic! Horror In Space <a class=#3 Dust by Christina Engela - cover sml">


Until next time, keep reading!

Cheers!

Digital Autograph Christina Engela


Catch me on social media!

Facebook | Twitter | LinkedIn | Academia | Minds | Instagram | GoodReads | Author’s Database | Library Thing | YouTube | Pintrest | Stage32 | The Book Marketing Network

All material copyright © Christina Engela, 2021.

#author #autobiography #best-books-with-transgender-protagonists #bio #biography #books #books-with-lgbt-characters #christina-engela #deep #disclosure #ebooks #experience #exploration #fiction #interview #lgbt-heroes #moon-books-publishing #paperbacks #personal #radio-interview #robb-wallace #sci-fi-books #sci-fi-series #sci-fi #science-fiction #science-fiction-audiobooks #science-fiction-books #science-fiction-series #scifi #south-africa #suspense #thriller #transgressive #writer

Originally posted at: https://christinaengela.com/christina-engela-interview-with-robb-wallace/

sylviaj@joindiaspora.com

The Transformation of Greta Thunberg

https://www.theguardian.com/environment/ng-interactive/2021/sep/25/greta-thunberg-i-really-see-the-value-of-friendship-apart-from-the-climate-almost-nothing-else-matters

"A remarkable story. Not just the fantastical stuff – the little girl who conquered the world, but the smaller, more #personal #story, the one she’d doubtless tell us doesn’t matter – the lost little girl who learned how to belong. This is the one that really moves me. 
"

#interview #gretathunberg #greta #transformation #biography #autism #environment #climate #crisis #activism #inspiration #cop26 #hypocrisy #fridaysforfuture